Song profile for Time flies
ericade.radio knows the chiptune and demoscene! We're the radio station playing all the best tunes from the most prominent, promising or trending artists in the scene. We also know about the artists and songs as well.
This profile was last updated on: 2026-09-22 22:32:21
🎙 Curated by DJ Daemon
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Track Details
- MD5
2fbc57c1618ef04332cfbe4f19170f0f- SHA-1
c8e03b8b077dd8422a3487d46eaeaf358f4050e5- SHA-256
ba1064b5875f34e1bcdbf2f95f31ebfdafe3952beba25164052f85694320f908- SHA-384
79fb28d5227d5ddd2124e3ace496f7264a9d0308e036ad0a7cb4f289a4d77c71cb703b1caac69b3be479b160ec9a7367
Play History
- 🕘 2026-09-22 22:00:14
About the artist Jakim View all tracks ›
A Polish artist, whose real name is Mateusz Szymański. He has a large portfolio of highly ranked tracked modules on ModArchive.
🎧 3,217 plays on ericade.radio
Additional data from ModArchive
Sample & instrument names
by Jakim 27 VIII 2026 Xenium 2k26 Kick C2 v77 Kick C2 v127 Snare D2 v44 Snare E2 v40 Snare F2 v62 Snare F#2 v30 Snare G2 v62 Snare C#2 v87 Snare E2 v77 Snare C#2 v101 Snare D#2 v100 Snare F#2 v86 Hats A#2 v100 Hats D3 v95 Hats D#3 v100 Hats F3 v83 Hats G#3 v100 Hats D4 v100 Hats E3 v113 Hats F3 v112 Hats F#3 v105 Hats G3 v124 Hats G#3 v100 Toms G4 v84 Toms A#4 v82 Toms C5 v89 Toms F#4 v109 Secon C4 v86 Secon C#4 v66 Rim C#5 v101 Rim C#5 v101 Bass F2 v23 Bass D3 v55 Bass D#3 v61 Bass G3 v66 Bass F4 v44 Bass A#4 v58 Bass D#2 v74 Bass G#2 v93 Bass A#2 v123 Bass B2 v100 Bass D3 v115 Bass F3 v109 Bass G3 v100 Bass A#3 v104 Bass C#4 v113 Bass D4 v122 Bass F4 v116 Piano A#1 v59 Piano B1 v68 Piano D2 v44 Piano G2 v44 Piano A2 v50 Piano A#2 v45 Piano C3 v38 Piano D#3 v46 Piano F3 v50 Piano G3 v46 Piano A3 v56 Piano C4 v57 Piano C#4 v61 Piano D4 v55 Piano D#4 v62 Piano F4 v56 Piano G4 v59 Piano A4 v51 Piano C#5 v53 Piano G#5 v58 Piano C6 v73 Piano C#6 v85 Piano D6 v73 Piano F6 v59 Piano G6 v80 Sh D2 v55 Sh C3 v69 Sh G3 v84 Sh C#4 v73 Sh E4 v68 Sh A#4 v71 Sh D5 v76 Sh A3 v90 Sh A#3 v99 Sh F4 v93 Sh G#4 v100 Sh C5 v100 Sh F5 v102 St D4 v49 St F#4 v73 St A#4 v71 St D5 v79 Sp F4 v67 Sp A4 v61 Sp F5 v79 Sp A4 v89 Sp C5 v83 Sp F5 v89 Sp C#6 v85 Sp F#6 v102 Fl D4 v107 Fl F4 v111 Fl A#4 v111 Fl C5 v112 Fl F#5 v112 Fl A5 v73 Fl D6 v52 Ho C4 v95 Ho A3 v85 Ho D4 v87 Ho F4 v85 Ho A4 v94 Ho C5 v90 Lo F2 v90 Lo D#3 v94 Lo G3 v89 Lo B3 v40 Lo D#4 v94 Lo G#4 v77 Lo D#5 v77 Lo A5 v70 St C2 v60 St A#2 v90 St D3 v70 St B3 v69 St F4 v96 St C5 v70 St A5 v109 St D6 v70 St A6 v45 So A3 v90 So C#4 v97 So F4 v119 So C5 v119 Tr G#3 v37 Tr C#4 v19 Tr A4 v74 Tr E5 v49 Tr C6 v105 Tr E3 v95 Tr C4 v88 Tr D4 v112 Tr G#4 v113
Data from modarchive.org, last checked 2026-09-22 22:32:21.
Mp3 file details
Open the waveform at full size (opens in a new tab)
- Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
- OK
- measured from the file itself
- Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
- File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
- 3.8 MB
- 4 009 964 bytes
- File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
- Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
- 2:47
- minutes : seconds
- Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
- 111 BPM
- a walking tempo
- Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
- 192 kbit/s
- good quality
- Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
- 48 kHz
- 48 000 measurements a second
- Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
- Stereo
- 2 channels
- Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
- MP3
- Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
- −16.7 LUFS
- typical for streaming and podcasts
- Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
- 6.9 LU
- moderate
- True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
- −2.2 dBTP
- safely below the ceiling
- Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
- DR 12
- 11.7 dB · moderately dynamic
- Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
- −18.9 dBFS
- average (RMS) over the whole file
- Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
- −19.0 dBFS
- average (RMS) over the whole file
- Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
- 0.07 dB
- balanced
- Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
- −13.4 dB
- ordinary stereo
- Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
- No
ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.
Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.
📻 Station details
The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.
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