Song profile for We're the devils

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This profile was last updated on: 2026-09-24 02:55:05

🎙 Curated by DJ Daemon

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Cover art for We're the devils by Martin Wall

🎵 Track Profile

We're the devils

by Martin Wall

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Track Details

AlbumOriginalName: demoscene.rmx Imported: 2026-04-28 (TERN-apr2026-06).
Tracker TypeModern remix
Duration06:10
Total plays20
Added2026-04-28 08:14:19
Track ID#15800
Integrity
MD5
4f523664e2586e7ad952533397248e00
SHA-1
db9fe4acc871ff1c71ee66652669fcebca53fe28
SHA-256
625dd28bbb2742b3ca3ee5cba234a7d654c2f2db13e67be6de0488cfcbc77c29
SHA-384
b608db87b4e5a59a2fdc66b2dbec7d39d0e6401be133333f97b6f712a8e8d5aeb47831a0fe0b560b3228abbc5ea4edfd
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🏷 Encore

The slogan for this album release is "Composed in true Amiga Spirit!". It features artists such as Jogeir Liljedahl , Markus Klein (Lman) , Romeo Knight , Martin Wall (Mantronix) , Erika Wittmann (Ziona) and many more. It was released in 2026 and is a collection of remixes of old Amiga games.

🏷 Game music

Tunes from old, classic video games. This includes chiptunes, soundtracks, and remixes.

Play History

  • 🕘 2026-09-24 02:55:05
  • 🕘 2026-09-14 11:42:31
  • 🕘 2026-09-05 13:03:16

About the artist Martin Wall  View all tracks ›

A Swedish artist, who is more famous under the name "Mantronix". A legendary scener tht has worked with other artists such as Tip.

🎧 21 plays on ericade.radio

Mp3 file details

Waveform of We're the devils by Martin Wall, left channel above, right channel below: level in dB against time, 6:15 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
15.9 MB
16 711 891 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
6:15
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
128 BPM
a dancing tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
356 kbit/s
high quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
48 kHz
48 000 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−8.7 LUFS
on the loud side
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
6.8 LU
moderate
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
1.4 dBTP
close to the ceiling - may distort on some players
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 8
7.9 dB · heavily compressed
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−12.5 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−12.3 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
0.16 dB
balanced
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−3.8 dB
very wide
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
Yes

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
OriginalName: demoscene.mp3 Imported: 2026-04-28 (TERN-apr2026-06).
artist Who made or performs the recording, as it is written inside the file.
Martin Wall
composer Who wrote the music, when that is somebody other than the performer.
Tor Bernhard Gausen aka Walkman
genre The style of music, or the kind of programme, the file says it is.
AMIGA
title The name of the recording, as it is written inside the file.
We're The Devils
date The year, or date, the file says the recording is from.
2026

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

📻 Station details

The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.

Station ericade.radio / The ERICADE Radio Network

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