Song profile for Temporal disruption

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This profile was last updated on: 2026-10-01 02:45:43

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Cover art for Temporal disruption by Alex Smith

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Temporal disruption

by Alex Smith

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Track Details

AlbumOriginalName: alex_smith_-_temp_smed.it Imported: 2026-03-10 (TERN-mar2026-01).
Tracker TypeImpulsetracker
Duration04:07
Total plays27
Added2026-03-10 22:13:04
Track ID#15671
Integrity
MD5
61f3e0300bedf787f4526d0f9be7359d
SHA-1
c6326d873bcc4b1df02f4b292a7daf4c76ee003b
SHA-256
5bdeb77b99493dede459053e18f404d2e62c11427d07b271f6af6ee9c2a2221f
SHA-384
93cca347c1411fa7ce301a89f0b7d82134f4071d52af59131467c56736a5629d49798d9567570d2e602ac5a3a1bf1e93

Play History

  • 🕘 2026-10-01 00:45:43
  • 🕘 2026-09-20 08:50:25
  • 🕘 2026-09-12 15:24:46

Additional data from ModArchive

Title on ModArchive Temporal Disruption:Smiff
Credited on ModArchive Alex Smith
Module format IT
File size 2.00MB
Added to ModArchive Wed 4th Mar 2026
ModArchive rating 8 / 10

Sample & instrument names

NANOST~1.WAV
JX10STNG.WAV            L
JX10STNG.WAV            R
F_BASS.WAV
BASSDR~7.WAV
SWIIII~1.WAV
TUMCLI~1.WAV
GNOPCL~1.WAV
909OPE~1.WAV
SHARPO~1.WAV
DEEPER~1.WAV
BELLY.WAV
CLOSEHA5.WAV
Synth                   ?
909CRA~1.WAV
SHORTS~1.WAV
EVILSA~1.WAV
EVILSA~1.WAV
NANOST~1.WAV
WATERS~1.WAV
JX10STNG.WAV
F_BASS.WAV
BASSDR~7.WAV
SWIIII~1.WAV
TUMCLI~1.WAV
GNOPCL~1.WAV
909OPE~1.WAV
SHARPO~1.WAV
DEEPER~1.WAV
BELLY.WAV
CLOSEHA5.WAV
Supersaw
909CRA~1.WAV
SHORTS~1.WAV
EVILSA~1.WAV
EVILSA~1.WAV

Comments on ModArchive

Temporal Disruption (Smiff Mix '26 Edit)
----------------------------------------
Alex Smith
----------

    Originally Finished - August 2001
Dusted off and released - March 2026

----------

I was going through my old files the other night and I stumbled on my old
Mods folder from way back when, and I started to get all nostalgic. I
decided to check the Mod Archive to remind myself of when I last uploaded
something. Can't be that long, I thought. Turns out, nearly 19 years.
Blimey, I don't know where the time has gone, I really don't.

Anyway, found this one on my hard drive and realised I never uploaded
it here so I thought, why not? I think I might have had an MP3 version
of this up on my (now long dead) website back in 2002/3 that was mixed with
a vocal sample from Nessaja by Scooter for some reason.

I can't remember the sources of the samples, sorry. It was 25 years ago,
and I'm not entirely sure what I had for breakfast this morning or
where I've left my keys. I think the vast majority of them were from
a sample pack a friend sent me around the time.

I absolutely cringe now at the comment text I put in most of my old
uploads. Most of it was either me trying to be funny, or ranting about
how miserable I was. None of that these days, I'm happy and doing well
in life - I have a loving partner and we have a 5 year old daughter
together.

For the last 10 years or so, on and off, I've been releasing music on
streaming and download under the name "Unmet" - there were already one
or two other Alex Smiths out there so I wanted to come up with something
no one else was using so my stuff didn't get muddled up in amongst all
that. I'll always be Alex Smith on here though.

Please do check me out on all the usual streaming and download sites
if you have 5 minutes to spare. I currently have one monthly listener
on one of the platforms, and I'm pretty sure it's my mum. There's some
new stuff and some old stuff remixed on there.

There's a few other unreleased IT bits on my hard drive I'll see about
dusting off and uploading soon.

Bye for now!

-------

Contact Info:

  Email: smiff_btinternet.com
Website: https://modarchive.org/member.php?68788

--------

I used Modplug Tracker to type these notes and trim the mod down a bit
but the rest of it was done in good old Impulse Tracker back in the day.

--------

Data from modarchive.org, last checked 2026-08-25 16:29:58.

Mp3 file details

Waveform of Temporal disruption by Alex Smith, left channel above, right channel below: level in dB against time, 4:12 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
5.8 MB
6 043 407 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
4:12
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
125 BPM
a dancing tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
192 kbit/s
good quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−16.0 LUFS
typical for streaming and podcasts
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
6.0 LU
moderate
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−1.6 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 11
10.6 dB · moderately dynamic
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−17.0 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−17.7 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
0.67 dB
left is 0.7 dB louder
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−15.9 dB
ordinary stereo
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
No

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
OriginalName: alex_smith_-_temp_smed.it Imported: 2026-03-10 (TERN-mar2026-01).
date The year, or date, the file says the recording is from.
2026-03-03T21:21:30Z
comment A free note somebody left inside the file.
Temporal Disruption (Smiff Mix '26 Edit) ---------------------------------------- Alex Smith ---------- Originally Finished - August 2001 Dusted off and released - March 2026 ---------- I was going through my old files the other night and I stumbled on my old Mods folder from way back when, and I started to get all nostalgic. I decided to check the Mod Archive to remind myself of when I last uploaded something. Can't be that long, I thought. Turns out, nearly 19 years. Blimey, I don't [...]
sourcemedia A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.
'it' tracked music file, made with 'OpenMPT 1.32.03.00', rendered with 'openmpt123 0.6.6 (libopenmpt 0.6.6+r17953, OpenMPT 1.30.07.00 https://source.openmpt.org/svn/openmpt/tags/libopenmpt-0.6.6@17953 (2022-09-25T14:18:16Z) clean)'
title The name of the recording, as it is written inside the file.
Temporal Disruption
artist Who made or performs the recording, as it is written inside the file.
Trackerartist
encoder The program that made the mp3 file.
Lavf62.19.101

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

📻 Station details

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