Song profile for Damaging torque
ericade.radio knows the chiptune and demoscene! We're the radio station playing all the best tunes from the most prominent, promising or trending artists in the scene. We also know about the artists and songs as well.
This profile was last updated on: 2026-10-06 13:56:37
🎙 Curated by DJ Daemon
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Track Details
AlbumOriginalName: damaging_torque.it Imported: 2026-03-10 (TERN-mar2026-01).
Tracker TypeImpulsetracker
Duration01:59
Total plays30
Added2026-03-10 13:54:56
Track ID#15664
Integrity
- MD5
8357d0fc379b5fca2f9f676978033ad2- SHA-1
ac0d4bd90e49ce8dc7ff9d8a40c5eb89d97429bb- SHA-256
c01b7a76f15e128793faba4b91c6c392f8ab3102ddec9bc9dc0d4e47d7c578ea- SHA-384
b695d803509bfa4c904daf833cea31a50bea56985a732d5ce57151b9da0c40047e35ba27b7272c21afee9eb42821c2f6
Play History
- 🕘 2026-10-05 16:33:49
- 🕘 2026-09-28 05:57:12
- 🕘 2026-09-18 21:15:02
Additional data from ModArchive
Title on ModArchive
Damaging Torque
Credited on ModArchive
Ether Audio
Module format
IT
File size
80.99KB
Added to ModArchive
Wed 4th Mar 2026
ModArchive rating
On ModArchive
Open the module on ModArchive
Sample & instrument names
untitled untitled untitled 16699__vrezerino__kick125 hard.bassdrum snare from sapphire eyes snare from sapphire eyes Sample_0065 Sample_0065 Sample_0065 Sample_0065 Sample_0065 untitled untitled untitled 16699__vrezerino__kick125 hard.bassdrum snare from sapphire eyes snare from sapphire eyes Sample_0065 Sample_0065 Sample_0065 Sample_0065 Sample_0065 Sample_0065 untitled
Comments on ModArchive
a meh song made by me :3 could be better Song by me (Ether Audio) If you have a question, or just want to talk, my contact is Ether.topic.contact_gmail.com Samples 1 to 4 all made by me (Ether Audio) Sample 5 from Freesound.org You can find it using the 6 digit number Or by the name of the author or sound Sample 6 from "Life Goes on" by "Bacter" Samples 7 and 8from "Sapphire Eyes" by "Xemogasa" And then I modified them. all the rest of the samples made by me
Data from modarchive.org, last checked 2026-09-12 22:03:48.
Mp3 file details
Open the waveform at full size (opens in a new tab)
- Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
- OK
- measured from the file itself
- Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
- File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
- 2.8 MB
- 2 893 651 bytes
- File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
- Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
- 2:00
- minutes : seconds
- Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
- 100 BPM
- a walking tempo
- Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
- 192 kbit/s
- good quality
- Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
- 44.1 kHz
- 44 100 measurements a second
- Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
- Stereo
- 2 channels
- Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
- MP3
- Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
- −16.2 LUFS
- typical for streaming and podcasts
- Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
- 3.0 LU
- very even
- True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
- −2.6 dBTP
- safely below the ceiling
- Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
- DR 10
- 10.3 dB · moderately dynamic
- Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
- −17.8 dBFS
- average (RMS) over the whole file
- Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
- −18.0 dBFS
- average (RMS) over the whole file
- Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
- 0.19 dB
- balanced
- Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
- −12.0 dB
- ordinary stereo
- Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
- No
ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.
Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.
📻 Station details
The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.
Station
ericade.radio / The ERICADE Radio Network
Website
https://radio.ericade.net
Contact
radio@ericade.net
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