Song profile for Love-colored master spark

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This profile was last updated on: 2026-10-05 02:05:53

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Cover art for Love-colored master spark by Susumu Takajima

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Love-colored master spark

by Susumu Takajima

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Track Details

AlbumOriginalName: lovecolormaster.it Imported: 2026-02-12 (TERN-feb2026-02).
Tracker TypeImpulsetracker
Duration01:41
Total plays32
Added2026-02-14 06:07:27
Track ID#15612
Integrity
MD5
4ec4f0cd39c1e465933c425ecc8b885c
SHA-1
69f3dd487aa904685f30f4efaf2f5995fbbaefc8
SHA-256
f0e0f73d6712954cd344e1295590ee599ff8ab6ebc4d4f5dc1b400f66b95b6c3
SHA-384
2f37ee62e222d8656e7e8c7c60fa81ae76bb58c832331dfdb8b3acbcd9e38f2f1c03a2aac7839f29b8b404fbd94e4cee

Play History

  • 🕘 2026-10-01 03:55:13
  • 🕘 2026-09-21 17:42:22
  • 🕘 2026-09-12 06:58:32

Additional data from ModArchive

Title on ModArchive Love-Colored Master Spark
Credited on ModArchive Susumu Takajima
Module format IT
File size 157.66KB
Added to ModArchive Wed 29th Mar 2017
ModArchive rating 9 / 10

Sample & instrument names

BrighLead
GrindNoiseLead.1
SynthPerco
TECHNOBD.3
Snare
CHIHAT.1
OHIHAT.3
CYMBAL.1-5
DISTGUIT.13
BASGUIT.1
UNITOM.5
DISTGUIT.20
BrighLead
GrindNoiseLead.1
SynthPerco
BassDrum.rave
Snare
CHihat
HardTech.HiHatop
Cymbal
D50-Heavy.loop
BassGuitar
Muffled Tom
DistGuitar.looped/cym

Comments on ModArchive

Composed by Jun'ya "ZUN" Ohta
Arranged by Susumu Takajima

This is Marisa Kirisame's Theme.
At this point, this song isn't all nostalgic or anything. It's an arrange of
an old tune from the second game, Touhou 2: Story of Eastern Wonderland.
I was wondering if this theme still suited Marisa, and what shocked me is
that it totally did. It's rare to see someone so unchanged.
Marisa has 5 themes, but I think this one suits her best.

Data from modarchive.org, last checked 2026-08-25 17:11:45.

Mp3 file details

Waveform of Love-colored master spark by Susumu Takajima, left channel above, right channel below: level in dB against time, 1:42 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
2.3 MB
2 447 872 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
1:42
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
165 BPM
a fast tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
192 kbit/s
good quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−16.4 LUFS
typical for streaming and podcasts
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
1.5 LU
very even
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−7.0 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 9
8.7 dB · moderately dynamic
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−19.7 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−19.9 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
0.27 dB
balanced
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−10.7 dB
ordinary stereo
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
No

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
OriginalName: lovecolormaster.it Imported: 2026-02-12 (TERN-feb2026-02).
title The name of the recording, as it is written inside the file.
Love-Colored Master Spark
date The year, or date, the file says the recording is from.
2017-03-26T20:25:59Z
comment A free note somebody left inside the file.
Composed by Jun'ya "ZUN" Ohta Arranged by Susumu Takajima This is Marisa Kirisame's Theme. At this point, this song isn't all nostalgic or anything. It's an arrange of an old tune from the second game, Touhou 2: Story of Eastern Wonderland. I was wondering if this theme still suited Marisa, and what shocked me is that it totally did. It's rare to see someone so unchanged. Marisa has 5 themes, but I think this one suits her best.
sourcemedia A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.
'it' tracked music file, made with 'OpenMPT 1.26.09.00', rendered with 'openmpt123 0.6.6 (libopenmpt 0.6.6+r17953, OpenMPT 1.30.07.00 https://source.openmpt.org/svn/openmpt/tags/libopenmpt-0.6.6@17953 (2022-09-25T14:18:16Z) clean)'
artist Who made or performs the recording, as it is written inside the file.
Trackerartist
encoder The program that made the mp3 file.
Lavf62.19.101

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

📻 Station details

The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.

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