Song profile for Jewels of the prophecy

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This profile was last updated on: 2026-10-03 13:55:34

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Cover art for Jewels of the prophecy by Toby Fox

🎵 Track Profile

Jewels of the prophecy

by Toby Fox

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Track Details

AlbumOriginalName: jewel_prophecy.it Imported: 2026-01-31 (TERN-jan2026-05).
Tracker TypeImpulsetracker
Duration02:18
Total plays35
Added2026-02-01 07:27:20
Track ID#15522
Integrity
MD5
275f0464f1304f1d66e6216f836bdf91
SHA-1
2718746f7b213488e4dba8c92d85ca9952d3f6f8
SHA-256
7f036eed6fbcaf648519ec30d6b9697e9a81b6a3c8f36c04b8e7f3dc0a4645c5
SHA-384
f126a24915d64791d81eaa0b4e70400f7ae069ded5f77495946d1fae9ccca40de41b2c4ffe0b04d373792752feaec7b4

Play History

  • 🕘 2026-10-03 11:55:34
  • 🕘 2026-09-25 01:47:31
  • 🕘 2026-09-17 21:53:37

Additional data from ModArchive

Title on ModArchive Jewels of The Prophecy
Credited on ModArchive cs127
Module format IT
File size 1.78MB
Added to ModArchive Tue 27th Jan 2026
ModArchive rating Not yet rated on ModArchive

Sample & instrument names

JewelLead.Pad
JewelLead.Neu.short
SynSweep
UnionBass
AnalogOrchestra
PowerPad.Soft

XanaxLead
UnionPad
R-AirPad

JewelLead.Neu

NoiseHihat
NoiseTone01
IceBell
Tek Quire
PowerPad
IceBell.short
ChaOsEnGiNe
KnockBass-Hi
KnockBass-Lo
UnionBD
UnionBD2
Sperc_01
Sperc_02s
Sperc_03
Sperc_04
Sperc_05s
Sperc_06
Sperc_07
Sperc_08s
Sperc_09
Sperc_10b
Sperc_11b
Sperc_12b
DPerc_01
DPerc_02
DPerc_03
DPerc_04
DPerc_05
DPerc_06
DPerc_07
DPerc_08
DPerc_09
DPerc_10
DPerc_11
XanaxArp
AnalogOrchestra.soft

PowerBass
5thTrill
UnionPluck
SynSweep.softpad
JewelLead.Neu.pluck
OctaveTril
NoiseHiss
BellOctaveTrill
IceBell.SoftPad
XanaxPad
Tek Quire.softpad
NoiseHit
AnalogOrchestra.pad
SoftTom
AnalogOrchestra.Arp

OctaveTril
SynSweep.OctBass
NoiseHiss.sustain
PhaseWave.01
PhaseWave.02
PhaseWave.03
PhaseWave.04
PhaseWave.05
PhaseWave.06
PhaseWave.07
PhaseWave.08
PhaseWave.09
PhaseWave.10
R-AirPad-RDelayt
UnionBD.heartbeat
NoiseHihat.open
Phase5th

IceBell-RDelayt
AnalogOrchestra.soft.cuto
ChaOsEnGiNe.softpad
AnalogOrchestra.ArpCarry

SynSweep.softfader
XanaxArp.Cutoff
IceBell-SoftPluck

909-Kick2
Airy.1
MagicPad
SynSweep
UnionBass
AnalogOrchestra
RawDeal_01
RawDeal_02
RawDeal_03
XanaxLead
UnionPad
R-AirPad
PressurePad
Sitar-Low
GrindNoiseLead.Neu
Noise.Highpass
AngelBell
S_Tek_Quire_VeryLow_01
PowerPad
Chaos Engine
KnockBass-1
KnockBass-2
SPerc_01
SPerc_02s
SPerc_03
SPerc_04
SPerc_05s
Sperc_06
SPerc_07b
SPerc_08s
SPerc_09
SPerc_10
SPerc_11s
SPerc_12
DPerc_01
DPerc_02
DPerc_03
DPerc_04
DPerc_05
DPerc_06
DPerc_07
DPerc_08
DPerc_09
DPerc_10
DPerc_11
PhaseWave.01
PhaseWave.02
PhaseWave.03
PhaseWave.04
PhaseWave.05
PhaseWave.06
PhaseWave.07
PhaseWave.08
PhaseWave.09
PhaseWave.10
Chip5th
909-Kick2

Comments on ModArchive

original songs:
"Neverending Night" and "Dark Sanctuary" by Toby Fox

all samples from Bejeweled 2 OST by Peter Hajba

cs127 2026-01-17

Data from modarchive.org, last checked 2026-08-25 17:13:15.

Mp3 file details

Waveform of Jewels of the prophecy by Toby Fox, left channel above, right channel below: level in dB against time, 2:21 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
3.2 MB
3 391 753 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
2:21
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
125 BPM
a dancing tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
192 kbit/s
good quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−17.1 LUFS
on the quiet side
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
5.4 LU
moderate
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−3.8 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 10
9.9 dB · moderately dynamic
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−18.7 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−19.9 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
1.19 dB
left is 1.2 dB louder
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−2.4 dB
very wide
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
No

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
OriginalName: jewel_prophecy.it Imported: 2026-01-31 (TERN-jan2026-05).
date The year, or date, the file says the recording is from.
2026-01-23T14:39:31Z
comment A free note somebody left inside the file.
original songs: "Neverending Night" and "Dark Sanctuary" by Toby Fox all samples from Bejeweled 2 OST by Peter Hajba cs127 2026-01-17
sourcemedia A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.
'it' tracked music file, made with 'OpenMPT 1.33.00.17 (test build)', rendered with 'openmpt123 0.6.6 (libopenmpt 0.6.6+r17953, OpenMPT 1.30.07.00 https://source.openmpt.org/svn/openmpt/tags/libopenmpt-0.6.6@17953 (2022-09-25T14:18:16Z) clean)'
title The name of the recording, as it is written inside the file.
Jewels of The Prophecy
artist Who made or performs the recording, as it is written inside the file.
Trackerartist
encoder The program that made the mp3 file.
Lavf62.19.101

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

📻 Station details

The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.

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