Song profile for Justify moving onward

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This profile was last updated on: 2026-09-20 21:19:41

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Cover art for Justify moving onward by Viraxor

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Justify moving onward

by Viraxor

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Track Details

AlbumOriginalName: viraxor_-_justify_moving_onward.mptm Imported: 2026-01-07 (TERN-jan2026-02).
Tracker TypeMultitracker
Duration03:51
Total plays34
Added2026-01-08 14:23:04
Track ID#15476
Integrity
MD5
a61be806d503725cc82b574af17e4038
SHA-1
768e912f0ce52419f753e77ce342792abed2e001
SHA-256
9dd6e2aa45ebb266662d7b9cdc6bd3510a6dc21c338009c20f3770dc2835d31f
SHA-384
445b8eaac4219115dce715cd37cd4f3e605ba1221c696141b97e82e675f3eeed01e5c8197ab6e2fde21255df61fb401e

Play History

  • 🕘 2026-09-16 14:22:38
  • 🕘 2026-09-08 10:14:55
  • 🕘 2026-08-27 05:14:36

About the artist Viraxor  View all tracks ›

★★★★ (1 vote)

A Serbian artist, whose real name is Bogdan Markovic.

🎧 1,059 plays on ericade.radio

Additional data from ModArchive

Title on ModArchive justify moving onward
Credited on ModArchive Viraxor
Module format MPTM
File size 8.67MB
Added to ModArchive Sun 4th Jan 2026
ModArchive rating Not yet rated on ModArchive

Sample & instrument names

Sabilulungan-gamelan
Ayun Ambing-flute1
912 1/2 Mass-bass
Kathy's Waltz-highnote
Take Five-break
Take Five-break
Take Five-break
Take Five-break
Take Five-break
Take Five-break
Take Five-break
2026_01_03_16_35_12_1
sine_a4
2026_01_02_20_59_24_1
Ayun Ambing-flute2
Ayun Ambing-flute3
Ayun Ambing-flute4
Dikantun Tugas-flute1
Dikantun Tugas-flute2
Dikantun Tugas-flute2
2026_01_03_16_35_12_1
2026_01_03_16_35_12_1
Sabilulungan-gamelan
Ayun Ambing-flute1
912 1/2 Mass-bass
Kathy's Waltz-highnote
Take Five-break
Take Five-break
Take Five-break
Take Five-break
Take Five-break
Take Five-break
Take Five-break
2026_01_03_16_35_12_1
sine_a4
2026_01_02_20_59_24_1
Ayun Ambing-flute2
Ayun Ambing-flute3
Ayun Ambing-flute4
Dikantun Tugas-flute1
Dikantun Tugas-flute2
Dikantun Tugas-flute2
2026_01_03_16_35_12_1
2026_01_03_16_35_12_1

Comments on ModArchive

"justify moving onward"
by Viraxor, Aug 2025-Jan 2026

I basically know how the song was gonna go,
it just took me a long time to write the lyrics
because I was afraid to write them :)
I know what happened the last few times...
these ones turned out decent for what I usually do

sorry for the shit mic but I don't have a better one
and all the ones I found were even more shit
at least my singing is good enough
(or is it...
             I'm a bit insecure about it)

sorry for no optimization on the vocals too
I wanted to keep the breaths
as it's just more natural

-----------------------------------------------------

#lyrics#

I am in the frozen park
lights are slowly going dark
swinging on my lonely swing
I won't be recovering

everything is going wrong
I've endured this for too long
and I can't justify moving onward
justify moving onward

I want someone to appear
and I want her to be near
let me just be on her shelf
when I cannot love myself

will I ever find a cure
for my feelings, I'm not sure
I just want to be happy
I just want to be happy

#samples#
* Suara Parahiangan - Sabilulungan
* Suara Parahiangan - Ayun Ambing
* Suara Parahiangan - Dikantun Tugas
* The Wizards from Kansas - 912 1/2 Mass
* The Dave Brubeck Quartet - Kathy's Waltz
* The Dave Brubeck Quartet - Take Five

Data from modarchive.org, last checked 2026-08-25 17:18:15.

Mp3 file details

Waveform of Justify moving onward by Viraxor, left channel above, right channel below: level in dB against time, 4:00 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
5.5 MB
5 764 635 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
4:00
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
90 BPM
a walking tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
192 kbit/s
good quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−16.6 LUFS
typical for streaming and podcasts
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
4.6 LU
very even
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−2.3 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 10
10.1 dB · moderately dynamic
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−18.8 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−16.0 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
2.81 dB
right is 2.8 dB louder
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−4.1 dB
very wide
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
No

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
OriginalName: viraxor_-_justify_moving_onward.mptm Imported: 2026-01-07 (TERN-jan2026-02).
date The year, or date, the file says the recording is from.
2026-01-03T21:06:33Z
comment A free note somebody left inside the file.
"justify moving onward" by Viraxor, Aug 2025-Jan 2026 I basically know how the song was gonna go, it just took me a long time to write the lyrics because I was afraid to write them :) I know what happened the last few times... these ones turned out decent for what I usually do sorry for the shit mic but I don't have a better one and all the ones I found were even more shit at least my singing is good enough (or is it... I'm a bit insecure about it) sorry for no optimization on t [...]
sourcemedia A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.
'mptm' tracked music file, made with 'OpenMPT 1.32.06.00', rendered with 'openmpt123 0.6.6 (libopenmpt 0.6.6+r17953, OpenMPT 1.30.07.00 https://source.openmpt.org/svn/openmpt/tags/libopenmpt-0.6.6@17953 (2022-09-25T14:18:16Z) clean)'
title The name of the recording, as it is written inside the file.
justify moving onward
artist Who made or performs the recording, as it is written inside the file.
Trackerartist
encoder The program that made the mp3 file.
Lavf62.19.101

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

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