Song profile for Jingle of a horny transgirl
ericade.radio knows the chiptune and demoscene! We're the radio station playing all the best tunes from the most prominent, promising or trending artists in the scene. We also know about the artists and songs as well.
This profile was last updated on: 2026-10-05 23:17:12
🎙 Curated by DJ Daemon
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Track Details
- MD5
15cc1bee098093b607086f5b33027a59- SHA-1
bb5f7ee2b5c67fe173e31e084a21152d3b04d261- SHA-256
8a5f858236b1ef9e5a7cf0bc352636601f0e7274c468f9e02ca54f14f81224c6- SHA-384
729901cb8bcbeb6b1c9e4eb7ce369720ca7cd5e3946f8f78e58b969131336398fe564dad7cebcc94fc3992f0a3481596
Play History
- 🕘 2026-10-05 21:17:12
- 🕘 2026-09-26 13:29:42
- 🕘 2026-09-19 20:00:51
About the artist Low freekwenzee ozzillation View all tracks ›
She describes herself like this on ModArchive: "i'm koda (she/her, 05/19/2007). but unless we know each other on a spiritual level, call me freek. i make electronic music of all flavors, but primarily chiptune, gabber, and happy hardcore. i'm autistic and i have ADHD. i've been composing music since mid-2015 (late 2008 if we include dogshit tape recordings my brother made with me banging on synths like an idiot). i try my best to be a kind and caring person."
🎧 50 plays on ericade.radio
Additional data from ModArchive
Sample & instrument names
(P) lfo/VyRaL^NL^HF^RR^RSE tracked on 18 December 2025 with Scream Tracker V3.21. made for the tracked music competition at Dream210. greetz to mickaleus, E$G, 4pLaY, Kast601, LooPeR231, PacorexTheTrex, Filippp, D/V, and Minebrandon! super greetz to sourthecat, a friend i often commission to do SFW/NSFW art for me! here's my contact info if you ever wanna have a chat: [Discord, available 24/7] _queenfreek [Phone, 18:00 to 23:00 MT] +1 (406) 464-4051 been a while since i did a damn thing with the YM3812 on my Sound Blaster 2.0...
Data from modarchive.org, last checked 2026-08-25 16:56:30.
Mp3 file details
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- Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
- OK
- measured from the file itself
- Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
- File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
- 3.1 MB
- 3 296 248 bytes
- File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
- Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
- 2:17
- minutes : seconds
- Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
- 151 BPM
- a fast tempo
- Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
- 192 kbit/s
- good quality
- Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
- 44.1 kHz
- 44 100 measurements a second
- Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
- Stereo
- 2 channels
- Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
- MP3
- Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
- −15.8 LUFS
- typical for streaming and podcasts
- Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
- 2.5 LU
- very even
- True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
- −3.0 dBTP
- safely below the ceiling
- Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
- DR 10
- 10.0 dB · moderately dynamic
- Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
- −17.2 dBFS
- average (RMS) over the whole file
- Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
- −17.2 dBFS
- average (RMS) over the whole file
- Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
- 0.00 dB
- balanced
- Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
- −82.8 dB
- practically mono
- Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
- No
ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.
Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.
📻 Station details
The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.
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