Song profile for Omnivision

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This profile was last updated on: 2026-10-07 04:45:45

🎙 Curated by DJ Daemon

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Cover art for Omnivision by Platonist

🎵 Track Profile

Omnivision

by Platonist

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Track Details

AlbumOriginalName: platonist_-_omnivision.it Imported: 2025-12-05 (TERN-dec2025-01).
Tracker TypeImpulsetracker
Duration03:52
Total plays41
Added2025-12-06 01:06:07
Track ID#15398
Integrity
MD5
06da19e57d541c0481893f931bcb14a4
SHA-1
4d33ce13238ac61737e306c88d023c6ab7df77f8
SHA-256
88698b1babf67e04749ee1191e675af3a9412a64fec9a2c9a576a75914b72da9
SHA-384
a369a9f0ed12fe48b4952e61a64540e2213142ddcd5e043b2695303a12cf1ecb210259ad3026146a4a4796cd1a269674

Play History

  • 🕘 2026-10-04 22:33:36
  • 🕘 2026-09-26 13:01:29
  • 🕘 2026-09-16 03:29:05

About the artist Platonist  View all tracks ›

★★★★★ (2 votes)

A Swedish artist whose real name is Jonas Loman. He is also known as Lunari.

🎧 428 plays on ericade.radio

Additional data from ModArchive

Title on ModArchive Omnivision
Credited on ModArchive Platonist
Module format IT
File size 11.94MB
Added to ModArchive Fri 29th Aug 2025
ModArchive rating Not yet rated on ModArchive

Sample & instrument names

Kick            Vengeance
Snare           Vengeance
Hat             Vengeance
Bass            Vengeance
Ride            Vengeance
Piano
SpaceHorn
Plong
PolyLead
Dwaen               Plato
Metallics
Sound           Vengeance
Crash           Vengeance
Nightmare
Loop            Vengeance
BOOM
Sound 054       Vengeance
Sound 037       Vengeance
Nightmare
Metallics
Loop 140 288    Vengeance
Sound           Vengeance

Comments on ModArchive

Omnivison
by Platonist
Reunion 2008
____________

no more noise! new sample pack!
I actually don't know where the synth samples came from but I'm using
them for this album, let me know if you know, I don't seem to have the
original pack saved anymore.
____________________________

technicals:
4:01 in length
composed in Schism Tracker in may 2008 for Reunion
21 samples used, 40 channels and 36 patterns!
style: idfk
___________

info:
First track from the album 'The Dawn Of A New World', also referred to as
LPC (Low-Pass Control) or x10, depending on when you'd ask me.
Started out as a follow-up to NPC for obvious reasons, but instead of
controlling noise I'm controlling filters, which makes it hard to edit for
TMA since filter bugs were all over the place when I made this! I have to
restore almost every single instrument in the mix by selecting new values
for the resonances. <.<
Luckily, the pan swing fixes are more or less routine now.
Some envelopes were also broken making some sounds completely inaudible.
__________________________________________________________

greets:
* RMR, SA, Subco, Reunion & TQC Peeps
* TMA & Scene community
* #Trax _EFNET 97-01
* Family & Friends
* You!

-out

Data from modarchive.org, last checked 2026-09-22 23:27:06.

Mp3 file details

Waveform of Omnivision by Platonist, left channel above, right channel below: level in dB against time, 4:04 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
5.6 MB
5 861 702 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
4:04
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
130 BPM
a dancing tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
192 kbit/s
good quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−16.4 LUFS
typical for streaming and podcasts
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
7.1 LU
moderate
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−1.8 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 8
7.9 dB · heavily compressed
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−16.1 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−15.3 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
0.83 dB
right is 0.8 dB louder
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−17.7 dB
ordinary stereo
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
No

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
OriginalName: platonist_-_omnivision.it Imported: 2025-12-05 (TERN-dec2025-01).
date The year, or date, the file says the recording is from.
2025-08-29T10:48:59Z
comment A free note somebody left inside the file.
Omnivison by Platonist Reunion 2008 ____________ no more noise! new sample pack! I actually don't know where the synth samples came from but I'm using them for this album, let me know if you know, I don't seem to have the original pack saved anymore. ____________________________ technicals: 4:01 in length composed in Schism Tracker in may 2008 for Reunion 21 samples used, 40 channels and 36 patterns! style: idfk ___________ info: First track from the album 'The Dawn Of A New World', also [...]
sourcemedia A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.
'it' tracked music file, made with 'Schism Tracker 2024-04-09', rendered with 'openmpt123 0.6.6 (libopenmpt 0.6.6+r17953, OpenMPT 1.30.07.00 https://source.openmpt.org/svn/openmpt/tags/libopenmpt-0.6.6@17953 (2022-09-25T14:18:16Z) clean)'
title The name of the recording, as it is written inside the file.
Omnivision
artist Who made or performs the recording, as it is written inside the file.
Trackerartist
encoder The program that made the mp3 file.
Lavf62.19.101

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

📻 Station details

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