Song profile for Omnivision
ericade.radio knows the chiptune and demoscene! We're the radio station playing all the best tunes from the most prominent, promising or trending artists in the scene. We also know about the artists and songs as well.
This profile was last updated on: 2026-10-07 04:45:45
🎙 Curated by DJ Daemon
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Track Details
- MD5
06da19e57d541c0481893f931bcb14a4- SHA-1
4d33ce13238ac61737e306c88d023c6ab7df77f8- SHA-256
88698b1babf67e04749ee1191e675af3a9412a64fec9a2c9a576a75914b72da9- SHA-384
a369a9f0ed12fe48b4952e61a64540e2213142ddcd5e043b2695303a12cf1ecb210259ad3026146a4a4796cd1a269674
Play History
- 🕘 2026-10-04 22:33:36
- 🕘 2026-09-26 13:01:29
- 🕘 2026-09-16 03:29:05
About the artist Platonist View all tracks ›
A Swedish artist whose real name is Jonas Loman. He is also known as Lunari.
🎧 428 plays on ericade.radio
Additional data from ModArchive
Sample & instrument names
Kick Vengeance Snare Vengeance Hat Vengeance Bass Vengeance Ride Vengeance Piano SpaceHorn Plong PolyLead Dwaen Plato Metallics Sound Vengeance Crash Vengeance Nightmare Loop Vengeance BOOM Sound 054 Vengeance Sound 037 Vengeance Nightmare Metallics Loop 140 288 Vengeance Sound Vengeance
Comments on ModArchive
Omnivison by Platonist Reunion 2008 ____________ no more noise! new sample pack! I actually don't know where the synth samples came from but I'm using them for this album, let me know if you know, I don't seem to have the original pack saved anymore. ____________________________ technicals: 4:01 in length composed in Schism Tracker in may 2008 for Reunion 21 samples used, 40 channels and 36 patterns! style: idfk ___________ info: First track from the album 'The Dawn Of A New World', also referred to as LPC (Low-Pass Control) or x10, depending on when you'd ask me. Started out as a follow-up to NPC for obvious reasons, but instead of controlling noise I'm controlling filters, which makes it hard to edit for TMA since filter bugs were all over the place when I made this! I have to restore almost every single instrument in the mix by selecting new values for the resonances. <.< Luckily, the pan swing fixes are more or less routine now. Some envelopes were also broken making some sounds completely inaudible. __________________________________________________________ greets: * RMR, SA, Subco, Reunion & TQC Peeps * TMA & Scene community * #Trax _EFNET 97-01 * Family & Friends * You! -out
Data from modarchive.org, last checked 2026-09-22 23:27:06.
Mp3 file details
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- Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
- OK
- measured from the file itself
- Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
- File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
- 5.6 MB
- 5 861 702 bytes
- File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
- Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
- 4:04
- minutes : seconds
- Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
- 130 BPM
- a dancing tempo
- Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
- 192 kbit/s
- good quality
- Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
- 44.1 kHz
- 44 100 measurements a second
- Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
- Stereo
- 2 channels
- Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
- MP3
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- −16.4 LUFS
- typical for streaming and podcasts
- Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
- 7.1 LU
- moderate
- True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
- −1.8 dBTP
- safely below the ceiling
- Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
- DR 8
- 7.9 dB · heavily compressed
- Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
- −16.1 dBFS
- average (RMS) over the whole file
- Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
- −15.3 dBFS
- average (RMS) over the whole file
- Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
- 0.83 dB
- right is 0.8 dB louder
- Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
- −17.7 dB
- ordinary stereo
- Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
- No
ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.
Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.
📻 Station details
The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.
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