Song profile for Mountain breeze
ericade.radio knows the chiptune and demoscene! We're the radio station playing all the best tunes from the most prominent, promising or trending artists in the scene. We also know about the artists and songs as well.
This profile was last updated on: 2026-10-06 08:25:41
🎙 Curated by DJ Daemon
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Track Details
- MD5
aa8b4374d99dd5fbfc3caa4e8ac12d85- SHA-1
3d3817b815b6fd39a82b9738023170e144a20142- SHA-256
0da09a626a107c49a4f1a2e9946a0e7c115ebd19c71ff5839d7c1daa65360bb0- SHA-384
53cee05b63aa4a76429c498e349f6035daf4047952fa8f198d08957e1b06ac3e71a27d2027c67e70e92462d14cfea2e1
Play History
- 🕘 2026-09-29 05:08:09
- 🕘 2026-09-21 07:16:50
- 🕘 2026-09-13 04:50:36
About the artist Jeroen Tel View all tracks ›
Jeroen Godfried Tel (born 19 May 1972), also known as WAVE, is a Dutch composer. He is best known for numerous computer game tunes he wrote in the 1980s and early 1990s for the Commodore 64. His most popular compositions appear in the following Commodore 64 games: Combat Crazy, Cybernoid, Cybernoid II, Dan Dare 3, Eliminator, Hawkeye, Myth: History in the Making, Nighthunter, Robocop 3, Rubicon (title music), and Supremacy.(From Wikipedia)
🎧 2,429 plays on ericade.radio
Additional data from ModArchive
Sample & instrument names
MOUNTAIN BREEZE
composed by
JEROEN TEL (WAVE)
(C) 1996
Maniacs of Noise
All rights of the
producer and the
owner of the work
reproduced reserved.
Unauthorised copying,
hiring, lending,
public performance and
broadcasting of this
XM module
prohibited.
contact: Jeroen Tel
Harmoniestraat 77
5702 JD Helmond
the Netherlands
mon_xs4all.nl
This XM module is best
heard on the Gravis
Ultrasound soundcards
Regards INOAA to
Thomas E. Petersen
Jogeir Liljedahl
Kim Jensen
Martin Galway
Rob Hubbard
Tim Follin
Drax
BASEHEAD????
BASEHEAD ! ! ! !
:)
Necros
Mentalfloss
Floss
Leviathan
Ms Saigon
SKIE SKIE SKIE SKIE
Diablo
#TRAX & SCOOP
All others...
Thanks to:
My family & friends
--------------------
PEACE TO THE WORLD
--------------------
Data from modarchive.org, last checked 2026-08-25 16:51:23.
Mp3 file details
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- OK
- measured from the file itself
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- 6.0 MB
- 6 335 426 bytes
- File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
- Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
- 4:24
- minutes : seconds
- Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
- 94 BPM
- a walking tempo
- Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
- 192 kbit/s
- good quality
- Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
- 44.1 kHz
- 44 100 measurements a second
- Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
- Stereo
- 2 channels
- Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
- MP3
- Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
- −15.4 LUFS
- typical for streaming and podcasts
- Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
- 2.5 LU
- very even
- True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
- −1.6 dBTP
- safely below the ceiling
- Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
- DR 12
- 11.8 dB · moderately dynamic
- Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
- −18.1 dBFS
- average (RMS) over the whole file
- Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
- −18.2 dBFS
- average (RMS) over the whole file
- Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
- 0.11 dB
- balanced
- Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
- −13.9 dB
- ordinary stereo
- Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
- No
ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.
Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.
📻 Station details
The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.
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