Song profile for Farewell Lasts Forever
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This profile was last updated on: 2026-10-06 12:50:58
🎙 Curated by DJ Daemon
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Track Details
- MD5
212b88d6ad6ee7803c5da220714f9840- SHA-1
592b2bad76e3ca4ab986831c4ad2dff21242f31c- SHA-256
67e10872d4d866ce9b61da8c38fe110993837bc5dfa024b418dd43e772f52b93- SHA-384
eb5552bf10c73dcf61cb0228518640c9b86c4ceca7d38ea087b5d280a63099eb883f9181b4499baed8df875ea12d2a3b
Play History
- 🕘 2026-10-03 15:09:11
- 🕘 2026-09-25 00:41:31
- 🕘 2026-09-18 02:04:37
About the artist Liam the Lemming View all tracks ›
An artist from the United Kingdom, whose real name is Liam J. Hesse.
🎧 992 plays on ericade.radio
Additional data from ModArchive
Sample & instrument names
Tap [SoundWave]
Reverb drum [SoundWave]
Hi-hat [SoundWave]
Filter bass (some synth)
Electric piano [SoundWave]
Piccolo (Catch That Goblin)
PSR elec.string [Daedalus]
Big Jim's
Acoustic
Guitar
Samples
Snare (Crying Pianos)
Piano [SoundWave]
Crash Cymbal [Ryan Cramer]
·─·─·─·─·─·─·─·╖╖─╖─·─·╖·─·
▄▄▄▄╓╖╥╖╓╖╓ ╖╓╖║║ ║╓╖╓╖╫·╓╖
█▀▀▀╓╢║ ╟╜║╥║╟╜║║ ║╓╢╙╖║ ╙╖
█▄▄ ╙╜╜ ╙╜╙╨╜╙╜╨╨ ╨╙╜╙╜╙╜╙╜
█▀▀ ╓╖╥╖╓╖╓ ╖╓╖╥╖ by
█ ║║║ ╟╜╙╖╓╜╟╜║ Liam the
▀ ╙╜╜ ╙╜ ╙╜ ╙╜╜ lemming
────────[Mach One]────────
This mod has more or less
every instrument in it!
Guitar, piccolo, synth,
piano... blimey. (Still too
repetitive tho.)
It's a nice enough little
tune, anyway. It's hardly
gonna win any awards tho...
...mind you, I -nearly-
entered this in the NAID96
music compo. :)
Greets to everyone I met at
NAID, all my #trax mates,
everyone from Mach One
(ie aMUSiC and Welti :) ),
everyone who likes my stuff
(yeah, all three of you, or
whatever :) ) and Pulse for
writing Impulse Tracker,
THE most innovative tracker
prog I've ever used. =)
Style:
Sorta-mellowish-ballad-type
(ie I haven't any idea :)
Well, if you hate this tune
you can flame me at:
cmslhes1_livjm.ac.uk
But if you like it and want
to try out some more of my
music, aim your web browser
at:
http://www.cms.livjm.ac.uk
www/homepage/cmslhes1/
newmods.htm
Peace/out/blah/w00p/etc :)
________________
Liam the lemming
~~~~~~~~~~~~~~~~
Data from modarchive.org, last checked 2026-08-25 16:55:47.
Mp3 file details
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- OK
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- 6.1 MB
- 6 389 557 bytes
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- Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
- 4:26
- minutes : seconds
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- 83 BPM
- a slow tempo
- Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
- 192 kbit/s
- good quality
- Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
- 44.1 kHz
- 44 100 measurements a second
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- Stereo
- 2 channels
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- MP3
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- −14.8 LUFS
- typical for streaming and podcasts
- Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
- 3.9 LU
- very even
- True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
- −1.7 dBTP
- safely below the ceiling
- Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
- DR 10
- 10.1 dB · moderately dynamic
- Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
- −17.3 dBFS
- average (RMS) over the whole file
- Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
- −17.4 dBFS
- average (RMS) over the whole file
- Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
- 0.01 dB
- balanced
- Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
- −12.2 dB
- ordinary stereo
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- No
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Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.
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