Song profile for Pale Dreams

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This profile was last updated on: 2026-10-02 22:29:50

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Cover art for Pale Dreams by Chris Jarvis

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Pale Dreams

by Chris Jarvis

(1 vote)

Track Details

AlbumOriginalName: chris17b.it Imported: 2024-09-28 (TERN-sep2024-02).
Tracker TypeImpulsetracker
Duration05:02
Total plays110
Added2024-09-28 18:21:41
Track ID#14945
Integrity
MD5
b5f660b336804266b9b687a41726aeaf
SHA-1
b4c7575806d654c4c12ccc63a713f66957c8f151
SHA-256
8df47233c65de2ca2f2c684b6d270131fc9800fc7ccae52491f53dc51f15f5e3
SHA-384
323ad8cbf22d5dc4b8b45d72f53019586973a5e901ecb6663a4970c55eb8144fd620c3a353ad1556442079c991911e4c

Play History

  • 🕘 2026-10-02 20:29:50
  • 🕘 2026-09-22 03:33:39
  • 🕘 2026-09-16 06:00:31

Additional data from ModArchive

Title on ModArchive Pale Dreams
Module format IT
File size 376.98KB
Added to ModArchive Sun 24th Aug 2008
ModArchive rating 9 / 10

Sample & instrument names

Weird
Lowstring
Stringer maj
Stringer min
Bassnote
Highring
Fadelead 1
Piano - (Revercym D,D#-2)
Synthlead (Extended)
Synthlead (Short)
Percussion
bass2.um
(C) By Chris Jarvis

This song is my first
using the extra features
of IMPULSE TRACKER.
Sorry, but once again
there's no new samples
here - all ripped.
Thanks to Jeff for
such a cool program,
and getting it to me so
quickly!!

      Pale Dreams
Written December 1995

Contact me (sorry but no
email at the moment):

  Chris Jarvis
  38 Austral Tce
  Malvern
  South Australia 5061

Playback: Stereo with
plenty of bass, but not
too much due to less
sound quality.
This song gets up to
about 45 active channels.
If this is too much for
your computer (its fine
on a 486), use IT /L16
(limits to 16 channels)
or more.
Unfortunately, this kind
of spoils the sound,
especially in the main
theme.

Song length: 5:08
_________________________

If you want to contact
Chris via EMail, write
to me at

pulse_smug.student
 .adelaide.edu.au

I'll pass it on to him.

I've changed some of the
instrument options such
as the NNA and fade
values, Duplicate note   n
check and some pattern
data.

This was just so that it
didn't require so many
channel on playback

Now it 'only' requires 35
channels! (It used to
require 50 channels,
actually)

If the panning seems
reversed, use the command
line switch IT /R.

Oh... and if you don't
know what makes this     k
tracker special, solo
channel 6, and go to
order 7 - listen, and
note that the other notes
aren't being stopped!
Ah well, I suppose that
most of you would know
about this feature by
now :)

         - Jeffrey Lim

Data from modarchive.org, last checked 2026-08-25 16:38:17.

Mp3 file details

Waveform of Pale Dreams by Chris Jarvis, left channel above, right channel below: level in dB against time, 5:14 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
7.2 MB
7 528 307 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
5:14
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
121 BPM
a dancing tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
192 kbit/s
good quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−15.0 LUFS
typical for streaming and podcasts
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
6.6 LU
moderate
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−2.1 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 10
9.6 dB · moderately dynamic
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−16.4 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−16.7 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
0.30 dB
balanced
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−12.8 dB
ordinary stereo
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
No

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
OriginalName: chris17b.it Imported: 2024-09-28 (TERN-sep2024-02).
artist Who made or performs the recording, as it is written inside the file.
Trackerartist
comment A free note somebody left inside the file.
(C) By Chris Jarvis This song is my first using the extra features of IMPULSE TRACKER. Sorry, but once again there's no new samples here - all ripped. Thanks to Jeff for such a cool program, and getting it to me so quickly!! Pale Dreams Written December 1995 Contact me (sorry but no email at the moment): Chris Jarvis 38 Austral Tce Malvern South Australia 5061 Playback: Stereo with plenty of bass, but not too much due to less sound quality. This song gets up to about 45 active [...]
title The name of the recording, as it is written inside the file.
Pale Dreams
sourcemedia A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.
'it' tracked music file, made with 'Impulse Tracker 1.01', rendered with 'openmpt123 0.6.6 (libopenmpt 0.6.6+r17953, OpenMPT 1.30.07.00 https://source.openmpt.org/svn/openmpt/tags/libopenmpt-0.6.6@17953 (2022-09-25T14:18:16Z) clean)'
encoder The program that made the mp3 file.
Lavf62.19.101

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

📻 Station details

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