Song profile for Darkside Compo Edit
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This profile was last updated on: 2026-10-04 22:37:16
🎙 Curated by DJ Daemon
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Track Details
AlbumOriginalName: darkedit.xm Imported: 2024-04-20 (TERN-apr2024-01).
Tracker TypeFasttracker
Duration04:30
Total plays136
Added2024-04-20 18:16:30
Track ID#14800
Integrity
- MD5
ccc788872784fd40991dc9152f4ae668- SHA-1
769e625619c3b675161ded5f98835177efa72236- SHA-256
12592387d2fb6be81cca5dca23f55af49363b898c798b626a8a23f2e5920f822- SHA-384
32a36f643b0cabe4af0a3e6ea7e59f289e9bdde01e3b4dc8beb50a927a87c17e80c004886122345384bd4bf4afe42f95
Play History
- 🕘 2026-10-04 20:37:16
- 🕘 2026-09-26 00:03:37
- 🕘 2026-09-17 06:47:43
Additional data from ModArchive
Title on ModArchive
Darkside_Compo Edit
Module format
XM
File size
4.50MB
Added to ModArchive
Thu 23rd May 2002
ModArchive rating
On ModArchive
Open the module on ModArchive
Sample & instrument names
D a r k s i d e
S y m p h o n y
H o u s e C o m p o
V e r s i o n T i S
B y D j K e y s
O f D e t u n e d .
Back once again with
the bass, the beatz,
the breakz and the
hardtrance sound that
i'm used to. This is
my entry for the TiS
House compo 2000. Let
the bass kick . . . .
Big thnx to Boomaap
of Soundpros for makin
me some great samples
For HQ samples visit
his samplesite at
http://soundpros.
iscool.net
Greetinx to:
ReMo EaZy Hurboman
T-tracker Joseph H
Soundscript Sunsquid
Noisedamper Acumen
The Nuke Mempheria
Scatter Codi Fl.June
Hawkmoon and You !
Respect 2
Cellblock 4 crew
Dcm crew
Tokyo Dawn crew
Rbi crew
Babs <-- kewl samples
contact me at:
keys_casema.net
02-03-2000
Like this tune?
There's much more at
www.traxinspace.com
On with a new track...
Signing off : Dj Keys
T h e
N e t h e r l a n d s
dj keys
dj keys
boomaap
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
k303
remo
remo
dj keys
dj keys
succubus
polemic
floppy
aka
Listen very close
couz you'r gonna like
our sound, party
people everywhere
:)
Data from modarchive.org, last checked 2026-09-27 22:03:28.
Mp3 file details
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- Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
- OK
- measured from the file itself
- Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
- File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
- 6.4 MB
- 6 670 706 bytes
- File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
- Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
- 4:38
- minutes : seconds
- Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
- 152 BPM
- a fast tempo
- Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
- 192 kbit/s
- good quality
- Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
- 44.1 kHz
- 44 100 measurements a second
- Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
- Stereo
- 2 channels
- Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
- MP3
- Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
- −15.4 LUFS
- typical for streaming and podcasts
- Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
- 6.7 LU
- moderate
- True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
- −2.1 dBTP
- safely below the ceiling
- Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
- DR 9
- 9.0 dB · moderately dynamic
- Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
- −15.9 dBFS
- average (RMS) over the whole file
- Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
- −15.9 dBFS
- average (RMS) over the whole file
- Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
- 0.01 dB
- balanced
- Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
- −26.9 dB
- narrow stereo
- Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
- No
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Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.
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