Song profile for Mermaid (Seaweed edit)
ericade.radio knows the chiptune and demoscene! We're the radio station playing all the best tunes from the most prominent, promising or trending artists in the scene. We also know about the artists and songs as well.
This profile was last updated on: 2026-09-20 03:26:25
🎙 Curated by DJ Daemon
View all songs
Track Details
AlbumOriginalName: mermsea.it Imported: 2023-06-24 (TERN-jun2023-04).
Tracker TypeImpulsetracker
Duration05:22
Total plays188
Added2023-06-24 23:31:42
Track ID#14647
Integrity
- MD5
38a733b2eb5b326e084bfbfff6793751- SHA-1
8e4acfcda9786a73496cf9cd0e6d77344b1ec8f9- SHA-256
b0d32a12ab964275638ca58ac4c23593f8721e3629c22aee96afe724430d4b0f- SHA-384
66abd7398521699d3d3bdca02ecff35816edaeb454a19ff7895df9773a1d45048d731124fe314c3a97260c71fd08991e
Play History
- 🕘 2026-09-19 08:40:25
- 🕘 2026-09-12 20:07:10
- 🕘 2026-09-05 10:28:03
Additional data from ModArchive
Title on ModArchive
Mermaid -- Seaweed Edit
Module format
IT
File size
806.72KB
Added to ModArchive
Mon 22nd May 2023
ModArchive rating
On ModArchive
Open the module on ModArchive
Sample & instrument names
" The Story of the
Mermaid "
- Seaweed Edit -
Composed by b.a.freeman
aka Atlantic
moss.impression.tw
as566_torfree.net
sneegle dorb jfdlkkk;;
center.
This song was released
originally in October
1995. I've always
liked it muchly, and
wanted to do it greater
justice with smarter
engineering.
Lyrics are from my fav
poem, The Love Song of
J.Alfred Prufrock, by
T.S.Eliot. I know
they're a bit weak, but
just be thankful that I
didn't include the whole
stanza. =)
Btw.. This song was
(and is) a musical
depiction of my
relations with a certain
girl, with whom I only
speak very occasionally
these days. It's quite
accurate in mood, that's
part of the reason that
this song works so well
for me.
Greets to the toronto
tracking scene -
carry the flame!
Thanks to Mickrip for
his stylin peeeano
MRP Astrid Piano 1
MKI Bass wave
B0B Hollow Tympani
FNC Hihat C
??? Plain Kick
ZAP Distorted Thrash
MRP Astrid Piano 2
MRP Astrid Piano 3
MRP Astrid Piano 4
ATL Eliot 1
ATL Eliot 2
ATL Eliot 3
ATL Kickin Snare
FNC Femaleish Choir
??? Crash
FNC Male Choir
NEC Revcym
??? Bell Ride
FNC SemiFemale Choir
FNC Hihat O
MAY Solidkick
FNC Hihat Loose
Data from modarchive.org, last checked 2026-08-25 16:32:52.
Mp3 file details
Open the waveform at full size (opens in a new tab)
- Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
- OK
- measured from the file itself
- Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
- File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
- 7.9 MB
- 8 234 440 bytes
- File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
- Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
- 5:43
- minutes : seconds
- Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
- 186 BPM
- a fast tempo
- Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
- 192 kbit/s
- good quality
- Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
- 44.1 kHz
- 44 100 measurements a second
- Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
- Stereo
- 2 channels
- Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
- MP3
- Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
- −16.3 LUFS
- typical for streaming and podcasts
- Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
- 8.5 LU
- moderate
- True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
- −1.9 dBTP
- safely below the ceiling
- Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
- DR 10
- 9.6 dB · moderately dynamic
- Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
- −17.4 dBFS
- average (RMS) over the whole file
- Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
- −17.9 dBFS
- average (RMS) over the whole file
- Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
- 0.49 dB
- balanced
- Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
- −9.5 dB
- ordinary stereo
- Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
- No
ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.
Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.
📻 Station details
The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.
Station
ericade.radio / The ERICADE Radio Network
Website
https://radio.ericade.net
Contact
radio@ericade.net
Comments