Song profile for No Need For Secrecy

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This profile was last updated on: 2026-10-06 21:38:25

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Cover art for No Need For Secrecy by Liam the Lemming

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No Need For Secrecy

by Liam the Lemming

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Track Details

AlbumOriginalName: no_need_for_secrecy.s3m Imported: 2023-03-29 (TERN-mar2023-03).
Tracker TypeScreamtracker
Duration02:38
Total plays205
Added2023-03-29 16:13:46
Track ID#14509
Integrity
MD5
650cf67307271bbc0f8cce1484fe9759
SHA-1
80af7f5df6121831a72c29aea55e9db9f4110999
SHA-256
0042c21bee7e74eed834647f653fbb026aac23422f6e7749b715fe5c0c766e3a
SHA-384
1089270120b38028817b5686ddede0bb85a482189703d12e8269a6abaf09e57d7a366f585de473b270515064a2885435
⬇ Download MP3 ⬇ Download FLAC (lossless) ⬇ Download original file (Tracker file)

Play History

  • 🕘 2026-10-06 19:38:24
  • 🕘 2026-10-01 00:43:04
  • 🕘 2026-09-23 10:24:47

About the artist Liam the Lemming  View all tracks ›

★★★★★ (2 votes)

An artist from the United Kingdom, whose real name is Liam J. Hesse.

🎧 993 plays on ericade.radio

Additional data from ModArchive

Title on ModArchive No Need For Secrecy
Module format S3M
File size 206.77KB
Added to ModArchive Mon 13th Sep 2004
ModArchive rating 9 / 10

Sample & instrument names

No Need For Secrecy
    by Liam the lemming

This module started life as
a 4-channel SoundTracker
module, but I soon changed
that when I got hold of a
copy of ScreamTracker at an
FTPsite - I made use of the
extra channels and tried to
embellish it a little.

I reckon I succeeded. But
then, I'm bound to say that
aren't I?

I rewrote my SoundTracker
modules ages ago, then I
uploaded them all to a site
(ftp.brad.ac.uk) which then
had to start deleting stuff
because it was full. Damn.
Good thing I discovered two
sites from Leviathan (the
composer of Dust To Dust).

Hello's to everyone I know
at uni, especially the HND2
crew, the BMS bunch, the
law students, the freshers
- wait a minute! I've got
100 lines of space for chat
here, haven't I? Hmm, let's
do that again, shall we?

Right. Hello's to everyone
I know at uni - namely Dave
Rayner, Ian Slavin, Bryan
Jones, Lee O'Brien, Jon
Barker, Shereen Walters,
Russ Threadgold, James
Williams, Chris Bruce,
Ruth Jump, Tom Baker, Dave
Wild, Pete Mercer, Glenn
Payne, Ste Jones, Justin
Andrews, Chris Bruce, Andi
Riley, Ivan Marshall and
Dave and Arthur Goodman.
Sorry if I missed you out,
I have a lousy memory. :)

...Damn. Writer's block. :)

I suppose I could mention
why the song was written -
the inspiration behind it,
I mean. Well, it's like
this... It was originally
named The Darkest Secret. I
wrote this song when I was
on a real downer because I
was keeping a secret about
myself from all my friends.
I wanted to tell them, but
I was anxious about losing
their friendship over it.

Overanxious, as it turned
out. About a month after
writing the module, the
strain became unbearable
and I finally caved in. I
told a friend who I thought
could cope with it. He did,
of course.

Things just snowballed from
there - within a week I had
told almost all of my mates
and it felt like I'd been
rescued from a prison cell.
The relief I got from their
good reception of the news
was indescribable.

All my close friends know
now. And I'm well used to
it now - I've even got a
sense of humour about it.
So, as the song says,
there's No Need For Secrecy
now. So I can tell you, the
listener.

After all, there's nothing
wrong with being gay these
days, is there?____________
           Liam the lemming
           ~~~~~~~~~~~~~~~~

Data from modarchive.org, last checked 2026-09-22 00:03:41.

Mp3 file details

Waveform of No Need For Secrecy by Liam the Lemming, left channel above, right channel below: level in dB against time, 2:40 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
3.7 MB
3 844 658 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
2:40
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
64 BPM
a slow tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
192 kbit/s
good quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−15.8 LUFS
typical for streaming and podcasts
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
3.0 LU
very even
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−2.2 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 11
11.4 dB · moderately dynamic
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−17.7 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−17.7 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
0.00 dB
balanced
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−82.3 dB
practically mono
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
No

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
OriginalName: no_need_for_secrecy.s3m Imported: 2023-03-29 (TERN-mar2023-03).
artist Who made or performs the recording, as it is written inside the file.
Trackerartist
comment A free note somebody left inside the file.
No Need For Secrecy by Liam the lemming This module started life as a 4-channel SoundTracker module, but I soon changed that when I got hold of a copy of ScreamTracker at an FTPsite - I made use of the extra channels and tried to embellish it a little. I reckon I succeeded. But then, I'm bound to say that aren't I? I rewrote my SoundTracker modules ages ago, then I uploaded them all to a site (ftp.brad.ac.uk) which then had to start deleting stuff because it was full [...]
title The name of the recording, as it is written inside the file.
No Need For Secrecy
sourcemedia A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.
's3m' tracked music file, made with 'Scream Tracker 3.20 (SB)', rendered with 'openmpt123 0.6.7 (libopenmpt 0.6.7+r18456, OpenMPT 1.30.09.00 https://source.openmpt.org/svn/openmpt/tags/libopenmpt-0.6.7@18456 (2023-01-08T14:11:39Z) clean)'
encoder The program that made the mp3 file.
Lavf62.19.101

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

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