Song profile for Teddy Issues
ericade.radio knows the chiptune and demoscene! We're the radio station playing all the best tunes from the most prominent, promising or trending artists in the scene. We also know about the artists and songs as well.
This profile was last updated on: 2026-10-06 00:43:01
🎙 Curated by DJ Daemon
View all songs
Track Details
- MD5
e9f0b1d67c1fc72b2eecd8b812f9c0f2- SHA-1
5e787295be0783b4db9f9f84fa27663dda568408- SHA-256
3ba1427c8c8695ef09b249ef69d9b75d403bd974aa2c614a23deb030dd6c09cd- SHA-384
e558109a7d4e055d89ddd78ca56a30d42fca00a8ce49cf782fa55fd68f14df83d8a11eecc20e93783bde224d2618f7fc
Play History
- 🕘 2026-10-04 01:04:20
- 🕘 2026-09-26 10:12:15
- 🕘 2026-09-18 22:56:05
About the artist Ko0x View all tracks ›
A German artist. In his own words: "n 2003 some friends of mine (bzl, fup & adde aka "Shice music") introduced me into the 8bit scene. I fell in love instantly and started to work on my own Chips.In 2007-08 i met joule and mano on IRC. They had a crew called "Satanic Kids". At that time i was looking for some skilled guys to create a powerful chipcrew"
🎧 2,382 plays on ericade.radio
Additional data from ModArchive
Comments on ModArchive
Take a few minutes to listen to this song and think about your long lost companion and best friend who was probably exiled into the deep dark of the attic carving out the rest of his existence in a corner stuffed into some random box. Wherever he might be, he still remembers the innocent times you spend together on all those exciting adventures - fighting dragons, having tea parties or just hanging out on a saturday morning watching cartoons. He never gave up hope that one day you might return and maybe for a short while dive back into the glorious adventures you both had. He's hoping to relive those sweet sweet childhood memories for a single precious moment. Listen to this and remember that he misses you and he hasn't forgotten you and all he wants is to be held one last time. ... Well probably not because it's just a toy but wouldn't that be sad? Anyway, cheers.
Data from modarchive.org, last checked 2026-08-25 16:54:17.
Mp3 file details
Open the waveform at full size (opens in a new tab)
- Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
- OK
- measured from the file itself
- Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
- File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
- 8.2 MB
- 8 644 012 bytes
- File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
- Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
- 4:25
- minutes : seconds
- Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
- 104 BPM
- a walking tempo
- Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
- 261 kbit/s
- high quality
- Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
- 44.1 kHz
- 44 100 measurements a second
- Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
- Stereo
- 2 channels
- Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
- MP3
- Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
- −15.6 LUFS
- typical for streaming and podcasts
- Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
- 3.9 LU
- very even
- True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
- −1.8 dBTP
- safely below the ceiling
- Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
- DR 11
- 10.6 dB · moderately dynamic
- Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
- −17.1 dBFS
- average (RMS) over the whole file
- Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
- −17.3 dBFS
- average (RMS) over the whole file
- Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
- 0.19 dB
- balanced
- Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
- −14.6 dB
- ordinary stereo
- Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
- Yes
ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.
Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.
📻 Station details
The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.
Comments