Song profile for Slowstar to speedfreak
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This profile was last updated on: 2026-10-03 00:03:49
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Track Details
AlbumOriginalName: slowstar.s3m Imported: 2022-09-24 (TERN-Sept2022-06).
Tracker TypeScreamtracker
Duration05:16
Total plays228
Added2022-11-04 06:44:58
Track ID#14232
Integrity
- MD5
3c6398e1a2d20c1ce9e1b34f3a67056e- SHA-1
40bc27080f737f8f9dc19328b2d25bb5d63f6c9d- SHA-256
19c47f5c185984b083a1fefc79808c078cfbe3031b4c2868851e77ff186c75e1- SHA-384
6306fe1cab8a1190bd537649304bb1d6b3d90496d283da9868e1cd023530f16e9f645be2059677ebc8af4c8e4b787743
Play History
- 🕘 2026-09-26 16:41:46
- 🕘 2026-09-20 02:37:40
- 🕘 2026-09-06 23:18:34
Additional data from ModArchive
Title on ModArchive
Slowstar to Speedfreak
Credited on ModArchive
PmI
Module format
S3M
File size
182.80KB
Added to ModArchive
Tue 24th Mar 1998
ModArchive rating
On ModArchive
Open the module on ModArchive
Sample & instrument names
snare hihat closed kickdrum background bass tamborin organ base string hihat closed string string organ liner "Slowstar to Speedfreak" (c) Poison Mick Ivy you'll want to turn up your bass a bit ;) well, a new series, with this tune being the one to bear the exact same title as the series itself.. isn't the world a wonderful place? never mind... don't answer that okay? we'll start with some thanx and greets.. to these nize people ;) &Y, Skaven, ApHexX..!, Q-star, NecRoPhaGe..!, MAGiC MANiAC, dreambit, DJR, POPE-X, BASS, DJ TRX, ByTeNSioN, Lee, All the people on the mailing list, Steven Oliver, and who-ever I may have forgotter, but who think's he/she should be on this list..! now that we've take care of that little problem, moving on to more important things ... I've noticed a lot of you crew have been asking who the freak "Algon" is... Algon is a figment of my imagination, and also a character in a book I'm currently writing. the quotes by him, thus, are actually my thougths..sorry if I shattered another reality now... "For when no more then empty space if left, we will have to start rebuilding the life we have knows since the dawn of ages.. and the circle will once more become full and no one will question the existence of us any- more than we do theirs." -Algon, War epic. for more info, read the PmI textfile inc-ed in this zip file, and follow the instructions ;) ERD : 23 july, 1997 A.d. duration : 5 minz, 14 secs. Enjoy! -PmI
Data from modarchive.org, last checked 2026-10-02 22:03:49.
Mp3 file details
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- Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
- OK
- measured from the file itself
- Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
- File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
- 7.5 MB
- 7 815 498 bytes
- File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
- Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
- 5:25
- minutes : seconds
- Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
- 84 BPM
- a slow tempo
- Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
- 192 kbit/s
- good quality
- Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
- 44.1 kHz
- 44 100 measurements a second
- Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
- Stereo
- 2 channels
- Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
- MP3
- Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
- −15.8 LUFS
- typical for streaming and podcasts
- Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
- 3.9 LU
- very even
- True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
- −1.9 dBTP
- safely below the ceiling
- Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
- DR 11
- 10.8 dB · moderately dynamic
- Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
- −19.0 dBFS
- average (RMS) over the whole file
- Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
- −17.5 dBFS
- average (RMS) over the whole file
- Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
- 1.44 dB
- right is 1.4 dB louder
- Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
- −11.7 dB
- ordinary stereo
- Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
- No
ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.
Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.
📻 Station details
The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.
Station
ericade.radio / The ERICADE Radio Network
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https://radio.ericade.net
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