Song profile for Whistler's Bride
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This profile was last updated on: 2026-09-29 22:42:56
🎙 Curated by DJ Daemon
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Track Details
- MD5
df85862d1e88b7ea6197382cbbdbba7b- SHA-1
3eb2f70eda542ce8031651be837774786da41cce- SHA-256
0313888bf29dbcf70ec625242e52c8816496e924ca2fd57a244ef6ff3e435e42- SHA-384
66e9d49f2012114c0f1b80b3768226d7740b4cd96eabbe4734187f14ae61381b96beb10250234f83a7f412f3e51fe86a
Play History
- 🕘 2026-09-24 03:19:25
- 🕘 2026-09-16 02:10:48
- 🕘 2026-09-06 06:00:31
About the artist Warder View all tracks ›
A Finnish artist.
🎧 1,400 plays on ericade.radio
Additional data from ModArchive
Sample & instrument names
Choir Orchestra Brass Horn Section Drum 1 Drum 2 Drum 3 Drum 4 Tambu1 Low Whistle Low Whistle Delay Pt1 Low Whistle Delay Pt2 Orch Bass Analogpad Moody Strings Accordeon Accordeon Violin Pick Bass Vox Morphing Left Vox Morphing Right Mondosynth Bass Sun E-Minor G am A7 hm C D9/6 Enon3 Uillean Bagpipes Halltom Acoustic Guitar Loud Piano 14-part Gong Gong Reverse # Vesa Norilo (Warder) # (C) 1998 Crystalline CD CD CD CD CD 2.5 MB? GUS is dead, anyway. Sample Sources: + Korg Trinity + Landola Acoustic Gtr + Song of Irish Whistle (CD) Plays 8:04
Comments on ModArchive
the Feadanaigh Epic
'We are the music makers,
and we are the dreamers of dreams,
Wandering by the lone sea-breakers,
and sittting by desolate streams.'
- Arthur O'Shaughnessy
the Feadanaigh Epic is my long term project. It consists
of three parts, of which this is the second.
the Feadanaigh Epic
+ Moors of Ireland
+ Whistler's Bride
Feadanaigh is ancient Eire and translates as Whistle Player.
___
the Whistler's Bride
Road dust clinging to his clothes
he made his way over the ancient
bridge spanning the foaming river.
His heartsong soared freely above the
treetops and clouds, even.
Its bright voice held a note of melancholy
for something in the lass had awakened
something long forgotten.
But he was claimed in a way no earthly woman
could rival.
Lifting his cold bride made of metal to his
lips, he let his heartblood flow.
The long road that was his life gently crunched
beneath his heels.
Maybe this is an attempt to return to my roots - combining
the newfound folk influence with my earlier orchestral and
new age habits. I dare say this style is something I invented.
___
Please enjoy. It is a mammoth project in every sense. Sample
set is very big, it uses over 60 channels and more than 200
working hours went into it.
OK, so playing back this song is computer murder. Use IT L50
to limit the channels to 50, which should be adequate for this
song. This requires at least 40 channels, since there are
40 active tracks.
To listen to this song with GUS classic cards, you need to
use quarter quality and will miss even some active tracks,
so you might as well use the diskwriter and convert it into
MP3.
GUS MAX, PnP, AWE owners: please use software mixing.
- Vn
Fall 98
Comments, criticism, ideas, insights, helloes
and everything relevant and irrelevant should be
sent to: vesa.norilo_dlc.fi
http://www.dlc.fi/~warder
Data from modarchive.org, last checked 2026-08-25 17:18:58.
Mp3 file details
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- OK
- measured from the file itself
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- File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
- 13.3 MB
- 13 896 372 bytes
- File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
- Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
- 8:03
- minutes : seconds
- Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
- 93 BPM
- a walking tempo
- Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
- 230 kbit/s
- good quality
- Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
- 44.1 kHz
- 44 100 measurements a second
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- Stereo
- 2 channels
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- MP3
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- −14.8 LUFS
- typical for streaming and podcasts
- Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
- 9.8 LU
- moderate
- True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
- −1.7 dBTP
- safely below the ceiling
- Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
- DR 9
- 9.3 dB · moderately dynamic
- Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
- −17.5 dBFS
- average (RMS) over the whole file
- Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
- −16.3 dBFS
- average (RMS) over the whole file
- Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
- 1.22 dB
- right is 1.2 dB louder
- Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
- −5.3 dB
- very wide
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- Yes
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