Song profile for Headlock

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This profile was last updated on: 2026-10-04 23:12:32

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Cover art for Headlock by Melcom

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Headlock

by Melcom

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Track Details

AlbumOriginalName: melcom-headlock.it Imported: 2022-09-14 (TERN-Sept2022-04).
Tracker TypeImpulsetracker
Duration05:07
Total plays233
Added2022-11-03 10:22:18
Track ID#14197
Integrity
MD5
723cdf5932d316caf6474113c86af60d
SHA-1
c611f0e6c554fa3bafa46ad4cdc590d3d4e9bdf6
SHA-256
36be5da13f138b22ad4b86795afa25737b2be64e60c98d05dc76b76cb38844fd
SHA-384
2d44ae7e322d169833adabbb0b6a07f02de79c7b313ef6e13a95447c627adeec46775c7f2f68857b0c9ad2bb2564d081

Play History

  • 🕘 2026-10-04 21:12:32
  • 🕘 2026-09-26 06:47:11
  • 🕘 2026-09-16 15:38:27

Additional data from ModArchive

Title on ModArchive MEL -Headlock
Credited on ModArchive melcom
Module format IT
File size 10.45MB
Added to ModArchive Wed 24th Feb 2021
ModArchive rating 9 / 10

Sample & instrument names

.Headlock
.by melcom

.written and composed by
.Andreas melcom Urban

.Composed in OpenMPT

.shift-f9 / more info

.(c) FEB 2021 melcom

Perc_Synth_Raw_15.wav
Perc_Synth_Raw_16.wav
Theremin_Swoop_02.wav
Theremin_Swoop_01.wav
Zapps_23.wav
Zapps_12.wav
DirtyRhodes_a0_127.wav
DirtyRhodes_a3_100.wav
cw_bass09.wav
128 #2.wav
128 #3.wav
stompbass6.wav
tr909clap01.wav
Trance-Kit 029.wav
Perc_Synth_MoogDelay_03.w
A16 Tidal Wave 096.wav
A22 Air4Life 084.wav
A22 Air4Life 036.wav
Regenzeit 078.wav
Regenzeit 066.wav
Yamaha-EX5-AnaBrass-C2.wa
Move East Brass 066
Move East Brass 072
Move East Brass 078
Move East Brass 084
Move East Brass 090
AM Square Synth 072.wav

Comments on ModArchive

______
_______ ___________  /__________________ ___
__  __ `__ \  _ \_  /_  ___/  __ \_  __ `__ \
_  / / / / /  __/  / / /__ / /_/ /  / / / / /
/_/ /_/ /_/\___//_/  \___/ \____//_/ /_/ /_/

                            H E A D L O C K
Surprise, Surprise ...
My first fully written track in OpenMPT :)

Acknowledgement;
Many thanks to SagaMusix.de for giving me their sample collection *BigHug*

And thanks again for your help with this track. For all your tips regarding
the samples, sample loops and compression of this track. Without you this
song would be 50 MB :)

And once again, thank you for putting up with me when I fall into my
self-doubt and deep depression. :( You are a true friend!

I hope you like my work here and maybe I could surprise you a bit :) I
dedicate this track to you, my friend, and to all the people who have a
hard time with me! It is not always very easy. I know ... :(

Yours,
melcom

Sample Credits:
SagaMusix.de, ModArchive.org, Free Sample Packs.

Come and join me: melcom-music.de
                  scenes.at/melcom
                  twitter.com/melcom2630
                  youtube.com/melcom2630

Greetings to all demosceners in the whole world!

Data from modarchive.org, last checked 2026-09-22 22:32:31.

Mp3 file details

Waveform of Headlock by Melcom, left channel above, right channel below: level in dB against time, 5:19 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
9.5 MB
9 949 634 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
5:19
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
128 BPM
a dancing tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
250 kbit/s
good quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−16.2 LUFS
typical for streaming and podcasts
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
6.2 LU
moderate
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−1.9 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 11
10.7 dB · moderately dynamic
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−17.9 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−17.7 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
0.15 dB
balanced
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−9.4 dB
ordinary stereo
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
Yes

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
OriginalName: melcom-headlock.it Imported: 2022-09-14 (TERN-Sept2022-04).
artist Who made or performs the recording, as it is written inside the file.
Melcom
comment A free note somebody left inside the file.
______ _______ ___________ /__________________ ___ __ __ `__ \ _ \_ /_ ___/ __ \_ __ `__ \ _ / / / / / __/ / / /__ / /_/ / / / / / / /_/ /_/ /_/\___//_/ \___/ \____//_/ /_/ /_/ H E A D L O C K Surprise, Surprise ... My first fully written track in OpenMPT :) Acknowledgement; Many thanks to SagaMusix.de for giving me their sample collection *BigHug* And thanks again for your help with this track. For all your tips regarding the s [...]
date The year, or date, the file says the recording is from.
2021-02-24T03:56:01Z
sourcemedia A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.
'it' tracked music file, made with 'OpenMPT 1.29.07.00', rendered with 'openmpt123 0.6.5 (libopenmpt 0.6.5+r17760, OpenMPT 1.30.06.00 https://source.openmpt.org/svn/openmpt/tags/libopenmpt-0.6.5@17760 (2022-08-21T11:52:55Z) clean)'
title The name of the recording, as it is written inside the file.
Headlock
encoder The program that made the mp3 file.
Lavf62.19.101

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

📻 Station details

The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.

Station ericade.radio / The ERICADE Radio Network

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