Song profile for Substitutionology

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This profile was last updated on: 2026-10-06 03:10:49

🎙 Curated by DJ Daemon

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Cover art for Substitutionology by Beek

🎵 Track Profile

Substitutionology

by Beek

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Track Details

AlbumOriginalName: beek-substitutionology.it Imported: 2022-09-14 (TERN-Sept2022-04).
Tracker TypeImpulsetracker
Duration03:42
Total plays233
Added2022-11-02 20:42:27
Track ID#14154
Integrity
MD5
cbe212fe6b7b901c22857d855d29845a
SHA-1
7862f7755f2abc84632b5b69a466bee01dff3694
SHA-256
e30d4f8b07e7ab6e57d7bc8cf92bde3c5a891173ffa7faf48f67099f0ccd690e
SHA-384
c05505f0e20c0d49867f1573a814c70eadef5edd5e4a8ee19f77a00787f92ce1f4c131b47269539a5176bba28c338f29

Play History

  • 🕘 2026-10-03 07:53:57
  • 🕘 2026-09-26 15:33:55
  • 🕘 2026-09-16 20:36:17

About the artist Beek  View all tracks ›

Picture of the artist Beek

An American artist whose real name is Chris J. Hampton.

🎧 1,057 plays on ericade.radio

Additional data from ModArchive

Title on ModArchive substitutionology
Module format IT
File size 128.62KB
Added to ModArchive Sat 20th Jan 2007
ModArchive rating 10 / 10

Sample & instrument names

Dump Base
Dump Snare
Klapp
Hihat Closed
Hihat Open
Clacker
syntho Kik 1
Fluff Snare 2
Hihat cl
Stick
clean Basedrum
Snare Drum
Closed Hihat
Bongo cl 1
Bongo cl 3
Bongo hi open
Tom hi hard
Sine Base
Slap 1
Fat Chipbass (PM)
Bass Dull Note 1
Big Distorsion 2
Pluck 1
Electric Jazz Guitar 1
Additive Mysteries
Primenumber Wave
hi Chiplead (Meo)
Bandpass 3
Glasswave 3
SynStrings..
Clarinet
Piccolo
Shanai
Tenor Saxophone
Trumpet Note 1
real Bell
Melody Bell 1
Weird Bell
Xylo Bell
Cowbell
Hi Percussion
Melodic Bell
Belly Instrument
Mod. Sinewave
Organ Wave
Sinewave
Tri Mod 1
Tri Mod 2
Tri Mod 3
Tri Mod 4
Tri Mod 5
Tri Mod 6
Tri Mod 7
Tri Mod 8
Tri Mod 9
Tri Mod 10
Maj1
Maj2
Maj3
Min1
Min2
Min3
Sus1
Sus2
Addwave 1
Addwave 2
Addwave 3
Addwave 4
Addwave 5
Addwave 6
Addwave 7
Addwave 8
Square mod 0
Square mod 1
Square mod 2
Square mod 3
Square mod 4
Square mod 5
Square mod 6
ShaperWave 1
ShaperWave 2
ShaperWave 3
ShaperWave 4
ShaperWave 5
ShaperWave 6
ShaperWave 7
ShaperWave 8
ShaperWave 9
ShaperWave 10
ShaperWave 11
ShaperWave 12
ShaperWave 13
ShaperWave 14
ShaperWave 15
substitutionology
beek / process5

well, what can i say?
werd, it got first :)

greets to all the part-
icipants, toejam, i loved
your tune, i gave it 1st.

<grin>.. and most of
all, greets to amusic,
for putting this together
and greets to welti
for the kickass sample-
pack.

greets to the rest,
you know who you are.

latesr

(c) 1998 process5

Data from modarchive.org, last checked 2026-08-25 16:35:09.

Mp3 file details

Waveform of Substitutionology by Beek, left channel above, right channel below: level in dB against time, 3:58 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
7.6 MB
8 010 906 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
3:58
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
167 BPM
a fast tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
269 kbit/s
high quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−16.0 LUFS
typical for streaming and podcasts
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
8.0 LU
moderate
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−2.2 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 9
8.7 dB · moderately dynamic
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−17.1 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−17.1 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
0.01 dB
balanced
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−52.0 dB
practically mono
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
Yes

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
OriginalName: beek-substitutionology.it Imported: 2022-09-14 (TERN-Sept2022-04).
artist Who made or performs the recording, as it is written inside the file.
Beek
comment A free note somebody left inside the file.
substitutionology beek / process5 well, what can i say? werd, it got first :) greets to all the part- icipants, toejam, i loved your tune, i gave it 1st. <grin>.. and most of all, greets to amusic, for putting this together and greets to welti for the kickass sample- pack. greets to the rest, you know who you are. latesr (c) 1998 process5
date The year, or date, the file says the recording is from.
1998-04-11T13:03:13Z
sourcemedia A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.
'it' tracked music file, made with 'Impulse Tracker 2.14p2', rendered with 'openmpt123 0.6.5 (libopenmpt 0.6.5+r17760, OpenMPT 1.30.06.00 https://source.openmpt.org/svn/openmpt/tags/libopenmpt-0.6.5@17760 (2022-08-21T11:52:55Z) clean)'
title The name of the recording, as it is written inside the file.
Substitutionology
encoder The program that made the mp3 file.
Lavf62.19.101

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

📻 Station details

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Station ericade.radio / The ERICADE Radio Network

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