Song profile for Vivid Imagination
ericade.radio knows the chiptune and demoscene! We're the radio station playing all the best tunes from the most prominent, promising or trending artists in the scene. We also know about the artists and songs as well.
This profile was last updated on: 2026-10-05 21:52:54
🎙 Curated by DJ Daemon
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Track Details
- MD5
8c9393a7181f832b535cabc5789e358b- SHA-1
c392efec1e9eb529a5cd1405173eb68b75dcea31- SHA-256
9d16956fb6bc87a31d8afe68c484edb891969c5973623ff65e9ddaf3e139520f- SHA-384
f8ed3ac963734fd4c2e9989cf6648cc08ac1d4ba3a9ec81bc3011821eb848c16f725f33b538aa7cddd3436bb4a440ac2
Play History
- 🕘 2026-09-28 14:13:32
- 🕘 2026-09-21 20:39:09
- 🕘 2026-09-15 04:03:13
About the artist LittleElk View all tracks ›
A Norwegian artist. He started tracking in 1996 with no musical background.
🎧 467 plays on ericade.radio
Additional data from ModArchive
Sample & instrument names
-Chimera -Zeus-==--==--==--==--==- -Zeus".....:::::brainstor -Zeus ".mad.sound.scienti -Zeus " _- Zeuz -_ -MazeDude -Me (MidiBank)Bass Drum 1 -unknown NO VOLUME! -unknown Ravers Year -unknown -unknown--------rulez---- -Mazedude -Mazedude -Mazedude -ChimeraThis song is for -Mazedude Roland XP-10 HHOD0.WAV TYPHOONB.WAV TYPHOON4.WAV INDISK2.sfil Hammerhead
Comments on ModArchive
Done By LittleElk -99 Time:-5:20-
Ver.:-1.00-
<PgDwn>
Here's Some Arabian Dance From The MasterElk. ;)
This Is Really Something I wouldn't Even Try Dabbling With Some Months
Ago... I'm Quite Satisfied With The Result.
A Real Musician Might Find A Fault Or Two But, Hey, I Don't Always Care
For The Rules... (Since I Don't Always Know Them :P )
My Inspiration Came From Nowhere...
Many Samples Taken From Zeus/Shabad, Chimera And MazeDude, Three Damn Fine
Musicians.
I Tried Some Things This Time That I Still Find Difficult... I Usually
Don't Tweak My Leads Like This But I Wanted To Add Some Life To This
Track.
Extensive Panning Work. Earphone Approved.
Try To Imagine A Happeningsful Journey Through A Desert.
I Hope You Like This Track, And If You Do (Or Don't), Contact Me:
Mail: soxwc_online.no
UiN: 21002378
Greets Go Out To My Fellow Musicians Both At Efnet #trax And Dalnet
#modarchive.
Some Special Greets To These Fine People:
Zola, Whose Sunday Compos Has Been Sort of A Therapy During My Writing
Block.
Slammin Vinyl, For Giving Me And Zepsi That Damn Fine Review. <Grin>
Zepsi, For Being That Great Pal And Musician That He Is.
And Just Coz They Plain Rock (No Particular Order):
Azo, VirtuaX(Formerly SanDmaN), GobleKurt, Velocity, Rogstaa, Boomerang,
Utophia, Shabad/Zeus, Roncli, Reduz, Johnny Guitar, TheFly, Storm,
AcidTroll, Maim, Damien, DrQ
Damn Me To Hell If I Forgot You ;)
This Song Is Copyright (C) 1999 By LittleElk. For Non-Profit Use only!
My Writer-Block Is Gone. I'm Back, And I'm Meaner Than Ever.
Written In One Evening.
Data from modarchive.org, last checked 2026-09-25 00:03:43.
Mp3 file details
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- Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
- OK
- measured from the file itself
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- File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
- 9.9 MB
- 10 362 694 bytes
- File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
- Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
- 5:36
- minutes : seconds
- Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
- 128 BPM
- a dancing tempo
- Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
- 247 kbit/s
- good quality
- Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
- 44.1 kHz
- 44 100 measurements a second
- Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
- Stereo
- 2 channels
- Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
- MP3
- Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
- −14.8 LUFS
- typical for streaming and podcasts
- Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
- 6.5 LU
- moderate
- True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
- −1.9 dBTP
- safely below the ceiling
- Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
- DR 11
- 10.5 dB · moderately dynamic
- Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
- −17.5 dBFS
- average (RMS) over the whole file
- Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
- −17.5 dBFS
- average (RMS) over the whole file
- Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
- 0.04 dB
- balanced
- Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
- −8.0 dB
- ordinary stereo
- Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
- Yes
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Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.
📻 Station details
The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.
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