Song profile for In Pursuit of Danger

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This profile was last updated on: 2026-10-01 18:11:43

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Cover art for In Pursuit of Danger by Michael Lee (Beyond Inertia)

🎵 Track Profile

In Pursuit of Danger

by Michael Lee (Beyond Inertia)

(1 vote)

Track Details

AlbumOriginalName: in_pursuit_of_danger.s3m Imported: 2022-09-24 (TERN-Sept2022-06).
Tracker TypeScreamtracker
Duration03:01
Total plays233
Added2022-11-02 03:36:26
Track ID#14094
Integrity
MD5
5dfa840c955be4a618ecab360d814ff1
SHA-1
ba23fee05dbd41a31257330c621ab7c3387f06c9
SHA-256
01b099c1a642ab0e43010618b8393bb747c83d744c2979d39ede6c861698633c
SHA-384
eb0c61cf3705740d63806378f721eb4951a8923db53af967f40bf9e8e3a6330945191cd5108d85b2600fe808ef61bdf8

Play History

  • 🕘 2026-10-01 16:11:43
  • 🕘 2026-09-23 15:45:12
  • 🕘 2026-09-15 17:23:12

Additional data from ModArchive

Title on ModArchive In Pursuit of Danger
Module format S3M
File size 270.21KB
Added to ModArchive Tue 12th Sep 1995
ModArchive rating 10 / 10

Sample & instrument names

In Pursuit of Danger

 An S3M produced 100% by...

      Michael Lee
    (Beyond Inertia)

           of

    Sonic Equinox 1995

Playing length 3:10

Version 9.9.95
---------------------------

For the Sonic Equinox
S3M competition...

Play this with LOTS of Bass
and don't tell me your
speakers blew on the last
pattern please =)

Data from modarchive.org, last checked 2026-09-29 22:03:40.

Mp3 file details

Waveform of In Pursuit of Danger by Michael Lee (Beyond Inertia), left channel above, right channel below: level in dB against time, 3:10 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
4.4 MB
4 569 331 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
3:10
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
81 BPM
a slow tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
192 kbit/s
good quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−14.0 LUFS
typical for streaming and podcasts
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
4.1 LU
very even
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−2.2 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 8
8.0 dB · moderately dynamic
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−15.0 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−15.0 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
0.00 dB
balanced
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−85.0 dB
practically mono
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
No

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
OriginalName: in_pursuit_of_danger.s3m Imported: 2022-09-24 (TERN-Sept2022-06).
comment A free note somebody left inside the file.
In Pursuit of Danger An S3M produced 100% by... Michael Lee (Beyond Inertia) of Sonic Equinox 1995 Playing length 3:10 Version 9.9.95 --------------------------- For the Sonic Equinox S3M competition... Play this with LOTS of Bass and don't tell me your speakers blew on the last pattern please =)
sourcemedia A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.
's3m' tracked music file, made with 'Scream Tracker 3.20 (SB)', rendered with 'openmpt123 0.6.5 (libopenmpt 0.6.5+r17760, OpenMPT 1.30.06.00 https://source.openmpt.org/svn/openmpt/tags/libopenmpt-0.6.5@17760 (2022-08-21T11:52:55Z) clean)'
title The name of the recording, as it is written inside the file.
In Pursuit of Danger
artist Who made or performs the recording, as it is written inside the file.
Michael Lee (Beyond Inertia)
encoder The program that made the mp3 file.
Lavf62.19.101

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

📻 Station details

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