Song profile for Revenge of the cats

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This profile was last updated on: 2026-10-05 12:01:06

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Cover art for Revenge of the cats by Skaven252

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Revenge of the cats

by Skaven252

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Track Details

AlbumOriginalName: v17-revengeofcats.it Imported: 2022-09-14 (TERN-Sept2022-04).
Tracker TypeImpulsetracker
Duration05:54
Total plays230
Added2022-11-01 02:03:39
Track ID#13972
Integrity
MD5
d10f8c490ee3476fe21eaac6f1900f88
SHA-1
31e826ca76b83a6d16fac03541657206a9e7032d
SHA-256
71c0b5237c1ede198eb8087ee20b697f9d05d93a6e7d5ad769ac6ad5fbb9667c
SHA-384
7287c517788b4b9b50f8a2a0375d344ccae62f3158f91f02b388dfbe220373f1cd5f6654bf1180add8921876026686fb

Play History

  • 🕘 2026-10-05 10:06:28
  • 🕘 2026-10-02 08:06:12
  • 🕘 2026-09-25 12:20:25

About the artist Skaven252  View all tracks ›

★★★★★ (3 votes)

Peter Hajba (born 15 December 1974), also known by his demoscene nickname Skaven, is a Finnish electronic musician, video game composer and graphic artist. His most recent project is with Remedy Entertainment as an animator, sound designer and graphic artist. Prior to working with Remedy, Hajba has been credited on games developed by 3D Realms, PopCap Games, Introversion Software Limited, Epic Games, and Housemarque.Hajba was a member of the widely popular but now defunct demoscene group Future Crew, which produced some highly acclaimed demos during the 1990s. Despite having no formal training, he has won numerous awards for his music, including winning the Assembly music competition in 1993, 1995 and 2002.In 2005, Hajba composed the soundtrack for the Text Mode Demo Contest invitation demo.As of 2012, Peter now regularly releases tracks on his SoundCloud page.Hajba was a member of the widely popular but now defunct demoscene group Future Crew, which produced some highly acclaimed demos during the 1990s. Despite having no formal training, he has won numerous awards for his music, including winning the Assembly music competition in 1993, 1995 and 2002.In 2005, Hajba composed the soundtrack for the Text Mode Demo Contest invitation demoAs of 2012, Peter now regularly releases tracks on his SoundCloud page.

🎧 2,158 plays on ericade.radio

Additional data from ModArchive

Title on ModArchive Revenge of the Cats
Credited on ModArchive Skaven252
Module format IT
File size 623.07KB
Added to ModArchive Mon 29th Jul 2002
ModArchive rating 9 / 10

Sample & instrument names

Tough Sid.lead
BassGrind.lead
Xylitol-5ths
Constructor.BD1
Constructor.BD2
Constructor.HH1
Constructor.HH2
KorgTotalkit.snare (2)
Tambourine.3            *
CrashCymbal
CannedSnare        (1)
Jimi-5thChord
Jimi-Chug
Jimi-Chuga
Jimi-Hard2
Jimi-NoteLo
Jimi-NoteHi1
Jimi-NoteHi2
Jimi-Squeal1
Jimi-Squeal2
FretSlide.1
FretSlide.2
TinMan.bass.1 <SF>
TinMan.bass.2 <SF>
TinMan.bass.3 <SF>
MinorGliss
PowerRock.blast
SynTom.tough
Arte.Organ1
Arte.Organ2
Arte.Organ3
Arte.Organ4
PetraSnr           (3)
MetalHit.4
Sear.lead <SF>
Sear.5ths <SF>
Scream.1.Waaayyyyrrg
Scream.2.Nooo
Scream.3.Yaargh

 Composed by:
 Skaven / Future Crew(?)
        May 1997

 What a mess.
  Press SHIFT-F9 for
 more blah blah.

 Contact me for business
 or pleasure:
 skaven_isis.yok.utu.fi

Comments on ModArchive

Howdy there. I hope you're enjoying this assembly. I put quite
        a lot of effort into it, actually.

         Check out my homepage at http://isis.yok.utu.fi/~skaven

                     email: skaven_isis.yok.utu.fi
                            skaven_remedy.fi
                            pepaha_utu.fi

         This piece has admittedly plenty of influence from a very old,
        somewhat unknown song made by Fleshbrain, called 'Timebandit'.
        Unknown, I assume, because it was not included among his songs
        in the Mods Anothology CD. His 'Timebandit' was one of the
        truly creative classics; it is very old however, born near the
        very beginnings of the Amiga tracker music genre, so the sound
        and the instrumentation weren't among the best (the very
        concepts were being built around that time); however, the
        mockingly cool melody and well made, working structure make it
        a true delight. My regards to the old master.
         Other influence that may show in this production are from
        Purple Motion, Captain, and of course the amazing Mechanism
        Eight by the even more amazing Necros. :)
         Plus, of course, you may notice it has a rhythm structure very
        similar to my earlier releases Rama Gardens, Omniphilia
        and Data Jack. It's starting to look like a real series now,
        isn't it? Eh. Either I'm still 'refining the concept', or am
        just plain out of ideas. Hopefully someday I will learn how to
        give a song a real STRUCTURE.

         During the making of the song, my friend came to hear it and
        said it sounds quite a bit like KMFDM's new stuff - and played
        me the CD. Bleh. I thought this kinda music was something
        new. :) Later after that, another friend of mine told me it
        reminds him of Power Rangers. Aaaaaarghh!!! NOOOO!!!

                                    *ahem*

         This is not a 'real song', as it doesn't consist of parts of
        equal length, repeated in a correct sequence, nor a 'base
        theme'. Rather, it is a mere random sequence of rhythmic
        components. This has always been my problem; I tend to come up
        with a shitload of loose ideas, but cannot arrange them properly.
        Check out the loose 'bonus part' for example. I simply couldn't
        fit it in!
         Necros's Mechanism Eight is, in my opinion, a very fine example
        of how much one can build on a working basic theme; the simple
        three-note main theme repeats through the whole song, but the
        song doesn't suffer from this at all - vice versa. There is
        enough variance and the rhythmically correct sequencing which
        keep the song entertaining all the way. It is also fine example
        of great mixing skills.

         Sample credits go to Purple Motion and Edge's Korg 03R/W for
        the ultracool IMissJimi guitar samples and the PowerRock blast,
        Groo for the Bass Grind and MinorArp, HeatBeat for the hardcore-
        ish Constructor techno drums, Travolta for the organ chords,
        Bruno for the PetraSnare, Necros for the KorgTotalkit.snare,
        Airwalk for the CannedSnare, and my larynx for the screams
        except for #37. :)
         The rest of the samples are sample synthetized, or from
        unknown sources, thanks go to whoever they are. Special thanks
        go to Liam the Lemming for coming up with a divine inspiration
        for the name of the song. It's now been changed TWO times. :)

                                                Signed,

                                                 -= Skaven

                                                    05/27/1997 A.D

 End of documentation.

  Really.

         Hey come on, nothing to see here.

                Honestly! Go away.

         Wow, you've found my super secret message! Giga-Ultra-
        Interactive-Cyberspace-Multimedia-Internet-Connected-Surfin'
        -Totally to the Max-cool! Too bad I don't have anything
        clever to say here. Go give your mum and dad a big hug. :)

Data from modarchive.org, last checked 2026-08-25 17:09:03.

Mp3 file details

Waveform of Revenge of the cats by Skaven252, left channel above, right channel below: level in dB against time, 6:21 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
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OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
10.9 MB
11 440 227 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
6:21
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
135 BPM
a dancing tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
240 kbit/s
good quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
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Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
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−15.8 LUFS
typical for streaming and podcasts
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
4.7 LU
very even
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−1.8 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 12
11.8 dB · moderately dynamic
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−18.2 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−19.5 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
1.31 dB
left is 1.3 dB louder
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−11.0 dB
ordinary stereo
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
Yes

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
OriginalName: v17-revengeofcats.it Imported: 2022-09-14 (TERN-Sept2022-04).
artist Who made or performs the recording, as it is written inside the file.
Skaven252
comment A free note somebody left inside the file.
Howdy there. I hope you're enjoying this assembly. I put quite a lot of effort into it, actually. Check out my homepage at http://isis.yok.utu.fi/~skaven email: skaven@isis.yok.utu.fi skaven@remedy.fi pepaha@utu.fi This piece has admittedly plenty of influence from a very old, somewhat unknown song made by Fleshbrain, called 'Timebandit'. Unknown, I assume, beca [...]
date The year, or date, the file says the recording is from.
1997-05-27T20:30:18Z
sourcemedia A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.
'it' tracked music file, made with 'Impulse Tracker 2.12', rendered with 'openmpt123 0.6.5 (libopenmpt 0.6.5+r17760, OpenMPT 1.30.06.00 https://source.openmpt.org/svn/openmpt/tags/libopenmpt-0.6.5@17760 (2022-08-21T11:52:55Z) clean)'
title The name of the recording, as it is written inside the file.
Revenge of the Cats
encoder The program that made the mp3 file.
Lavf62.19.101

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

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