Song profile for Forever love

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This profile was last updated on: 2026-10-05 17:50:25

🎙 Curated by DJ Daemon

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Cover art for Forever love by Lemm & Radix

🎵 Track Profile

Forever love

by Lemm & Radix

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Track Details

AlbumOriginalName: forever_love.it Imported: 2022-09-14 (TERN-Sept2022-04).
Tracker TypeImpulsetracker
Duration04:43
Total plays231
Added2022-10-31 22:45:29
Track ID#13954
Integrity
MD5
e66ab77a24f0a0cc98adcb0a72109db7
SHA-1
f27bd7edbd1bdde7f7e430a1e6bf73facff2cbf4
SHA-256
e298456e7b779aac076cfec6c140a8cf7676d941f7a732579dcf2eb7561ab7b7
SHA-384
35f0549b311203044663dc816227b91319d25e7efbb98147d89e67d50c1231aea2ce21f941ec9026cc17e410363f1a9e

Play History

  • 🕘 2026-10-05 15:50:25
  • 🕘 2026-09-26 20:53:42
  • 🕘 2026-09-15 04:47:07

About the artist Radix  View all tracks ›

★★★★★ (5 votes)

Swedish artist, whose real name is Jakob Svanholm.

🎧 4,622 plays on ericade.radio

Additional data from ModArchive

Title on ModArchive Forever Love
Credited on ModArchive radix
Module format IT
File size 521.16KB
Added to ModArchive Mon 27th Nov 2006
ModArchive rating 10 / 10

Sample & instrument names

F o r e v e r   L o v e

-Yet-Another-Rock-Ballad-
            by
      Radix/Analogue
           and
      Lemm/Process 5

      radix_gim.net
lemm_tracking.demon.co.uk

         <plug>

  Don't forget to visit
   http://listen.to/p5
   to catch  up on the
   latest Process Five
        releases!

     Also, check out
 www.analogue-music.com
   for the latest news
     about Analogue!

        </plug>
bell
bang
string
string
ambience
soft string
brass
bassdrum
snaredrum
snaredrum 2
ride
tom
crash

dark
string
dark

synth bass
closed hihat
open
piano 1
piano 2

+-----------------------+
|F o r e v e r   L o v e|
+---+----------------+--+
    |   a co-op by   |
    | Radix/Analogue |
    |      and       |
    | Lemm/Process 5 |
    +----------------+

Comments on ModArchive

F o r e v e r   L o v e

                              a co-op tune by

                        R a d i x / A n a l o g u e

                                    and

                     L e m m / P r o c e s s   F i v e

      "Truly, there can be no greater form of tracked music than the
       rock ballad."
            A Study of Tracked Music, IEEE Multimedia journal, May 1999

    It's been a long time coming, but we finally got it done.  This has
    to  be one of  the most  moving pieces I  (Lemm) have  ever had the
    pleasure of working on.

    Jakob  (that's  Radix,  for those  of you who  haven't been  paying
    attention ;) ) gave me a helluva start off on this one. Most of the
    structure was laid out already;  all I had to do  was tie it up and
    finish it off. According to Jakob, I've done a good job on it.

    Now THAT'S a compliment. =)

    Greets must go out, of course,  to everyone in Analogue and Process
    Five, our respective groups.

    LEMM also greets:
      All the NAID 96 loonies... I *still* miss those days.
      The regular #trax crowd.  Thanks for rescuing me from countless
        nights of tiresome study. ;)
      EagleFalcon, for his tireless support and encouragement.
      The  ragtag band of madcap  crackheads that is the  Kosmic Free
        Music Foundation. :)
      Welti, for supplying me with numerous fresh samples when I most
        needed them. =)

Data from modarchive.org, last checked 2026-08-25 17:05:37.

Mp3 file details

Waveform of Forever love by Lemm & Radix, left channel above, right channel below: level in dB against time, 4:48 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
8.8 MB
9 215 135 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
4:48
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
165 BPM
a fast tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
256 kbit/s
good quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−15.4 LUFS
typical for streaming and podcasts
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
3.6 LU
very even
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−2.0 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 11
10.9 dB · moderately dynamic
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−17.0 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−17.2 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
0.18 dB
balanced
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−11.1 dB
ordinary stereo
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
Yes

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
OriginalName: forever_love.it Imported: 2022-09-14 (TERN-Sept2022-04).
artist Who made or performs the recording, as it is written inside the file.
Radix of Analogue and Lemm of Process 5
comment A free note somebody left inside the file.
F o r e v e r L o v e a co-op tune by R a d i x / A n a l o g u e and L e m m / P r o c e s s F i v e "Truly, there can be no greater form of tracked music than the rock ballad." A Study of Tracked Music, IEEE Multimedia journal, May 1999 It's been a long time coming, but we finally got it done. This has to be one of the most moving pi [...]
date The year, or date, the file says the recording is from.
1999-05-23T23:39:29Z
sourcemedia A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.
'it' tracked music file, made with 'Impulse Tracker 2.14p3', rendered with 'openmpt123 0.6.5 (libopenmpt 0.6.5+r17760, OpenMPT 1.30.06.00 https://source.openmpt.org/svn/openmpt/tags/libopenmpt-0.6.5@17760 (2022-08-21T11:52:55Z) clean)'
title The name of the recording, as it is written inside the file.
Forever Love
encoder The program that made the mp3 file.
Lavf62.19.101

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

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