Song profile for Love like fire
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This profile was last updated on: 2026-10-04 19:57:26
🎙 Curated by DJ Daemon
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Track Details
AlbumOriginalName: cnd_love.it Imported: 2022-09-14 (TERN-Sept2022-04).
Tracker TypeImpulsetracker
Duration03:41
Total plays235
Added2022-10-31 19:07:22
Track ID#13929
Integrity
- MD5
53d012f1837ebb553dcbc5a07aea6c1e- SHA-1
5b716d887881135839c6871b2b779217d9e18d22- SHA-256
8fa9e47071162e8aff6c88a397fa5b754c881770a4eb890236036a585a49b0b5- SHA-384
6a47b4de822a1be432b0fc0a48eb1e34f56c5b27623f4a101c5e02bcc94170a43f5751f4827afc4c66ade106e85e0ef5
Play History
- 🕘 2026-10-04 17:57:26
- 🕘 2026-09-25 21:18:52
- 🕘 2026-09-18 20:45:47
Additional data from ModArchive
Title on ModArchive
Love like fire
Module format
IT
File size
1.02MB
Added to ModArchive
Fri 5th Feb 1999
ModArchive rating
On ModArchive
Open the module on ModArchive
Sample & instrument names
strings
clap
bastrumma e3
reverse cymbal
öpen
stängd
snare
Bass
lead
"dance" remix of it =)
crash cymbal
LLF(F).WAV
SUBMAR~1.WAV
WAVE0006.WAV
LLF(D#).WAV
LLF(F)~1.WAV
SHOOTHEM.WAV
(D)IGANG.WAV
LETSROCK.WAV
Love like fire
by
Cyanid of Total&SPA
For greets and info
press shift-F9
Please use IT2.14!
(c)Copyright 1998
SPA Productions
Comments on ModArchive
Love like fire
by
Cyanid of Total&SPA
Greets:
polemic.pooh.brevbomb.drZargham.perrqa.ozo.devineMediator.groogy
archangel.gfunk.hs.zelsus.phlumDumb.muzicaeD.nighthawk.redRemedy
caesar.wiry.yangen.djsteffano.deeprest.all in #trax.
.and to all of them I did not remember to greet.
.and to all my friends!.
Some info:
My first IT made ever, I have allways tracked
in FT2, and I did this song to test if IT was
better than FT2. And I still think that FT2 is
the best tracker around!
For fan emails!, mail to
cyanid(at)swipnet.se
or
spa(at)starmail.com
Soon SPA will have a new homepage up! And probably a new name to.
SPA are Ludvig Kullberg(Cyanid) and Jim Routsalainen(Polemic)
Sorry for the poor english.
(c) Copyright 1998
SPA Productions
Data from modarchive.org, last checked 2026-09-17 22:03:37.
Mp3 file details
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- Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
- OK
- measured from the file itself
- Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
- File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
- 7.4 MB
- 7 749 022 bytes
- File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
- Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
- 3:47
- minutes : seconds
- Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
- 171 BPM
- a fast tempo
- Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
- 273 kbit/s
- high quality
- Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
- 44.1 kHz
- 44 100 measurements a second
- Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
- Stereo
- 2 channels
- Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
- MP3
- Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
- −15.2 LUFS
- typical for streaming and podcasts
- Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
- 5.2 LU
- moderate
- True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
- −1.9 dBTP
- safely below the ceiling
- Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
- DR 11
- 10.8 dB · moderately dynamic
- Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
- −17.7 dBFS
- average (RMS) over the whole file
- Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
- −17.5 dBFS
- average (RMS) over the whole file
- Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
- 0.12 dB
- balanced
- Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
- −6.9 dB
- ordinary stereo
- Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
- Yes
ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.
Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.
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The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.
Station
ericade.radio / The ERICADE Radio Network
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https://radio.ericade.net
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