Song profile for Moors of Ireland
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This profile was last updated on: 2026-09-20 12:55:01
🎙 Curated by DJ Daemon
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Track Details
- MD5
6fc4bc3a3f2ef415b3afc4b711ffdcc2- SHA-1
43f626863d04758781747af0459660165b7063fd- SHA-256
c492f5f652e0af98852737721ee638b80f091ece48b6eac241c6b6af85d0fd39- SHA-384
c52ccbbab9c9efafd49b5a61db2ba9508c100719bbf0ac7abed70c6dd9e68e32c38badd6ea2544a816afdd7b80e22a29
Play History
- 🕘 2026-09-20 02:42:57
- 🕘 2026-09-12 13:19:45
- 🕘 2026-09-06 07:48:27
About the artist Warder View all tracks ›
A Finnish artist.
🎧 1,394 plays on ericade.radio
Additional data from ModArchive
Sample & instrument names
Gong Orch Bass Analogpad Moody Strings Pad Acoustic Guitar Accordeon Accordeon Lead Violin Bagbibes Low Whistle Low Whistle ech1 Low Whistle ech2 Bassdrum Tambu1 Percussion 7 Percussion 5 Percussion 2 Percussion 1 oh, sounds from the amazing Korg Trinity Some are factory presets # Vesa Norilo # (C) Crystalline 1998 Check the song message Shift-F9
Comments on ModArchive
the Feadanaigh Epic
"We are the music makers,
and we are the dreamers of dreams,
wandering by the lone sea-breakers,
and sitting by the desolate streams."
- Arthur O'Shaughnessy
the Feadanaigh Epic is my long term project, which consists
of three parts.
+ Wind on the Moors
+ Whistler's Bride
Feadanaigh is old Eire and translates as Whistle Player
___
Wind on the Moors
Close your eyes. Hear the wind
on the moors. Feel the
timid twilight giving just
enough light to see by.
The lights from the several
roundhouses that form the
celtic village.
The feadanaigh has arrived, and
the dancing will be good tonight.
In this tune I search the mythical sound of Uillean and
Irish low whistles. The orchestral/synthy background idea
was stolen from Bob Whelan.
This song consists of three kinds of parts, slow air (a bit
like Irish lament), strathepy and reel.
As the Air gives way to Strathepy and then Reel,
more instruments join in.
Strathspey is a form of Irish dance with a special rythm.
It consists of two dotted eights and two sixteenths. The
rythm is full of energy, yet somehow holding back until
it reaches the climax, and the dance changes to Reel which
runs in plain 4/4.
___
(The Riverdance influence is plainly visible. I almost
feel ashamed when I compare it to 'Reel around the Sun'.
anyway, no conscious copying here.)
I am starting to have problems with the channel and sample size
limitations of the GUS. I find myself using GUS MAX software
mixing more than hardware mixing nowadays.
- Vesa Norilo (a.k.a Warder)
Fall 1998
mail me: warder_dlc.fi
(I could squeeze time to join a group, if anybody is
interested.)
check my pages: http://www.dlc.fi/~warder
Data from modarchive.org, last checked 2026-08-25 17:18:55.
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- 9 849 881 bytes
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- 5:15
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- 146 BPM
- a dancing tempo
- Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
- 250 kbit/s
- good quality
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- 44.1 kHz
- 44 100 measurements a second
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- Stereo
- 2 channels
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- MP3
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- −15.2 LUFS
- typical for streaming and podcasts
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- 8.6 LU
- moderate
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- −1.8 dBTP
- safely below the ceiling
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- DR 9
- 9.4 dB · moderately dynamic
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- −16.8 dBFS
- average (RMS) over the whole file
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- −16.8 dBFS
- average (RMS) over the whole file
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- 0.00 dB
- balanced
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- −8.2 dB
- ordinary stereo
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- Yes
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