Song profile for Whiskey Drops
ericade.radio knows the chiptune and demoscene! We're the radio station playing all the best tunes from the most prominent, promising or trending artists in the scene. We also know about the artists and songs as well.
This profile was last updated on: 2026-10-05 21:02:13
🎙 Curated by DJ Daemon
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Track Details
- MD5
7edfe9940449a9df1fd7b0df01b2efbd- SHA-1
a1c0111496ab0bf1a172b85d45f716309dac8539- SHA-256
4d8c1ecfc9bf73ae4f2b0f170a48971b46e4da505ce640338d53fd971eb4d89b- SHA-384
50fc89cb425c301fc33535e730c948aaeec3c2704bedbe34133e8dbe3b3ebb2ef9250c05aca3da4d5b082912df66ac69
Play History
- 🕘 2026-10-03 09:07:35
- 🕘 2026-09-25 22:31:39
- 🕘 2026-09-17 10:21:02
About the artist Bacter vs Saga musix View all tracks ›
Saga Musix creates electronic music which can be downloaded on sagamusix.de for free. The music is composed using the freeware tracker OpenMPT and is available in FLAC, Ogg Vorbis and module format.
🎧 2,256 plays on ericade.radio
Additional data from ModArchive
Sample & instrument names
Synth Bass FM Bass Lo FM Bass Hi Hi Dist Synth Strings wheor Uplift Effect Sub Bass Orchestra Hit (SGM-180) PR-A 084 Wave Bells - v12 Emulator II - Wind Chimes Gated Synth A09 ComputaMuz A24 HandzUpBel A44 TouchUr303 Space Tom JEW'S HARP _002 JEW'S HARP _005 Bombay 2 2M_004 BREATHY SAX _002 SYNTH FX-X4 _001 SynVoice CumbusTrem8M_009 Laxans_et_debita AS-TKRB 017 - Edit 2 VEC4 Claps 007 08 38 Cym08-RockEdge-42 Cym17-HalfOpen-46 Cym49-20'Bronze-55 Cym46-20'China-57 Efx011-PuhTooy-90 Cym49-20'Bronze-55 Prc057-HardTambrn-54 Polysynth Cosmic Dawn 80s Synth matrix 2 matrix 1 Aaaaah Tick Tock Cym08-RockEdge-42 Funky Brass Hi Dist Synth Strings 2 Synchoirium Unison Square Fairlight Vox Short Fairlight Vox Long KickReverb-short2.wav C64 Speek square wave 66901__mikemunkie__samba. 216536__zagi2__samba-groo Unison Square SynthB VelBas 1 VelBas 2 Violin 2003 + Distortion wheor JB_Uplift_08 UniPulseBs Orchestra Hit (SGM-180) PR-A 084 Wave Bells - v12 Emulator II - Wind Chimes South Euro + Vox Haunt A09 ComputaMuz A24 HandzUpBel A44 TouchUr303 mt500_tomhi JEW'S HARP _002 JEW'S HARP _005 Bombay 2 2M_004 BREATHY SAX _002 SYNTH FX-X4 _001 SYNTH FX-X4 _004 CumbusTrem8M_009 Laxans_et_debita_short_re AS-TKRB 017 - Edit 2 VEC4 Claps 007 08 38 Cym08-RockEdge-42 Cym17-HalfOpen-46 Cym49-20'Bronze-55 Cym46-20'China-57 Efx011-PuhTooy-90 Cym49-20'Bronze-55 High Prc057-HardTambrn-54 Polysynth 7-2 Cosmic Dawn High 80s Synth _matrix cubed _matrix cubed a-move 213453__benbackus__tick-o 213453__benbackus__tick-o A24 HanzUpBel Move East Brass CumbusTrem8M_017 Synchoirium SQUARE Fairlight Vox dance Party KickReverb-short2.wav Too much of Beer Ganja Samba Whiskey Like a real engineer square wave At revision 66901__mikemunkie__samba. 216536__zagi2__samba-groo
Comments on ModArchive
Whiskey Drops by bacter & saga musix in 2014 bacter_gmail.com info_sagamusix.de / http://sagamusix.de Bacter's and Saga's entry for the tracked music compo at Revision 2014! This ranked 6th in the compo... Too much of Whiskey Too much of Beer Too much of Ganja Too much of Samba Party at Revision Like a real engineer Saga Musix sends shouts to everyone at the party! CC-BY-NC-SA 2014
Data from modarchive.org, last checked 2026-09-29 22:03:21.
Mp3 file details
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- Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
- OK
- measured from the file itself
- Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
- File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
- 8.2 MB
- 8 555 794 bytes
- File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
- Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
- 4:21
- minutes : seconds
- Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
- 62 BPM
- a slow tempo
- Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
- 262 kbit/s
- high quality
- Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
- 44.1 kHz
- 44 100 measurements a second
- Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
- Stereo
- 2 channels
- Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
- MP3
- Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
- −14.9 LUFS
- typical for streaming and podcasts
- Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
- 3.1 LU
- very even
- True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
- −1.2 dBTP
- safely below the ceiling
- Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
- DR 10
- 10.2 dB · moderately dynamic
- Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
- −16.4 dBFS
- average (RMS) over the whole file
- Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
- −16.5 dBFS
- average (RMS) over the whole file
- Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
- 0.12 dB
- balanced
- Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
- −9.9 dB
- ordinary stereo
- Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
- Yes
ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.
Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.
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