Song profile for Kiabrandultan
ericade.radio knows the chiptune and demoscene! We're the radio station playing all the best tunes from the most prominent, promising or trending artists in the scene. We also know about the artists and songs as well.
This profile was last updated on: 2026-09-30 17:52:47
🎙 Curated by DJ Daemon
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Track Details
AlbumOriginalName: kiabrandultan.xm Imported: 2022-09-24 (TERN-Sept2022-06).
Tracker TypeFasttracker
Duration04:58
Total plays233
Added2022-10-30 18:17:44
Track ID#13812
Integrity
- MD5
d381cf3f69f9f36cd42b47d0185a68e5- SHA-1
5d554c69d8fcaed240829a248f900f4b8a6353a6- SHA-256
4e8bd4670678d69ffee34c68e4c1561783e34d6076fb91832dccf918bba6ef93- SHA-384
8192e5f196390e7db46e879ff01a29cdaa2da62c12683341d2849c5f720fd96b1ee5388bcb05c8b8914dd5ea0085a5cd
Play History
- 🕘 2026-09-30 15:52:47
- 🕘 2026-09-25 04:53:01
- 🕘 2026-09-18 20:14:51
Additional data from ModArchive
Title on ModArchive
kiabrandultan
Module format
XM
File size
995.59KB
Added to ModArchive
Mon 13th Sep 2004
ModArchive rating
On ModArchive
Open the module on ModArchive
Sample & instrument names
track by carlos of
mandula.beep.breeze.
time: 5:05
www.nexus.hu/carlos
csordas_elender.hu
sample thx to:
hmm. almost everyone:)
grreetz fly out to:
suxx.mccoy.jim.bl0d.
reptile.generic.nogsf.
manka.optic.shaman.atx
drax.bbt.xtroo. + ...
Groovie1.smp
Groovie2.smp
Groovie3.smp
Groovie4.smp
D1.smp
D2.smp
D3.smp
Fairlite strings
_ Big Bear
Bazz.wav
Jazzy stuff indeed!
N
kurzweil k2000 file
choicdrm set
HIHATCL.WAV
gsdrum00 (elysium) fil
Snare.smp
kurzweil k2000 file
Zongelek.smp
Effshit.smp
3BRP3_10.WAVk! >
Baz1.smp
Baz2.smp
Baz3.smp
Baz4.smp
Baz5.smp
Baz6.smp
Baz7.smp
Baz8.smp
Filteff.smp
Efment1.wav
Efment2.wav
Efment3.wav
Sint.wav
Babareek.smp
Wah7.smp
Wah6.smp
Baz1.smp
Baz2.smp
Baz3.smp
Baz4.smp
Wah3.smp
Wah1.smp
Wah2.smp
Wah5.smp
Fankiii.smp
LEAD2.WAV
cz-101 samples
< pfister >
Cinkres.smp
gsdrum00 (elysium) fil
Fank.smp
R
Roland S550 MT25 ROM
< trajic of shock! >
l
kurzweil k2000 file
Data from modarchive.org, last checked 2026-09-21 00:03:19.
Mp3 file details
Open the waveform at full size (opens in a new tab)
- Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
- OK
- measured from the file itself
- Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
- File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
- 7.2 MB
- 7 539 070 bytes
- File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
- Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
- 5:14
- minutes : seconds
- Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
- 110 BPM
- a walking tempo
- Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
- 192 kbit/s
- good quality
- Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
- 44.1 kHz
- 44 100 measurements a second
- Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
- Stereo
- 2 channels
- Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
- MP3
- Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
- −16.0 LUFS
- typical for streaming and podcasts
- Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
- 3.5 LU
- very even
- True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
- −1.9 dBTP
- safely below the ceiling
- Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
- DR 12
- 11.6 dB · moderately dynamic
- Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
- −18.3 dBFS
- average (RMS) over the whole file
- Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
- −17.8 dBFS
- average (RMS) over the whole file
- Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
- 0.53 dB
- right is 0.5 dB louder
- Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
- −19.2 dB
- ordinary stereo
- Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
- No
ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.
Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.
📻 Station details
The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.
Station
ericade.radio / The ERICADE Radio Network
Website
https://radio.ericade.net
Contact
radio@ericade.net
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