Song profile for Come allye (remix)
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This profile was last updated on: 2026-09-20 03:06:29
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Track Details
AlbumOriginalName: bd_cally.xm Imported: 2022-09-24 (TERN-Sept2022-06).
Tracker TypeFasttracker
Duration04:10
Total plays229
Added2022-10-30 04:50:37
Track ID#13778
Integrity
- MD5
65ad50c156c0a66959573800a6d778cc- SHA-1
b6f6a5a0cc3bfb61b9b0e0aea909928ee08ff965- SHA-256
bb216d79fdc317d5aa11e1ec2a5a8264d10d7880c580a2036a641f7180e05646- SHA-384
5de7075bad669ee3a579e7f9d58e0aeee122c01030a511f8cc0363382c5eb98eebe627429d2cd5a9f4c9b98568233516
Play History
- 🕘 2026-09-18 11:52:32
- 🕘 2026-09-09 09:48:44
- 🕘 2026-08-31 18:50:45
Additional data from ModArchive
Title on ModArchive
comeallye.mub(remix)
Credited on ModArchive
Beldoroon
Module format
XM
File size
191.95KB
Added to ModArchive
Fri 9th Jul 1999
ModArchive rating
On ModArchive
Open the module on ModArchive
Sample & instrument names
comeallye.mub(remix)
-------------------
remixd by
^^^^^ Beldoroon ^^^^^^
[fadeout]
[enzyme]
--------------------
_ Beldoroon music 1999
I don't know who
created this tune
but I remix it anyway
----------------------
^^^^^^ Greets: ^^^^^^
Senchan, Xenophobe,
Belsebub, YOoel, BJ,
UL, Silke,Sharque[plf]
The Atari scene,
all fadeout members,
all enzyme mebers,
some ther peoples,
all people in the scen
e that i know, the
icing and pp crew
---------------------
cantact me at:
Beldoroon_hehe.com
my page:
come.to/beldoroon
talk to me at:
#scene (undernet)
#enzyme (effnet)
#jacuzi (effnet)
or se me RA on:
Icing 2000
The Feeling 1999/2000
Pool Position 1999
Dreamhack 1999
oplaensia ST (1999)
/Beldoroon 11/6 1999
Tollered sweden.
Sasnare.smp
Sasnare.smp
north american invasi
bass-elec3
in 1992
Data from modarchive.org, last checked 2026-08-25 16:35:13.
Mp3 file details
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- OK
- measured from the file itself
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- 5.9 MB
- 6 159 000 bytes
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- Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
- 4:17
- minutes : seconds
- Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
- 150 BPM
- a dancing tempo
- Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
- 192 kbit/s
- good quality
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- 44.1 kHz
- 44 100 measurements a second
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- Stereo
- 2 channels
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- MP3
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- −15.3 LUFS
- typical for streaming and podcasts
- Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
- 5.8 LU
- moderate
- True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
- −2.2 dBTP
- safely below the ceiling
- Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
- DR 10
- 9.5 dB · moderately dynamic
- Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
- −17.0 dBFS
- average (RMS) over the whole file
- Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
- −17.0 dBFS
- average (RMS) over the whole file
- Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
- 0.03 dB
- balanced
- Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
- −33.5 dB
- narrow stereo
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- No
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