Song profile for Revelation

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This profile was last updated on: 2026-10-05 01:25:50

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Cover art for Revelation by Marwin & Voice

🎵 Track Profile

Revelation

by Marwin & Voice

(1 vote)

Track Details

AlbumOriginalName: revelatn.xm Imported: 2022-09-24 (TERN-Sept2022-06).
Tracker TypeFasttracker
Duration03:17
Total plays234
Added2022-10-28 11:02:40
Track ID#13656
Integrity
MD5
f292985ea335400b267e8782050652ef
SHA-1
595e794088e96ad818f4c7e3bc4af29e9b31119d
SHA-256
5cb8d19b7a66446ce3632cba9b4dffd4342702c26a52d42a52ce9e8c04202158
SHA-384
957d0572aa341c0b8e6e12323af36367068a6799901695776314e38ab305b080da1a64df39fdea601d236277643bf273

Play History

  • 🕘 2026-10-04 23:25:50
  • 🕘 2026-09-27 04:26:25
  • 🕘 2026-09-18 16:35:29

Additional data from ModArchive

Title on ModArchive Revelation
Module format XM
File size 489.24KB
Added to ModArchive Mon 24th May 2021
ModArchive rating Not yet rated on ModArchive

Sample & instrument names

- Marwin and Voice -
          presents

       "Revelation"
  [153 bpm hackmix ]

 A contribution to the
 Hack XII music compo

Total playtime: 3.26

Marwin greetz..
Balrog, Dexter, Gord
Insider, Nemo, Shape
Spirit, Sys 2066, Tito
Zaico, Zalt, Zodiak..

Voice greetz all who
consider themselves
worth it, in and out
of the music scene.

General greetz to all
the people at Hack XII
and especially all of
you who voted for this
tune.. Look out for
more releases from us
in the near future..

(c) M&V Prods '95
Phased C-Quence

Sequenced on
Voice's Ensoniq
ASR-10 sampler.

The sample was
originally drawn by
Voice on his A4000.

Sound processed
with Phaser and
Reverb.
Corona Synth

Taken from one of
Ensoniq's CD-ROM
disks for the ASR.
Dance Kick

Taken from one of
Marwin's sample
CDs, Remix! II.
TR-808 Cl Hi 1

Taken from Voice's
ASR sound library.

Sample origins from
Roland TR-808
Rhytm Composer.
TR-808 Op Hi 1

Taken from Voice's
ASR sound library.

Sample origins from
Roland TR-808
Rhytm Composer.
Dance Clap

Taken from one of
Marwin's sample
CDs, Remix! II.
D-Strings

Taken from one of
Ensoniq's CD-ROM
disks for the ASR.

Sample origins from
the Roland D-50.
Club Organ

Taken from one of
Ensoniq's CD-ROM
disks for the ASR.
Multi Crash

Taken from one of
Marwin's sample
CDs, Zero-G
Datafile Two.

A very flexible
crash based on
Marwin's pingpong
idea.
TR-808 Tom 2

Taken from Voice's
ASR sound library.

Sample origins from
Roland TR-808
Rhytm Composer.
Dance Piano High

Taken from Voice's
ASR sound library.
Dance Piano Low

Taken from Voice's
ASR sound library.
Breakbeat 1.1

Taken from one of
Marwin's sample
CDs, X-Static
Goldmine 3.
Breakbeat 1.2

Taken from one of
Marwin's sample
CDs, X-Static
Goldmine 3.
Moog 1964 Lead

Taken from Voice's
ASR sound library.

Sample origins from
one of Doctor Bob
Moog's fantastic
synthesizers.
Swing Bass

Taken from Voice's
ASR sound library.

Excuse us for the
poor sample quality.

Data from modarchive.org, last checked 2026-08-25 16:58:04.

Mp3 file details

Waveform of Revelation by Marwin & Voice, left channel above, right channel below: level in dB against time, 3:33 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
4.9 MB
5 124 937 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
3:33
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
153 BPM
a fast tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
192 kbit/s
good quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−15.2 LUFS
typical for streaming and podcasts
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
8.0 LU
moderate
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−2.1 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 9
9.3 dB · moderately dynamic
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−16.9 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−16.9 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
0.00 dB
balanced
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−83.1 dB
practically mono
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
No

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
OriginalName: revelatn.xm Imported: 2022-09-24 (TERN-Sept2022-06).
comment A free note somebody left inside the file.
- Marwin and Voice - presents "Revelation" [153 bpm hackmix ] A contribution to the Hack XII music compo Total playtime: 3.26 Marwin greetz.. Balrog, Dexter, Gord Insider, Nemo, Shape Spirit, Sys 2066, Tito Zaico, Zalt, Zodiak.. Voice greetz all who consider themselves worth it, in and out of the music scene. General greetz to all the people at Hack XII and especially all of you who voted for this tune.. Look out for more releases from us in the near future.. (c) M&V [...]
sourcemedia A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.
'xm' tracked music file, made with 'FastTracker 2 or compatible', rendered with 'openmpt123 0.6.5 (libopenmpt 0.6.5+r17760, OpenMPT 1.30.06.00 https://source.openmpt.org/svn/openmpt/tags/libopenmpt-0.6.5@17760 (2022-08-21T11:52:55Z) clean)'
title The name of the recording, as it is written inside the file.
Revelation
artist Who made or performs the recording, as it is written inside the file.
Marwin and Voice
encoder The program that made the mp3 file.
Lavf62.19.101

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

📻 Station details

The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.

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