Song profile for Revelation
ericade.radio knows the chiptune and demoscene! We're the radio station playing all the best tunes from the most prominent, promising or trending artists in the scene. We also know about the artists and songs as well.
This profile was last updated on: 2026-10-05 01:25:50
🎙 Curated by DJ Daemon
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Track Details
AlbumOriginalName: revelatn.xm Imported: 2022-09-24 (TERN-Sept2022-06).
Tracker TypeFasttracker
Duration03:17
Total plays234
Added2022-10-28 11:02:40
Track ID#13656
Integrity
- MD5
f292985ea335400b267e8782050652ef- SHA-1
595e794088e96ad818f4c7e3bc4af29e9b31119d- SHA-256
5cb8d19b7a66446ce3632cba9b4dffd4342702c26a52d42a52ce9e8c04202158- SHA-384
957d0572aa341c0b8e6e12323af36367068a6799901695776314e38ab305b080da1a64df39fdea601d236277643bf273
Play History
- 🕘 2026-10-04 23:25:50
- 🕘 2026-09-27 04:26:25
- 🕘 2026-09-18 16:35:29
Additional data from ModArchive
Title on ModArchive
Revelation
Module format
XM
File size
489.24KB
Added to ModArchive
Mon 24th May 2021
ModArchive rating
On ModArchive
Open the module on ModArchive
Sample & instrument names
- Marwin and Voice -
presents
"Revelation"
[153 bpm hackmix ]
A contribution to the
Hack XII music compo
Total playtime: 3.26
Marwin greetz..
Balrog, Dexter, Gord
Insider, Nemo, Shape
Spirit, Sys 2066, Tito
Zaico, Zalt, Zodiak..
Voice greetz all who
consider themselves
worth it, in and out
of the music scene.
General greetz to all
the people at Hack XII
and especially all of
you who voted for this
tune.. Look out for
more releases from us
in the near future..
(c) M&V Prods '95
Phased C-Quence
Sequenced on
Voice's Ensoniq
ASR-10 sampler.
The sample was
originally drawn by
Voice on his A4000.
Sound processed
with Phaser and
Reverb.
Corona Synth
Taken from one of
Ensoniq's CD-ROM
disks for the ASR.
Dance Kick
Taken from one of
Marwin's sample
CDs, Remix! II.
TR-808 Cl Hi 1
Taken from Voice's
ASR sound library.
Sample origins from
Roland TR-808
Rhytm Composer.
TR-808 Op Hi 1
Taken from Voice's
ASR sound library.
Sample origins from
Roland TR-808
Rhytm Composer.
Dance Clap
Taken from one of
Marwin's sample
CDs, Remix! II.
D-Strings
Taken from one of
Ensoniq's CD-ROM
disks for the ASR.
Sample origins from
the Roland D-50.
Club Organ
Taken from one of
Ensoniq's CD-ROM
disks for the ASR.
Multi Crash
Taken from one of
Marwin's sample
CDs, Zero-G
Datafile Two.
A very flexible
crash based on
Marwin's pingpong
idea.
TR-808 Tom 2
Taken from Voice's
ASR sound library.
Sample origins from
Roland TR-808
Rhytm Composer.
Dance Piano High
Taken from Voice's
ASR sound library.
Dance Piano Low
Taken from Voice's
ASR sound library.
Breakbeat 1.1
Taken from one of
Marwin's sample
CDs, X-Static
Goldmine 3.
Breakbeat 1.2
Taken from one of
Marwin's sample
CDs, X-Static
Goldmine 3.
Moog 1964 Lead
Taken from Voice's
ASR sound library.
Sample origins from
one of Doctor Bob
Moog's fantastic
synthesizers.
Swing Bass
Taken from Voice's
ASR sound library.
Excuse us for the
poor sample quality.
Data from modarchive.org, last checked 2026-08-25 16:58:04.
Mp3 file details
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- Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
- OK
- measured from the file itself
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- File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
- 4.9 MB
- 5 124 937 bytes
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- Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
- 3:33
- minutes : seconds
- Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
- 153 BPM
- a fast tempo
- Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
- 192 kbit/s
- good quality
- Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
- 44.1 kHz
- 44 100 measurements a second
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- Stereo
- 2 channels
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- MP3
- Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
- −15.2 LUFS
- typical for streaming and podcasts
- Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
- 8.0 LU
- moderate
- True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
- −2.1 dBTP
- safely below the ceiling
- Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
- DR 9
- 9.3 dB · moderately dynamic
- Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
- −16.9 dBFS
- average (RMS) over the whole file
- Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
- −16.9 dBFS
- average (RMS) over the whole file
- Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
- 0.00 dB
- balanced
- Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
- −83.1 dB
- practically mono
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- No
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Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.
📻 Station details
The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.
Station
ericade.radio / The ERICADE Radio Network
Website
https://radio.ericade.net
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