Song profile for Harley

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This profile was last updated on: 2026-10-06 13:00:11

🎙 Curated by DJ Daemon

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Cover art for Harley by Drax

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Harley

by Drax

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Track Details

AlbumOriginalName: drax-harley.xm Imported: 2022-09-24 (TERN-Sept2022-06).
Tracker TypeFasttracker
Duration02:37
Total plays232
Added2022-10-28 03:48:52
Track ID#13618
Integrity
MD5
a7bf9ac4fdc1a2cbcde362672eb8c44a
SHA-1
d8bc1ca429ca04869ce18f27d46de0576806347e
SHA-256
4acfd04ddb94329e19e8d12858c479f6efe13fc6ecb48a9d5e52457eea81ade6
SHA-384
df52208b8cbda7695bb6e7f357ddba2d7cf8699691796ffd36714fe4ddd7711ecbdf9d236bdeab290b0c02e246de903d

Play History

  • 🕘 2026-10-02 01:14:25
  • 🕘 2026-09-23 10:42:45
  • 🕘 2026-09-13 14:43:37

About the artist Drax  View all tracks ›

★★★★★ (6 votes)

A Danish artist, whose real name is Thomas Mogensen. Thomas started making music on the C64 in 1988. He joined Vibrants in 1989 as the third member, and immediately started using JCH Music-Editor V2.53. He composed almost 1000 tunes on the C64 alone, but he has also composed music for other computer formats. In 1996, he joined Maniacs of Noise.

🎧 8,945 plays on ericade.radio

Additional data from ModArchive

Title on ModArchive HARLEY by DRAX
Module format XM
File size 395.69KB
Added to ModArchive Thu 1st Oct 2009
ModArchive rating Not yet rated on ModArchive

Sample & instrument names

HARLEY
       composed by
   Thomas Mogensen
  (DRAX of VIBRANTS)

   (C) 1997 VIBRANTS

   Finished: 30/03/97
There has been used
5 external samples in
this tune.
----------------------
Contact me at:
33mogens_but.auc.dk
----------------------
   For Cruelization IX
Greetings to:
The other contestans
WAVE / MoN / FM
The rest of VIBRANTS
HUNZ
CRUEL CREATOR
f0X / theEnd / Bios
BASEHEAD / FM
MYSTICAL
MITCH / Q / CREST
Ole Mogensen/SOFTGOLD
Soeren L./SOFTGOLD
J. T. Oerberg
and those I forgot

External sample #1
Composed for Crue-
lization IX.
Contact me at:
33mogens_
but.auc.dk

        Members:
            JO
           JCH
        LAXITY
 METAL and DRAX

External sample #2

External sample #3
External sample #4

External sample #5

Data from modarchive.org, last checked 2026-10-03 22:03:31.

Mp3 file details

Waveform of Harley by Drax, left channel above, right channel below: level in dB against time, 2:37 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
3.6 MB
3 777 002 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
2:37
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
116 BPM
a walking tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
192 kbit/s
good quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−15.8 LUFS
typical for streaming and podcasts
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
2.6 LU
very even
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−1.9 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 12
11.6 dB · moderately dynamic
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−17.5 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−17.9 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
0.41 dB
balanced
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−6.9 dB
ordinary stereo
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
No

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
OriginalName: drax-harley.xm Imported: 2022-09-24 (TERN-Sept2022-06).
comment A free note somebody left inside the file.
HARLEY composed by Thomas Mogensen (DRAX of VIBRANTS) (C) 1997 VIBRANTS Finished: 30/03/97 There has been used 5 external samples in this tune. ---------------------- Contact me at: 33mogens@but.auc.dk ---------------------- For Cruelization IX Greetings to: The other contestans WAVE / MoN / FM The rest of VIBRANTS HUNZ CRUEL CREATOR f0X / theEnd / Bios BASEHEAD / FM MYSTICAL MITCH / Q / CREST Ole Mogensen/SOFTGOLD Soeren L./SOFTGOLD J. T. Oerberg and those I forgot
sourcemedia A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.
'xm' tracked music file, made with 'FastTracker 2 or compatible', rendered with 'openmpt123 0.6.5 (libopenmpt 0.6.5+r17760, OpenMPT 1.30.06.00 https://source.openmpt.org/svn/openmpt/tags/libopenmpt-0.6.5@17760 (2022-08-21T11:52:55Z) clean)'
title The name of the recording, as it is written inside the file.
Harley
artist Who made or performs the recording, as it is written inside the file.
Drax
encoder The program that made the mp3 file.
Lavf62.19.101

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

📻 Station details

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Station ericade.radio / The ERICADE Radio Network

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