Song profile for Themelin

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This profile was last updated on: 2026-10-06 15:55:22

🎙 Curated by DJ Daemon

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Cover art for Themelin by Uctumi

🎵 Track Profile

Themelin

by Uctumi

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Track Details

AlbumOriginalName: uc-themelin.xm Imported: 2022-09-24 (TERN-Sept2022-06).
Tracker TypeFasttracker
Duration01:48
Total plays237
Added2022-10-26 20:29:32
Track ID#13487
Integrity
MD5
166fa65191b559750e5f8bf24754010d
SHA-1
4ac04e4c2cebbe7bac98d88b8281040bda16ba8f
SHA-256
723e5fbd192aeaaa6a76b4ff3860e1ba429e7efd9fbe1d8f929c7e8a5b90e87f
SHA-384
0ef239e37b7a8b7378ff759f7030c3f90ed6de20cffccb167c34d9e7ef9673846ce5f37d8af8bca42a5f68c94a3e1c4a

Play History

  • 🕘 2026-10-06 13:55:22
  • 🕘 2026-09-27 23:54:40
  • 🕘 2026-09-19 06:01:38

About the artist Uctumi  View all tracks ›

★★★★★ (4 votes)

Uctumi is a chiptune musician from Argentina who began composing tracked music in 1996. He's a member of the argentine demoscene group PVM, the renowed Commodore 64 cracking / demoscene group Hokuto Force and more recently joined the new demogroup LIA.

🎧 1,375 plays on ericade.radio

Additional data from ModArchive

Title on ModArchive themelin
Credited on ModArchive uctumi
Module format XM
File size 166.40KB
Added to ModArchive Fri 11th Sep 2015
ModArchive rating 10 / 10

Sample & instrument names

30-7-2015
one hour compo

"Jazz Jackrabbit 2"
______________________
(c)1997
"Fast Track"

of Straylight Producti

"Jazz Jackrabbit 2"
______________________

(c)1997

Data from modarchive.org, last checked 2026-08-25 17:17:17.

Mp3 file details

Waveform of Themelin by Uctumi, left channel above, right channel below: level in dB against time, 1:55 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
2.6 MB
2 769 076 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
1:55
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
125 BPM
a dancing tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
192 kbit/s
good quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−16.2 LUFS
typical for streaming and podcasts
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
3.5 LU
very even
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−3.7 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 11
10.6 dB · moderately dynamic
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−19.2 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−18.5 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
0.70 dB
right is 0.7 dB louder
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−18.3 dB
ordinary stereo
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
No

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
OriginalName: uc-themelin.xm Imported: 2022-09-24 (TERN-Sept2022-06).
comment A free note somebody left inside the file.
30-7-2015 one hour compo "Jazz Jackrabbit 2" ______________________ (c)1997
sourcemedia A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.
'xm' tracked music file, made with 'OpenMPT 1.25.01.00', rendered with 'openmpt123 0.6.5 (libopenmpt 0.6.5+r17760, OpenMPT 1.30.06.00 https://source.openmpt.org/svn/openmpt/tags/libopenmpt-0.6.5@17760 (2022-08-21T11:52:55Z) clean)'
title The name of the recording, as it is written inside the file.
Themelin
artist Who made or performs the recording, as it is written inside the file.
Uctumi
encoder The program that made the mp3 file.
Lavf62.19.101

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

📻 Station details

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