Song profile for Eden 8
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This profile was last updated on: 2026-10-01 15:18:48
🎙 Curated by DJ Daemon
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Track Details
AlbumOriginalName: eden_8.xm Imported: 2022-09-24 (TERN-Sept2022-06).
Tracker TypeFasttracker
Duration03:57
Total plays235
Added2022-10-26 11:08:05
Track ID#13393
Integrity
- MD5
2df9438750633e221ab8daf9fc76e4f4- SHA-1
ee380d4b7e4473279c04231023f2bb3d8f742976- SHA-256
0a54f5c4df93c56f8ed9ddbe452dcaa5343331468bc74522100e860934bbf17b- SHA-384
671baed56c319f147cea6bcfe0193e12d31146d2e062156484e7f37395500b6389176e90fac91ea0f34c1645e0806853
Play History
- 🕘 2026-10-01 13:18:48
- 🕘 2026-09-25 10:21:52
- 🕘 2026-09-14 20:22:59
Additional data from ModArchive
Title on ModArchive
Eden 8
Module format
XM
File size
974.10KB
Added to ModArchive
Wed 27th Aug 1997
ModArchive rating
On ModArchive
Open the module on ModArchive
Sample & instrument names
Eden VIII
by
Markell P. Moss
a.k.a. "Blue Max"
--------------------
mpmoss_cadvision.com
---------------------
more...
Greets to all the guys
on HORNET and all the
friends I've made at
CRASH '97!!
This song placed 1st
in the multichannel
compo. Thanks guys!
Hey, I worked hard on
most of these samples.
At least quote my name
if you "borrow" them!
:-)
Hope to hear from
everyone, and see
you all at the next
Demoparty!
P.S.- I don't know who
made a couple of the
other samples I have,
but greets to whoever
you are! :-)
Who is Shikando?
Low Repeater
Sampled by:
Khyron / Kosmic
Spacey Effects
High Effects
Belltree
Cool Bells
Tubular Bells
-Blue Max Samples
VoxStrings
-Blue Max Samples
French Horn 1
-Blue Max Samples
Clarinet
-Blue Max Samples
Oboe
-Blue Max Samples
Orchestra 1
-Blue Max Samples
Orchestra Hit
-Blue Max Samples
BMax Snare Roll
BMax Orch. Snare
BMax Orch. Bs.Dr.
BMax Crash Cymbal
BMax Susp. Cymbal
Triangle
-Blue Max Samples
Mellow Trombone
-Blue Max Samples
Strings
-Blue Max Samples
Harp
Brass 2
-Blue Max Samples
Timpani
-Blue Max Samples
Thump
Gong
Data from modarchive.org, last checked 2026-08-25 16:36:21.
Mp3 file details
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- Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
- OK
- measured from the file itself
- Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
- File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
- 8.0 MB
- 8 437 198 bytes
- File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
- Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
- 5:51
- minutes : seconds
- Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
- 179 BPM
- a fast tempo
- Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
- 192 kbit/s
- good quality
- Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
- 44.1 kHz
- 44 100 measurements a second
- Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
- Stereo
- 2 channels
- Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
- MP3
- Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
- −15.8 LUFS
- typical for streaming and podcasts
- Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
- 9.1 LU
- moderate
- True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
- −2.1 dBTP
- safely below the ceiling
- Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
- DR 8
- 8.2 dB · moderately dynamic
- Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
- −18.1 dBFS
- average (RMS) over the whole file
- Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
- −18.1 dBFS
- average (RMS) over the whole file
- Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
- 0.02 dB
- balanced
- Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
- −29.4 dB
- narrow stereo
- Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
- No
ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.
Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.
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