Song profile for What have we done?

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This profile was last updated on: 2026-10-06 17:06:31

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Cover art for What have we done? by Steve Roz

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What have we done?

by Steve Roz

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Track Details

AlbumOriginalName: what_have_we_done.xm Imported: 2022-09-24 (TERN-Sept2022-06).
Tracker TypeFasttracker
Duration04:14
Total plays237
Added2022-10-26 05:15:58
Track ID#13323
Integrity
MD5
0ae7dbb5dcc990ec50587913531d3d3f
SHA-1
0ddd1d8c829d7ecc4eedd104b87605b930fc0292
SHA-256
75f3dc729b3ef67a652b4f60b013f4d8d3b8abdf0fa4e9e6b53f714a9a496ed6
SHA-384
fa2e5b08c6adc7230e084f3ea8f880916558a8eb9dd4cbfe05096e644e4db2ea2e9a83090e8c5716309c9405e12ebd3d

Play History

  • 🕘 2026-10-04 10:03:51
  • 🕘 2026-09-25 02:57:21
  • 🕘 2026-09-18 21:55:50

Additional data from ModArchive

Title on ModArchive What Have We Done?
Credited on ModArchive Roz
Module format XM
File size 5.75MB
Added to ModArchive Wed 17th Apr 2013
ModArchive rating 9 / 10

Sample & instrument names

bass
kick
ride
hat
snare
light crash
pluck bass
2g
hammond
pelec
hi piano
crescendo
shine on
rimverb
violin
Telecaster
dramatic2
shaker
spin
by saga musix
chimes
feedback
universe
zing
by saga musix
hammond lead
oft flute
bass
kick
ride
hat
Snare.wav
light crash
twangybass.wav
g2
hammond
pelec.wav
hi piano.wav
crescendo
ShineOn.wav
rimverb.wav
violin
telecaster
dramatic2.wav
shaker.wav
Spn_1.wav
by saga musix
chimes1.wav
feedback.wav
universe.wav
zing.wav
by saga musix
hammond lead.wav
oft Flute #2.wav

Comments on ModArchive

*** What Have We Done? (To Dear Old Eng-er-land)***

Lyrics:

Dear old England has no water
Global warming has finally caught her
All the castles on rocks of ages
Are confined to the history pages
What have we done?
What have we done?
Oh what have we done to dear old Eng-er-land

There's a desert north of Bristol
Where the people go to the sound of the Pistols
And the Irish sea is just a crater
Full of U Boats and long lost sailors
Oh what have we done?
What have we done?
Oh what have we done to dear old Eng-er-land

I got to say that I'm not suprised at all
I always knew this day would come
There's nothing left when you take away the soul
Just empty shells in the mid day sun
What have we done?
What have we done?
What have we done?
What have we done?
Oh what have we done to dear old Eng-er-land

When the sun shines there are no shadows
Only stony ground where there once was a meadow
And the village green is all built over
Full of beer cans and teenage mothers
Oh what have we done?
What have we done?
Oh what have we done to dear old Eng-er-land
Oh what have we done?
What have we done?
Oh what have we done to dear old Eng-er-land
Oh what have we done to dear old Eng-er-land
Oh what have we done to dear old Eng-er-land

Written and Tracked by Steve Roz (Rozsongs 2013)

Data from modarchive.org, last checked 2026-09-16 11:38:08.

Mp3 file details

Waveform of What have we done? by Steve Roz, left channel above, right channel below: level in dB against time, 4:32 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
6.2 MB
6 533 811 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
4:32
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
120 BPM
a walking tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
192 kbit/s
good quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−15.0 LUFS
typical for streaming and podcasts
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
4.8 LU
very even
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−2.0 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 11
10.6 dB · moderately dynamic
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−18.2 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−16.8 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
1.33 dB
right is 1.3 dB louder
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−4.0 dB
very wide
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
No

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
OriginalName: what_have_we_done.xm Imported: 2022-09-24 (TERN-Sept2022-06).
comment A free note somebody left inside the file.
*** What Have We Done? (To Dear Old Eng-er-land)*** Lyrics: Dear old England has no water Global warming has finally caught her All the castles on rocks of ages Are confined to the history pages What have we done? What have we done? Oh what have we done to dear old Eng-er-land There's a desert north of Bristol Where the people go to the sound of the Pistols And the Irish sea is just a crater Full of U Boats and long lost sailors Oh what have we done? What have we done? Oh what have we done to [...]
sourcemedia A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.
'xm' tracked music file, made with 'OpenMPT 1.21.01.00', rendered with 'openmpt123 0.6.5 (libopenmpt 0.6.5+r17760, OpenMPT 1.30.06.00 https://source.openmpt.org/svn/openmpt/tags/libopenmpt-0.6.5@17760 (2022-08-21T11:52:55Z) clean)'
title The name of the recording, as it is written inside the file.
What Have We Done?
artist Who made or performs the recording, as it is written inside the file.
Roz
encoder The program that made the mp3 file.
Lavf62.19.101

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

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