Song profile for A summer love
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This profile was last updated on: 2026-10-01 16:11:00
🎙 Curated by DJ Daemon
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Track Details
AlbumOriginalName: a_summer_love.xm Imported: 2022-09-24 (TERN-Sept2022-06).
Tracker TypeFasttracker
Duration03:59
Total plays235
Added2022-10-26 00:43:18
Track ID#13264
Integrity
- MD5
be50262cba1aafc1654914a993023f4b- SHA-1
724f49237eeeaf7aa722c90730295b3494395a39- SHA-256
91b99fc329441a6b2b91685dcb0443a37973b283f99d8bccffb4305f3308efcf- SHA-384
9f3024380d50059988a08f547daf74a5efae5eb3329feee73960e4c513025543148151bf33a904e788b5147abf5e0a73
Play History
- 🕘 2026-10-01 14:11:00
- 🕘 2026-09-23 09:00:34
- 🕘 2026-09-14 14:37:25
Additional data from ModArchive
Title on ModArchive
A SUMMER LOVE
Module format
XM
File size
3.55MB
Added to ModArchive
Sun 23rd Aug 1998
ModArchive rating
On ModArchive
Open the module on ModArchive
Sample & instrument names
a summer love
composed by cRUSh
finished at 01-jul-98
this song was
writen to
impose anja, my
favourite girl!!!
I hope she likes this
tune!!!
grez to:
novus, husti, helsch,
mowhawk, bandit
sabine, anja, MAZ
The most samples are
from no.1 Instuments
by MAZ
cu l8er
E-Mail:
crush_andris.regio.
rhein-ruhr.de
Homepage:
http://crush.in-tec.de
909 BASSDRUM
909 SNARE
909 TOM LO
909 DNB 1
909 TOM MID
909 DNB 2
909 TOM HI
909 PDGYBASS
909 CRASH
909 RS
909 DNB 3
909 CLAP
909 DNB 4
909 CLOSED HI
909 HI OPEN
909 HI CLOSE
-- nord1_c1.xi --
size: 82 K
loop: none
type: nordlead bass
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- bentstr1.xi --
size: 414 K
loop: forward
type: string
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- panpizz2.xi --
size: 48 K
loop: none
type: oneshot synth
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
-- x3paddy2.xi --
size: 102 K
loop: forward
type: synth bass
(c) 1998 MAZ
Sample-CD:
'no.1 instruments'
www.maz-sound.com
Revolu.wav
Danger.wav
Begin.wav
Data from modarchive.org, last checked 2026-08-25 16:39:16.
Mp3 file details
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- Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
- OK
- measured from the file itself
- Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
- File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
- 5.6 MB
- 5 879 020 bytes
- File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
- Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
- 4:05
- minutes : seconds
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- 65 BPM
- a slow tempo
- Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
- 192 kbit/s
- good quality
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- 44.1 kHz
- 44 100 measurements a second
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- Stereo
- 2 channels
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- MP3
- Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
- −15.7 LUFS
- typical for streaming and podcasts
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- 5.5 LU
- moderate
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- −1.9 dBTP
- safely below the ceiling
- Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
- DR 11
- 10.7 dB · moderately dynamic
- Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
- −17.6 dBFS
- average (RMS) over the whole file
- Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
- −17.5 dBFS
- average (RMS) over the whole file
- Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
- 0.12 dB
- balanced
- Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
- −10.5 dB
- ordinary stereo
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- No
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Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.
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The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.
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ericade.radio / The ERICADE Radio Network
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