Song profile for The Epic

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This profile was last updated on: 2026-10-05 01:45:01

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Cover art for The Epic by Kevin Chow

🎵 Track Profile

The Epic

by Kevin Chow

(1 vote)

Track Details

AlbumOriginalName: gh-epic.xm Imported: 2022-09-24 (TERN-Sept2022-06).
Tracker TypeFasttracker
Duration04:52
Total plays232
Added2022-10-26 00:35:06
Track ID#13262
Integrity
MD5
022def88201fd0eeca1c2fd398e4335b
SHA-1
6819574808243048c9ba9c5ef40241ad7b7e2bf8
SHA-256
11582ec070205af32867468c74aeeb58b39cd44e700c96fd8ea9d559715b5b3d
SHA-384
3ba577ba0a16b37b662990f20ce987c487f24128617ea463441075b7c508680b8ac096b573f26c33af90d74beba43b00

Play History

  • 🕘 2026-10-04 23:45:01
  • 🕘 2026-09-26 04:07:53
  • 🕘 2026-09-18 19:25:57

Additional data from ModArchive

Title on ModArchive The Epic
Credited on ModArchive Gopher
Module format XM
File size 1.51MB
Added to ModArchive Mon 26th Mar 2001
ModArchive rating 10 / 10

Sample & instrument names

Strings Set 1
Synth String 1
Synth String 2
Guitar
Pan-Pipe

Piano

-<   The Epic   >-
-<      4:59       >-

Copyright(C) 2000-2001
(C) Kevin Chow

(More Instruments to
come)

Long Cymbal
FX Rain
Drums
Timpani
Conga
Cymbal
OrchCrash
Conga
Bongo High
"Ding"
----------------------
First of all, greetz:
(In no particular
order): A98, SLH,
Ralesk, Komsip, Beat-
Source, Psychic Mind,
Awesome, Renx,
Warhawk, Stary, Cyker,
Ivory, Fermus, Whiz,
D-Fast, FDA, LCM,
Einen Duck (You know
who you are!), Dream-
Section, Idaho, Zepsi,
Littlelk, and Everyone
Else I Forgot!

This tune was
originally intended to
be a (winning?) entry
in the Merregnon
Compo, Nov 2000.
As you can see,
development was
severely protracted,
resulting in this tune
which took epic
perseverence to
write.
Perhaps not my best
style or work, I feel
that this has fallen
somewhat short of
what I hoped, but
this maybe due to
my tracking career
(All 3 years and 12
measly releases) being
in its twilight.

I hope to release at
least another tune of
some form or other
I hang up my mouse,
but then; tracking
is an endless voyage,
every author striving
to better themselves
and others, to hell
with inspiration.

I hope you enjoy this
tune in the same way
that I found it VERY
hard to write it -most
definitely not
a style for the
beginner!

Thanks again to all
you trackers and
trance-heads on TiS,
I couldn't have done
this without you.

"We are all voyagers
between two
eternities" - Stephen
Coonts

Last Words:

"Hopefully in the
(near?) future I can
write a better, fuller
track than this
protracted job.
I'll be returning to
more carefree tracking
for a while, maybe,
before coming back
to this wonderful
genre. Then again I
might dive right in.
Time will tell.
Don't take this as
my last word - far
from it. Maybe when
IT3 comes out, I can
really kick some major
arse..."

---5/3/2001---
Sound-~4.wav
Sound-~5.wav

Original Merregnon
Samples
Strange Synth-
string (Awesome?)
Pad-st~1.wav
Original Merregnon
Sample
Guitar1.wav
(Common)
Merregnon
Sample
Awesome's
Pipe :o)
Piano1.wav
Piano2.wav
Piano3.wav
Piano4.wav
Piano5.wav
Piano6.wav

Merregnon Samples
Put together and
modified by Me
Ripped From??
FX Rain

KIArchive Sample?
rundvirvel (C)
virvel (G)

Nicked from ???
Timpani4.wav

KIArchive Sample?
Conga

KIArchive Sample
 -- perc-~13.xi --
 size: 78 K
 loop: none
Nicked from???
Perc-h~2.wav

Merregnon Sample
Conga

Kiarchive Sample
Bongo High

KIArchive Sample?
Possibly from
Necros "Ascent
of the Cloud Eagle"?

Data from modarchive.org, last checked 2026-08-25 16:54:01.

Mp3 file details

Waveform of The Epic by Kevin Chow, left channel above, right channel below: level in dB against time, 5:01 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
6.9 MB
7 223 393 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
5:01
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
185 BPM
a fast tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
192 kbit/s
good quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−14.9 LUFS
typical for streaming and podcasts
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
8.8 LU
moderate
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−1.7 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 9
9.4 dB · moderately dynamic
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−18.7 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−16.5 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
2.25 dB
right is 2.3 dB louder
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−11.7 dB
ordinary stereo
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
No

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
OriginalName: gh-epic.xm Imported: 2022-09-24 (TERN-Sept2022-06).
comment A free note somebody left inside the file.
Strings Set 1 Synth String 1 Synth String 2 Guitar Pan-Pipe Piano -< The Epic >- -< 4:59 >- Copyright(C) 2000-2001 (C) Kevin Chow (More Instruments to come) Long Cymbal FX Rain Drums Timpani Conga Cymbal OrchCrash Conga Bongo High "Ding" ---------------------- First of all, greetz: (In no particular order): A98, SLH, Ralesk, Komsip, Beat- Source, Psychic Mind, Awesome, Renx, Warhawk, Stary, Cyker, Ivory, Fermus, Whiz, D-Fast, FDA, LCM, Einen Duck (You know who you are!), [...]
sourcemedia A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.
'xm' tracked music file, made with 'FastTracker 2 or compatible', rendered with 'openmpt123 0.6.5 (libopenmpt 0.6.5+r17760, OpenMPT 1.30.06.00 https://source.openmpt.org/svn/openmpt/tags/libopenmpt-0.6.5@17760 (2022-08-21T11:52:55Z) clean)'
title The name of the recording, as it is written inside the file.
The Epic
artist Who made or performs the recording, as it is written inside the file.
Kevin Chow
encoder The program that made the mp3 file.
Lavf62.19.101

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

📻 Station details

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