Song profile for The Epic
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This profile was last updated on: 2026-10-05 01:45:01
🎙 Curated by DJ Daemon
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Track Details
AlbumOriginalName: gh-epic.xm Imported: 2022-09-24 (TERN-Sept2022-06).
Tracker TypeFasttracker
Duration04:52
Total plays232
Added2022-10-26 00:35:06
Track ID#13262
Integrity
- MD5
022def88201fd0eeca1c2fd398e4335b- SHA-1
6819574808243048c9ba9c5ef40241ad7b7e2bf8- SHA-256
11582ec070205af32867468c74aeeb58b39cd44e700c96fd8ea9d559715b5b3d- SHA-384
3ba577ba0a16b37b662990f20ce987c487f24128617ea463441075b7c508680b8ac096b573f26c33af90d74beba43b00
Play History
- 🕘 2026-10-04 23:45:01
- 🕘 2026-09-26 04:07:53
- 🕘 2026-09-18 19:25:57
Additional data from ModArchive
Title on ModArchive
The Epic
Credited on ModArchive
Gopher
Module format
XM
File size
1.51MB
Added to ModArchive
Mon 26th Mar 2001
ModArchive rating
On ModArchive
Open the module on ModArchive
Sample & instrument names
Strings Set 1 Synth String 1 Synth String 2 Guitar Pan-Pipe Piano -< The Epic >- -< 4:59 >- Copyright(C) 2000-2001 (C) Kevin Chow (More Instruments to come) Long Cymbal FX Rain Drums Timpani Conga Cymbal OrchCrash Conga Bongo High "Ding" ---------------------- First of all, greetz: (In no particular order): A98, SLH, Ralesk, Komsip, Beat- Source, Psychic Mind, Awesome, Renx, Warhawk, Stary, Cyker, Ivory, Fermus, Whiz, D-Fast, FDA, LCM, Einen Duck (You know who you are!), Dream- Section, Idaho, Zepsi, Littlelk, and Everyone Else I Forgot! This tune was originally intended to be a (winning?) entry in the Merregnon Compo, Nov 2000. As you can see, development was severely protracted, resulting in this tune which took epic perseverence to write. Perhaps not my best style or work, I feel that this has fallen somewhat short of what I hoped, but this maybe due to my tracking career (All 3 years and 12 measly releases) being in its twilight. I hope to release at least another tune of some form or other I hang up my mouse, but then; tracking is an endless voyage, every author striving to better themselves and others, to hell with inspiration. I hope you enjoy this tune in the same way that I found it VERY hard to write it -most definitely not a style for the beginner! Thanks again to all you trackers and trance-heads on TiS, I couldn't have done this without you. "We are all voyagers between two eternities" - Stephen Coonts Last Words: "Hopefully in the (near?) future I can write a better, fuller track than this protracted job. I'll be returning to more carefree tracking for a while, maybe, before coming back to this wonderful genre. Then again I might dive right in. Time will tell. Don't take this as my last word - far from it. Maybe when IT3 comes out, I can really kick some major arse..." ---5/3/2001--- Sound-~4.wav Sound-~5.wav Original Merregnon Samples Strange Synth- string (Awesome?) Pad-st~1.wav Original Merregnon Sample Guitar1.wav (Common) Merregnon Sample Awesome's Pipe :o) Piano1.wav Piano2.wav Piano3.wav Piano4.wav Piano5.wav Piano6.wav Merregnon Samples Put together and modified by Me Ripped From?? FX Rain KIArchive Sample? rundvirvel (C) virvel (G) Nicked from ??? Timpani4.wav KIArchive Sample? Conga KIArchive Sample -- perc-~13.xi -- size: 78 K loop: none Nicked from??? Perc-h~2.wav Merregnon Sample Conga Kiarchive Sample Bongo High KIArchive Sample? Possibly from Necros "Ascent of the Cloud Eagle"?
Data from modarchive.org, last checked 2026-08-25 16:54:01.
Mp3 file details
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- OK
- measured from the file itself
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- 6.9 MB
- 7 223 393 bytes
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- Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
- 5:01
- minutes : seconds
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- 185 BPM
- a fast tempo
- Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
- 192 kbit/s
- good quality
- Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
- 44.1 kHz
- 44 100 measurements a second
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- Stereo
- 2 channels
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- MP3
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- −14.9 LUFS
- typical for streaming and podcasts
- Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
- 8.8 LU
- moderate
- True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
- −1.7 dBTP
- safely below the ceiling
- Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
- DR 9
- 9.4 dB · moderately dynamic
- Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
- −18.7 dBFS
- average (RMS) over the whole file
- Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
- −16.5 dBFS
- average (RMS) over the whole file
- Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
- 2.25 dB
- right is 2.3 dB louder
- Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
- −11.7 dB
- ordinary stereo
- Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
- No
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📻 Station details
The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.
Station
ericade.radio / The ERICADE Radio Network
Website
https://radio.ericade.net
Contact
radio@ericade.net
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