Song profile for Nine One One

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This profile was last updated on: 2026-10-07 04:22:14

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Cover art for Nine One One by Jeroen Tel

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Nine One One

by Jeroen Tel

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Track Details

AlbumOriginalName: jt_911.xm Imported: 2022-09-24 (TERN-Sept2022-06).
Tracker TypeFasttracker
Duration04:02
Total plays235
Added2022-10-25 22:43:20
Track ID#13237
Integrity
MD5
49d37ddd8196dd1d75c8189f26091f9e
SHA-1
8277d30f615f272d3fe5ca38f81d3383455343c6
SHA-256
a8cd4fbf86011c730ee8f988adcc1e587019b0f29d15cf8527a285eb7d25abc9
SHA-384
db274943a85bde6ff76b66f8b5c9a5dee964fa284e4320fa45efce50a5031b1f4c1255c272632b0d572df5a778bdb362

Play History

  • 🕘 2026-10-05 00:49:00
  • 🕘 2026-09-28 14:56:04
  • 🕘 2026-09-19 21:52:00

About the artist Jeroen Tel  View all tracks ›

★★★★★ (8 votes)

Jeroen Godfried Tel (born 19 May 1972), also known as WAVE, is a Dutch composer. He is best known for numerous computer game tunes he wrote in the 1980s and early 1990s for the Commodore 64. His most popular compositions appear in the following Commodore 64 games: Combat Crazy, Cybernoid, Cybernoid II, Dan Dare 3, Eliminator, Hawkeye, Myth: History in the Making, Nighthunter, Robocop 3, Rubicon (title music), and Supremacy.(From Wikipedia)

🎧 2,430 plays on ericade.radio

Additional data from ModArchive

Title on ModArchive Nine One One
Credited on ModArchive Jeroen -WAVE- Tel
Module format XM
File size 950.94KB
Added to ModArchive Fri 28th Jul 2000
ModArchive rating 10 / 10

Sample & instrument names

NINE ONE ONE
       composed by
   Jeroen Tel (WAVE)
Maniacs of Noise & FM
(C) 1997 Jeroen G. Tel

    MUSIC CONTEST 5
   VETERAN #1 TUNE!
 In 1996 I also ranked
    #1 in the Veteran
          section of
     Music Contest 4
with 'Pools of Poison'
   If I rank #1 in the
Veteran section of MC6
Free beer for everyone
--------------------
     All rights of the
producer and the owner
of the work reproduced
reserved. Unauthorized
      copying, hiring,
       lending, public
     performance and
  broadcasting of this
 XM module prohibited.
--------------------
  Contact info:
  Jeroen Tel (WAVE)
  Email: mon_xs4all.nl
  Harmoniestraat 77
  5702 JD Helmond, NL
--------------------
       Big hello's to:
"the Music Contest 5
         organisers."
  Thomas E. Petersen
    (Laxity of M.o.N.)
    Thomas Mogensen
      (Drax of M.o.N.)
All you guys at #trax!
(too many to mention)
Kim Jensen & the rest
of the Innerloop gang.
The dudes at Funcom.
(you know who you are)
    HI also to my pals
 of Five Musician (FM)
  When I'm typing this
  it's already the 3rd
     of March 1998...
I've been postponing
         writing this
    sampletext bit for
       too long... (:P
--------------------
    More greetings to:
          Analogue
 Rick Hoekman (jawel!)
   My brother Kees (!)
  (your music RULEZ!)
    The #c-64 people!
Witan Entertainment BV
   and everybody else
--------------------
     Maniacs of Noise
      (Download) Site
   www.xs4all.nl/*mon
    * = the tilde sign

  Five Musicians Site:
         www.fm.org
--------------------
         Scene info:
   Jeroen Tel (WAVE)
        is hooked to
Maniacs of Noise (MoN)
   Five Musicians (FM)
     Analogue (demos)
--------------------
       Let's fill this
   boring empty space
      with "stuff"....

    My favorite color:
       (hex) 00FFDC
     My favorite beer:
         Bavaria 8.6
--------------------
Some things I wrote on
  "my walls" over the
            years...

 "Some words don't
   have to be spoken
   to be true." (1996)
"People are like black
  Holes; the more they
  have, the more they
  want." (1993)
"Words are like boats;
  They arrive at their
  destination or sink"
  (1993)
"Who isn't strong,
  must be smart,
  but who isn't smart,
  must be stupid" (:P
  (1993)
"You can't get wise
  by decision" (1995)
--------------------
Okay, enough blahblah
           for now...
--------------------
 PEACE to the world...
--------------------
   WAVE loves SHINE
--------------------
 (this space "to let")
   before I sign off,
   I'll leave you with
   some brainfood:
  "Who can PROOVE
         1+1=2 ?"
--------------------
    Started: 7-7-1997
  Finished: 15-7-1997
   ^^^^^^^^^~~^^^~~^^^
   ^^^   ^^^~~^^^~~^^^
   ^^^^^^^^^~~^^^~~^^^
        ^^^^~~^^^~~^^^
   ^^^^^^^^^~~^^^~~^^^

  NL=Netherlands

Data from modarchive.org, last checked 2026-08-25 16:51:24.

Mp3 file details

Waveform of Nine One One by Jeroen Tel, left channel above, right channel below: level in dB against time, 4:13 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
5.8 MB
6 087 558 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
4:13
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
64 BPM
a slow tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
192 kbit/s
good quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−14.9 LUFS
typical for streaming and podcasts
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
3.2 LU
very even
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−1.7 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 10
10.5 dB · moderately dynamic
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−16.9 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−17.2 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
0.27 dB
balanced
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−12.4 dB
ordinary stereo
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
No

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
OriginalName: jt_911.xm Imported: 2022-09-24 (TERN-Sept2022-06).
comment A free note somebody left inside the file.
NINE ONE ONE composed by Jeroen Tel (WAVE) Maniacs of Noise & FM (C) 1997 Jeroen G. Tel MUSIC CONTEST 5 VETERAN #1 TUNE! In 1996 I also ranked #1 in the Veteran section of Music Contest 4 with 'Pools of Poison' If I rank #1 in the Veteran section of MC6 Free beer for everyone -------------------- All rights of the producer and the owner of the work reproduced reserved. Unauthorized copying, hiring, lending, public performance and [...]
sourcemedia A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.
'xm' tracked music file, made with 'FastTracker 2 or compatible', rendered with 'openmpt123 0.6.5 (libopenmpt 0.6.5+r17760, OpenMPT 1.30.06.00 https://source.openmpt.org/svn/openmpt/tags/libopenmpt-0.6.5@17760 (2022-08-21T11:52:55Z) clean)'
title The name of the recording, as it is written inside the file.
Nine One One
artist Who made or performs the recording, as it is written inside the file.
Jeroen Tel
encoder The program that made the mp3 file.
Lavf62.19.101

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

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