Song profile for After hours

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This profile was last updated on: 2026-10-06 13:24:22

🎙 Curated by DJ Daemon

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Cover art for After hours by Elwood

🎵 Track Profile

After hours

by Elwood

(1 vote)

Track Details

AlbumOriginalName: hours.xm Imported: 2022-09-24 (TERN-Sept2022-06).
Tracker TypeFasttracker
Duration03:29
Total plays237
Added2022-10-25 16:49:16
Track ID#13157
Integrity
MD5
4cbc61ec71601612021e26361dc85ca5
SHA-1
b828a1bcf7cf6bef8f55e90dec39369bc0e943dd
SHA-256
f8cdf06339528fad1d7e67f34f7cc31afd1ff31d1cc6f17989a0473eb3569f02
SHA-384
9e7c07e1aa2431fa0b745d44535d803531e8a1feb6ae11f4d7344ffc8424f4b89488be2d3491b3e9cbf47799e4777358

Play History

  • 🕘 2026-09-28 13:52:29
  • 🕘 2026-09-21 15:22:51
  • 🕘 2026-09-14 12:18:45

About the artist Elwood  View all tracks ›

★★★★★ (12 votes)

A Finnish artist whose real name is Jussi-Matti Salmela. Active between 1995 and 2016.

🎧 4,305 plays on ericade.radio

Additional data from ModArchive

Title on ModArchive After Hours
Credited on ModArchive Elwood
Module format XM
File size 815.90KB
Added to ModArchive Wed 23rd Sep 1998
ModArchive rating 9 / 10

Sample & instrument names

Composed by:
          Elwood

Thanks to all you who
have supported my
work (letters etc.)
Here's a gift for you!

I think you already
know my address...
So have a nice life!!!

(C) 1998 Jussi Salmela

Data from modarchive.org, last checked 2026-10-05 22:03:49.

Mp3 file details

Waveform of After hours by Elwood, left channel above, right channel below: level in dB against time, 3:40 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
5.0 MB
5 273 863 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
3:40
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
93 BPM
a walking tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
192 kbit/s
good quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−15.8 LUFS
typical for streaming and podcasts
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
4.2 LU
very even
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−1.6 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 12
12.2 dB · moderately dynamic
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−18.3 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−18.4 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
0.12 dB
balanced
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−14.2 dB
ordinary stereo
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
No

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
OriginalName: hours.xm Imported: 2022-09-24 (TERN-Sept2022-06).
comment A free note somebody left inside the file.
Composed by: Elwood Thanks to all you who have supported my work (letters etc.) Here's a gift for you! I think you already know my address... So have a nice life!!! (C) 1998 Jussi Salmela
sourcemedia A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.
'xm' tracked music file, made with 'FastTracker 2 or compatible', rendered with 'openmpt123 0.6.5 (libopenmpt 0.6.5+r17760, OpenMPT 1.30.06.00 https://source.openmpt.org/svn/openmpt/tags/libopenmpt-0.6.5@17760 (2022-08-21T11:52:55Z) clean)'
title The name of the recording, as it is written inside the file.
After Hours
artist Who made or performs the recording, as it is written inside the file.
Elwood
encoder The program that made the mp3 file.
Lavf62.19.101

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

📻 Station details

The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.

Station ericade.radio / The ERICADE Radio Network

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