Song profile for Leaving All Behind

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This profile was last updated on: 2026-10-05 03:47:11

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Cover art for Leaving All Behind by Karsten Koch

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Leaving All Behind

by Karsten Koch

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Track Details

AlbumOriginalName: leavingallbehind.xm Imported: 2022-09-24 (TERN-Sept2022-06).
Tracker TypeFasttracker
Duration06:15
Total plays236
Added2022-10-25 14:33:20
Track ID#13125
Integrity
MD5
fc03070eb627dba61ba2a32d8c7452f1
SHA-1
3dd3194c5a583a868d3fe32d5b00a2e0d7e85796
SHA-256
f0d7cabf58bcbf01957b4ad403179d8f19d117aee5bebfd88bd3b773066f6828
SHA-384
7faf8f0022a29a02fe70905501683634ea0694263c6d3f9f36edf3014ee301b8ff2febcf0a8bbf5f6389021dc778cbb3

Play History

  • 🕘 2026-10-03 22:30:14
  • 🕘 2026-09-24 18:20:33
  • 🕘 2026-09-19 06:21:16

About the artist Karsten Koch  View all tracks ›

★★★★★ (7 votes)

Karsten Koch, born in 1975, is an electronic musician.Inspired by the music of Crazy Comets by Rob Hubbard, Karsten has been interested in computer music since 1987.Karsten worked with a group known as Imago in 1992 to 1995 with Lutz Roeder and Thomas Schreiber, creating music for digital media presentations as well as having contributed music to a few computer games.Their Scream Tracker module, Aryx, has been included with various module music players and trackers over the years, such as ModPlug Player & ModPlug Tracker. Their tracker music was composed using software such as ModEdit 1.0, ScreamTracker 3, Fasttracker 2.0, and Imago Orpheus.Karsten still composes music leisurely today.

🎧 1,206 plays on ericade.radio

Additional data from ModArchive

Title on ModArchive Leaving All Behind
Credited on ModArchive Karsten Koch
Module format XM
File size 707.85KB
Added to ModArchive Tue 6th Nov 2001
ModArchive rating 9 / 10

Sample & instrument names

Written and produced
by Karsten Koch 1995.

playing time: 6:20
______________________

Contact:

IMAGO Advanced
Computer Music

koch3_larry.hrz.
hab-weimar.de

www.scc.hab-weimar.
de/~koch3/
______________________

Music created using
IMAGO Orpheus 1.0 Beta
______________________

hihat1
tamb
hihat2
hihat.lp1
hihat.lp2
synth1
choir1
sd1
lp1
lp2
bd1
clap1
lp3
sd2
conga1
conga2
conga3
cymbal1
hihat3
browl.1
browl.2
browl.3
browl.4
browl.5
browl.6
browl.7
browl.8
multitap
anlgbass
synthbass
piano

agesaway

distanthills

heavensgate
heavensbeep
wnoise

Data from modarchive.org, last checked 2026-08-25 16:53:48.

Mp3 file details

Waveform of Leaving All Behind by Karsten Koch, left channel above, right channel below: level in dB against time, 6:20 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
8.7 MB
9 120 219 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
6:20
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
140 BPM
a dancing tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
192 kbit/s
good quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−14.6 LUFS
typical for streaming and podcasts
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
3.8 LU
very even
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−2.1 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 9
8.9 dB · moderately dynamic
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−15.3 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−16.4 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
1.03 dB
left is 1.0 dB louder
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−16.2 dB
ordinary stereo
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
No

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
OriginalName: leavingallbehind.xm Imported: 2022-09-24 (TERN-Sept2022-06).
comment A free note somebody left inside the file.
Written and produced by Karsten Koch 1995. playing time: 6:20 ______________________ Contact: IMAGO Advanced Computer Music koch3@larry.hrz. hab-weimar.de www.scc.hab-weimar. de/~koch3/ ______________________ Music created using IMAGO Orpheus 1.0 Beta ______________________
sourcemedia A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.
'xm' tracked music file, made with 'FastTracker 2 or compatible', rendered with 'openmpt123 0.6.5 (libopenmpt 0.6.5+r17760, OpenMPT 1.30.06.00 https://source.openmpt.org/svn/openmpt/tags/libopenmpt-0.6.5@17760 (2022-08-21T11:52:55Z) clean)'
title The name of the recording, as it is written inside the file.
Leaving All Behind
artist Who made or performs the recording, as it is written inside the file.
Karsten Koch
encoder The program that made the mp3 file.
Lavf62.19.101

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

📻 Station details

The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.

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