Podcast episode profile for 106. Two years in the bunker

Two years on the air! They said it wasn't possible – it couldn't be done. And I proved them… Actually, no one said any of that. But the station is on and broadcasting 24/7. It's been quite a year and let me, DJ Daemon tell you about all the stuff we've been through together. One hour of the newest additions to the station of tracked music. 00:00 ericade.radio – Good evening, here is another hour of tracked music 00:06 DJ Daemon: Two years! On the 13th of September 2020, we started broadcasting. And we're still on. We've talked about the creation of the station on a previous episode. So this hour is just a look back at all the mayhem, chaos, broken songs and also some the bad stuff that have happen.


ericade.radio knows the chiptune and demoscene! We're the radio station playing all the best tunes from the most prominent, promising or trending artists in the scene. We also know about the artists and songs as well.


This profile was last updated on: 2026-10-07 13:00:05

🎙 Curated by DJ Daemon

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Cover art for episode 106, Two years in the bunker

🎙 Podcast Episode

106. Two years in the bunker

by Flashback

(1 vote)

🎙 About the podcast

Artwork for the Flashback, tracks from the past podcast

Flashback, tracks from the past

We have covered the demo scene since 2020, and play all the great chip tune music as well. Join us to hear tracked music combined with commentary from the geek-of-all-trades: DJ Daemon. He was once known as Daemon in the Amigaworld, and brings you stories about Amiga, retrocomputing, C64, demos, the demo scene and all things nerdy in the retro world.

We play tracker music composed on Protracker, Screamtracker, Fasttracker and Impulsetracker. It's music composed on Amiga and the retro-PC. Genres such as Chiptune, Synthwave and Retro electro.

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Track Details

AlbumImported. .pod (Podcast)
Tracker TypePodcast episode
Duration01:03:39
Total plays258
Broadcast Date2022-09-17
Added2022-09-18 21:22:56
AboutTwo years on the air! They said it wasn't possible – it couldn't be done. And I proved them… Actually, no one said any of that. But the station is on and broadcasting 24/7. It's been quite a year and let me, DJ Daemon tell you about all the stuff we've been through together. One hour of the newest additions to the station of tracked music. 00:00 ericade.radio – Good evening, here is another hour of tracked music 00:06 DJ Daemon: Two years! On the 13th of September 2020, we started broadcasting. And we're still on. We've talked about the creation of the station on a previous episode. So this hour is just a look back at all the mayhem, chaos, broken songs and also some the bad stuff that have happen.
Track ID#12773
Integrity
MD5
3b9636551baac91e022fda10c0cff90c
SHA-1
bd505c0be2b0e72719d7b01210e0b0810097a03f
SHA-256
5bd3a303b92ff943630fac9d6c040ccbc35ca598b12643df0f9242459fd29a12
SHA-384
52cb663b0d07ad1f703682479f22aee3441e2fbf5d0e9b9a079262a2cc3f56016f0c83c5630344a763677b5a140ca704
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🎤 Production Notes

ColophonA bit of a joke about the initial idea of making the station voice-acted from a "bunker" in northern Stockholm. This thankfully never happened.An obligatory anniversary episode.

Transcript

ericade.radio – Good evening, here is another hour of tracked music

DJ Daemon Time for Flashback, tracks from the past. With your host, DJ Daemon. Two years. Yeah. On the 13th of September 2020, we started broadcasting, and we're still on. We talked about the creation of this station on a previous episode. So this hour is just a look back at all the mayhem, all the chaos, broken songs, and also some bad stuff that have happened.It's been a wondrous ride. Thanks for being with us.

DJ Daemon: Two years! On the 13th of September 2020, we started broadcasting. And we're still on. We've talked about the creation of the station on a previous episode. So this hour is just a look back at all the mayhem, chaos, broken songs and also some the bad stuff that have happen.

Malmen – Flirt talk

DJ Daemon: better audio and why not a bit of recognition. Jono Woodward's voice had replaced Nicole's and the first version of the music database was already online. And it all was looking up.

DJ Daemon Malmen - Flirt talk. Green across the board, as we anticipated more of everything as we passed the one year anniversary. Songs, listeners, podcasts, demo parties, better audio, and why not, some recognition. Jono Woodward's voice had replaced Nicole's as the first version of the music database was already online. And it was all looking up.But a backlog of stuff that was not perfect. It was huge. Amiga Tunes with its weird stereo stuff, and no solution for that. The getting a request function was just a dream. Yeah. And the listening wasn't great either. It was time to step up the game.

Darkhalo – Nights

DJ Daemon: Our show and podcast, Flashback – tracks from the past, ran every week with few exceptions.

DJ Daemon DarkHalo - Nights. Our show and podcast Flashback, tracks from the Past. You're listening to it by the way. It ran every week with few exceptions. We had started covering demo parties, and the autumn of twenty twenty one was hectic, with a deadline and syntax, and we had just covered Jurmalauta and Arok. This was sometimes a backbreaking weekly project of I kid you not.ten to eleven hours with all the preparations needed to create a mere hour of show. Much time was trying to handle the weird formats. A demo party could produce music requiring a C64, a Nintendo, or some weird retrocomputer to run. I struggled with emulators and audio issues.

Coretex – Ascention

DJ Daemon: Getting the best sound was quite a challenge. I had already automated importing the tracker tunes, so they all had the same sound levels and track information. I also put a lot of effort in tuning the broadcast processor running the whole station. This almost got out of hand with…

DJ Daemon Cortex Ascension Getting the best sound was quite a challenge. I had already automated the importing of the tracker tunes, so they all had the same sound levels and track information. I also put a huge effort into tuning the broadcast compressor running the whole station. This almost got out of hand with countless of evenings testing, trimming and measuring.And it made me appreciate the blinkly lights and the flickering mirrors.Swim and blue, some blue.

DNA-Groove – SDXB – #5

DJ Daemon: I decided to create an emergency playlist-generator in order to handle outages. It didn't really end where I thought it would. Instead of a mere playlist generator, it became a station in its own right. It ran all the old shows and had news from Feature Story News every hour. Getting all…

DJ Daemon DNA-groove and the song is called SDXB number five. I decided to create an emergency playlist generator, and that was in order to handle outages. It really didn't end up where I thought it would. Instead of a mere playlist generator, it became a station in its own right. It ran all the old shows and had news from feature story news every hour. Getting all that to work was quite an undertaking.It also forced me to think more about how to make the shows. Three minutes of news and a station ID that push the podcast rear on ahead. So at fifty six minutes and forty seconds I was not allowed to speak as it would cut off at that point. In short, more work. Not that I was lacking in things to do.

Tnk – Distant heavens

DJ Daemon: As I was no longer broadcasting live after August 2021, focus shifted towards developing the website and the database. I built the dashboards showing the operation of the station. It looked like the NASA space center in my 3 square meter work room. Screens, panels and cables everywhere.

DJ Daemon TNK - Distant Heavens As I was no longer broadcasting live after 2021 in August, focus shifted towards developing the website and the database. I built the dashboards showing the operation of the station. It looked like NASA's Space Center in Houston in my three square meter workroom. Screens, panels and cables everywhere.And if I closed the door it was like a finished sauna. Yeah, well, three minutes after I closed the door.

Kerni – I am Tim Follin

DJ Daemon speaks: We're celebrating two years a on the air.

DJ Daemon I am Tim Follin. This is Flashback Tracks from the Past, and I'm DJ Daemon. A few days ago we celebrated two years as a radio station. That's what we are celebrating.

Psirius – The Big Data

DJ Daemon: How would I know if the songs I play choose were unpopular? With the database I could rank the worst offenders by checking what was playing when people disconnected. But I decided to ask the listeners. And so was done by adding a Star-system, allowing users rate what was playing. It…

DJ Daemon Psirius - The Big Data How would I know if the songs I play were unpopular? With the database I could rank the worst offenders by checking what was playing when the people disconnected. But I decided instead to ask the listeners, and so was done by adding a star system, allowing the users to rate that that was playing. It worked perfectly.With the website keeping track of the tunes, the artists, the ratings and the information about the artists, I had a new idea. I wanted all this information to be shown on YouTube, Twitch and the website. This was slowly introduced during the autumn.

Tnk – Journey to Micronesia

DJ Daemon: There's no way you can make our broadcast software, PlayIt live, to accept listener requests. This I was told. That was my “challenge accepted – hold my beer”-moment. Given the data we had, I built a Rube Golberg-esque machine that made the users able to search for songs. It made quite a…

DJ Daemon TNK - Journey to Micronesia. There is no way you can make your broadcast software play it live accept listener requests. This I was told. That was my challenge accepted hold my beer moment. Given the data we had, I built a Rube Goldberg-esque machine that made all the users able to search for songs and request them. It made quite a splash on the Facebook group.with other PlayIT Live broadcasters. I even got two offers to sell the solution to them. But I had no time to support such a product, so I had to decline. In the summer of twenty twenty two, I added Discord support for all the features on the site, so you could request, you could set stars and everything on the site and on Discord.

Melcolm – Night Air

DJ Daemon: During 2022, the show started focusing on the music and the demo parties over stortytelling. I created a series of episodes showcasing different genres of music. I also improved audio quality and threw out all Amiga-tunes twice to remaster them with better sound. They're all now pretty…

DJ Daemon Melcolm - Night Air During twenty twenty two, the show this one that is, it started focusing on the music and the demo parties over storytelling. I created a series of episodes showcasing different genres of music. I also improved audio quality and threw out all the Amiga Tunes twice to remaster them with bare sound. They're all now pretty darn well sounding and in mono.Problem finally solved. The impulse tracker tunes, they were remastered after some complaints, and I switched from XMP to OpenMPT to import all the tunes.

MpjV – Banger (temporary name)

DJ Daemon speaks presents today's only medley.

DJ Daemon MPJV - Banger. It was a temporary name that stuck. What do you say? Do we have time for a medley? Yeah we do. Here is one, the only one you get today. It's Ida with a disco, Virgil with Atari Klang, 4K, maybe it should be like Atari Klang, it's German. And finally Vito and Pride.

Ida – Disco

Virgill – Atariklang 4k

Wito – Pride

DJ Daemon thanks you for listening. Leading you into that good night is…

DJ Daemon This is Flashback, Tracks from the Past. And I'm DJ Daemon. Thanks for listening. This has been a joy. Two years, and we are still broadcasting in a week another episode of this podcast, this show, what do you want to call it? And leading you into that good night is a series of songs. First off is Oleg Dunaev, Wind from Wild Places. And then it's Pant European Into a Dream.And finally, Malmen and Xaimus - Moonlit Memory.

Oleg Dunaev – Wind From Wild Places

ericade.radio – Coming to you taped from a bunker in northern Stockholm

DJ Daemon The Ericade Radio Network, coming to you, taped from a bunker in northern Stockholm. Don't forget us, we are on Ericade.Radio.

DJ Daemon we're on ericade.radio.

Panter of Peon – Into A Dream

Malmen and Xaimus – Moonlit memory

Equipment

Neumann U87
UAD, "LN + Precision limited"
Thimeo StereoTool
-14 dB LUFS

Play History

  • 🕘 2026-10-04 00:00:08
  • 🕘 2026-09-27 12:00:07
  • 🕘 2026-09-22 04:00:07

About the artist Flashback  View all tracks ›

★★★★★ (85 votes)

"Flashback, tracks from the past" is the current name of the podcast. Now with tracked music from nearly all platforms (including Amiga, Atari, PC). We also speak about the retro past, present the artists, talk about old games and review demo parties.

🎧 31,680 plays on ericade.radio

🎙 People in this podcast episode

Photo of DJ Daemon
Host
DJ Daemon

He got his Commodore 64 in 1989 and his first Amiga in 1990. A huge fan of tracker music and have had a long standing dream to create a radio show playing that kind of music. In 2020, that dream came true and in december Amiga Flashback started as a podcast. It was later renamed Flashback, tracks from the past and here we are.
He is also an orga for Swedish demo party Edison and a total retro nerd.

View full profile of DJ Daemon →

📡 Podcast details

Podcast name Flashback, tracks from the past
Episode number #106
File format MP3 audio
Contact us radio@ericade.net
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Mp3 file details

Waveform of episode 106, Two years in the bunker, left channel above, right channel below: level in dB against time, 1:03:47 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
89.4 MB
93 708 179 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
1:03:47
hours : minutes : seconds
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
196 kbit/s
good quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−14.3 LUFS
typical for streaming and podcasts
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
2.6 LU
very even
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−2.3 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 10
10.1 dB · moderately dynamic
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−16.9 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−16.9 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
0.02 dB
balanced
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−9.0 dB
ordinary stereo
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
Yes

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.
Flashback - Tracks from the past
artist Who made or performs the recording, as it is written inside the file.
The ERICADE Radio Network
comment A free note somebody left inside the file.
https://radio.ericade.net/podcast
composer Who wrote the music, when that is somebody other than the performer.
Erik Zalitis
genre The style of music, or the kind of programme, the file says it is.
Podcast
title The name of the recording, as it is written inside the file.
106. Two years in the bunker
track The number of this recording within its album - for a podcast, usually the episode number.
106
date The year, or date, the file says the recording is from.
2022

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

📻 Station details

The home of retro computing and retro gaming music. Streaming 24/7 with shows and podcasts about retro computing, retro gaming, demo scene and all things nerdy in the retro world.

Station ericade.radio / The ERICADE Radio Network

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