The Revenge of the Relaxing Saxophone

Scan status ? Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.

OK

measured from the file itself

Scanned ? When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.

19 Sep 2026, 19:16 UTC

File size ? How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.

11.0 MB

11 567 147 bytes

File last changed ? When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.

13 Aug 2022, 09:54 UTC

Length ? How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.

3:30

minutes : seconds

Tempo ? How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.

199 BPM

a fast tempo

Bit rate ? How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.

441 kbit/s

high quality

Sample rate ? Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.

44.1 kHz

44 100 measurements a second

Channels ? How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.

Stereo

2 channels

Codec ? The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.

MP3

Loudness ? The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.

−7.8 LUFS

on the loud side

Loudness range ? The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.

2.5 LU

very even

True peak ? The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.

0.7 dBTP

close to the ceiling - may distort on some players

Dynamic range ? How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.

DR 7

6.5 dB · heavily compressed

Left channel level ? The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.

−10.3 dBFS

average (RMS) over the whole file

Right channel level ? The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.

−10.3 dBFS

average (RMS) over the whole file

Channel balance ? The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.

0.02 dB

balanced

Stereo width ? How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.

−6.0 dB

ordinary stereo

Cover art in the file ? Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.

Yes

ID3 tags ? Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

album ? The album or collection the file says it belongs to. Stations and encoders sometimes use this field for notes of their own.

OriginalName: Remix.rmx. Imported: 2022-08-13 (TERN-aug2022-03).

artist ? Who made or performs the recording, as it is written inside the file.

Midnight Commando

itunnorm ? A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.

00001287 00001410 00007EBE 000086EC 000265AC 000265AC 00007FFF 00007FFF 00033053 00033053

itunsmpb ? A text field stored inside the mp3 file (an “ID3 tag”) by the program that made it.

00000000 00000210 000007EA 00000000008D4E86 00000000 008013C2 00000000 00000000 00000000 00000000 00000000 00000000

encoder ? The program that made the mp3 file.

Logic Pro X 10.6.3

title ? The name of the recording, as it is written inside the file.

The Revenge of the Relaxing Saxophone

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.