Song profile for Joyride

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This profile was last updated on: 2026-10-07 01:24:18

🎙 Curated by DJ Daemon

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Cover art for Joyride by Mantronix & Tip

🎵 Track Profile

Joyride

by Mantronix & Tip

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Track Details

AlbumOriginalName: joyride.mod. Imported: 2022-03-15 (TERN-mar2022-03).
Tracker TypeAmiga 4-channel module
Duration03:48
Total plays280
Added2022-03-16 00:32:32
Track ID#10671
Integrity
MD5
e03cbfaf631b655ef5d0554295acb493
SHA-1
be3c0783c80b0f3de2796e5237922638c15265a4
SHA-256
347ce9081b9a8f4408cdccea26235f6d91242d116ded03a86f23885f811c2d89
SHA-384
fbb1abef12a66782f91e74164eab3e2c4ce735b03193342cfa36871fa6aef892826d6aa4b9ba38bd2b653e623df8ed60

Play History

  • 🕘 2026-10-02 12:55:13
  • 🕘 2026-09-24 22:57:42
  • 🕘 2026-09-18 12:06:09

About the artist Mantronix  View all tracks ›

★★★★★ (2 votes)

Swedish artist, whose real name is Martin Wall. Mantronix was in Panorama before joining The Warfalcons in august or september of 1990. He was lated in Fairlight, which he left for Razor 1911, and moved to Phenomena in the middle of 1991. Frequently cooperated with Tip.

🎧 1,952 plays on ericade.radio

About the artist Tip  View all tracks ›

★★★★★ (5 votes)

Swedish artist. His given name used to be Robert Ling, but he later changed it. Tip left Nectrix for Dual Crew in august of 1990. He later moved on to Phenomena.The august 1991 demo Joyride also announced Tip had joined up with the game music creation group Maniacs of Noise, a cooperation that only led to music in one game; the Amiga classic Agony. The november 1991 diskmagazine R.A.W 1 reported that Tip and Mantronix had left Maniacs of Noise.Voted #1 best musician in The Charts 1 (febuary 1993) along with Mantronix.

🎧 2,635 plays on ericade.radio

Additional data from ModArchive

Title on ModArchive joyride
Module format MOD
File size 152.41KB
Added to ModArchive Sat 8th Jul 2000
ModArchive rating 10 / 10

Data from modarchive.org, last checked 2026-09-17 22:03:54.

Mp3 file details

Waveform of Joyride by Mantronix & Tip, left channel above, right channel below: level in dB against time, 3:51 long. Open the waveform at full size (opens in a new tab)
Waveform A picture of the whole recording from start to end. The taller the shape, the louder that moment; the left channel is on top and the right channel below it. The scale up the side is the level in dB, the one along the bottom is the time. Select the picture to open it at full size.
Scan status Whether the station’s analyser could read this mp3. “OK” means every number in this box was measured from the actual audio, not copied from a tag that somebody typed.
OK
measured from the file itself
Scanned When the file was last analysed. If the mp3 is replaced afterwards, these numbers describe the old version until it is scanned again.
File size How much room the mp3 takes on a disk, and how much data you use when you play or download it. It is roughly the bit rate multiplied by the length.
5.3 MB
5 546 571 bytes
File last changed When the mp3 on our server was last written - usually the day it was uploaded, or encoded again.
Length How long the recording plays. It is measured from the audio itself, so it is right even when a tag in the file says something else.
3:51
minutes : seconds
Tempo How fast the tune goes, in beats per minute - the speed you would tap your foot at. This was measured automatically by the station's analyser (ffmpeg and bpm-tools' "bpm"), not typed in by a person, so it is not guaranteed to be 100% accurate: tunes without a steady beat can throw it, and where it is wrong it is usually exactly half or double the tempo you would count.
75 BPM
a slow tempo
Bit rate How much data is spent on each second of sound. More data keeps more detail when the audio is squeezed into an mp3: 128 kbit/s is acceptable, 192 is good, and 320 is the most an mp3 can hold.
192 kbit/s
good quality
Sample rate Digital audio is a long row of measurements of the sound wave. This is how many are taken every second. 44.1 kHz is the CD standard and 48 kHz the video and broadcast standard - both capture everything a human ear can hear.
44.1 kHz
44 100 measurements a second
Channels How many separate signals the file holds. Mono is one. Stereo is two - left and right - which is what lets a sound be placed somewhere between your speakers.
Stereo
2 channels
Codec The method used to shrink the audio. MP3 leaves out the detail an ear is least likely to miss, which makes the file about a tenth of the size of the original recording.
MP3
Loudness The average loudness of the whole recording, the way a listener hears it (“integrated loudness”, in LUFS). The closer to 0, the louder. Music services aim for about -14 and podcasts for about -16, so that you do not have to reach for the volume between tracks.
−18.8 LUFS
on the quiet side
Loudness range The distance between the quiet passages and the loud ones, in LU (1 LU is 1 dB). A small number means an even, compressed sound - good in a car or on a phone. A large number means big swings between soft and loud.
4.9 LU
very even
True peak The highest level the signal ever reaches, including the peaks that appear between the measurements when the file is turned back into sound. 0 is the ceiling: above about -1 dBTP, a recording can crackle (“clip”) on some players.
−4.0 dBTP
safely below the ceiling
Dynamic range How far the loudest peaks stand above the loud parts of the recording, in dB - the “DR” number that music collectors compare albums by. A low number (under 8) means the sound has been squeezed until everything is equally loud: punchy, but tiring to listen to. 14 and up means the music has room to breathe, with real hits and real quiet. It says nothing about how loud the file is: turning the volume down does not change it. Chip music made of steady square waves naturally lands low.
DR 12
11.6 dB · moderately dynamic
Left channel level The average strength of the left channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the right channel.
−20.6 dBFS
average (RMS) over the whole file
Right channel level The average strength of the right channel over the whole recording (“RMS”), counted in dB below the loudest level a digital file can hold (dBFS). More negative means quieter. Compare it with the left channel.
−20.6 dBFS
average (RMS) over the whole file
Channel balance The left level minus the right level. Close to 0 dB means both sides are equally loud. More than about 1 dB and the whole mix leans towards one ear.
0.00 dB
balanced
Stereo width How strong the part that DIFFERS between left and right is, compared with the part they share. A very low number (-40 dB or less) means both sides carry the same sound - mono in practice. A higher number means a wider stereo picture; a very high one can sound thin on a single speaker.
−79.4 dB
practically mono
Cover art in the file Whether a picture is stored inside the mp3 itself. A player shows it as the album art when the file is played somewhere else - in a car, on a phone, offline.
No

ID3 tags Text stored inside the mp3 file itself - title, artist, album and so on. It is what a music player, a phone or a car stereo shows while it plays the file, and it travels with the file wherever it is copied.

encoder The program that made the mp3 file.
Lavf62.12.101

Measured from the mp3 file on our server by the station’s own analyser. Point at a label, or select its question mark, for what the number means.

📻 Station details

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